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▀▀▓▓█▌ Les Ambassadeurs feat. Salif Keita - Classic Titles ░
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▀▀▄▓▒▓ Artist .....: Les Ambassadeurs feat. Salif Keita ▓▒▓
▐█▓▓ Title ......: Classic Titles ▓▓█
▀██▓ Year .......: 2007 ▓██
██▓ Genre ......: Salsa ▓██
███ Label ......: Cantos Music ▓██
███ Source .....: CD ▓█▓
███ Bitrate ....: 199 kbps avg ██▓
███ khz ........: 44.1 █▓▓
███ Mode .......: Joint Stereo ██▓
██▓ Encoder ....: LAME ██▓
██▓ Reldate ....: 2007-05-16 ▓██
██▓ Storedate ..: 2007-00-00 ▓██
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███▌ Tracklist ▀ ███
██▓▀ ███
███ 1. Djandjon 12:01 ███
███ 2. Djougouya 8:17 ███
███ 3. Kibaru 20:50 ███
███ 4. Bara Willile 8:04 ███
███ 5. Wara 8:43 ███
███ 6. Wassolon Foli 7:36 ███
███ 7. Mandjougoulon 6:44 ███
██▓ ▓██
██▓ 72:15 min ▓██
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███▌ Release ▀ ███
██▓▀ ███
███ The first track of this sublime album is over 12 ███
███ minutes long. Funeral dirge, dancehall song and ███
███ incantation, itÆs an anthem for a Mali still at odds ███
███ with itself more than a decade after Independence, ███
███ pulled by all kinds of emotion but ultimately full ███
███ of hope. Salif KeitaÆs vocals measure out their joy ███
███ out in controlled metres, straining and soaring when ███
███ required but pausing at the close of an idea and, ███
███ quietly, always moving the song forward. This track, ███
███ æ'Djandjon'Æ, has a beguiling, insistent rhythm, and ███
███ you think it could have gone on for hours more û but ███
███ by the end the circle is complete and you know that ███
███ all the time the musicians had an end in sight. ███
███ ███
███ The Bamako-based Ambassadeurs du Motel began to ███
███ really make things happen in 1973 when the chief of ███
███ the Malian police took over as manager and persuaded ███
███ Salif Keita, then star of the Rail Band, to come on ███
███ in and join the party. Keita has said that whereas ███
███ with the Rail Band, he interpreted songs from Malian ███
███ folklore played on modern instruments, the ███
███ Ambassadeurs gave him space to perform traditional ███
███ music as well as jazz, Latin-American and European ███
███ forms. For audiences at the time, it was a ███
███ revelation. Even now, post-Festival in the Desert ███
███ and Damon AlbarnÆs holidays in the region, this ███
███ pioneering sound still comes over as raw, freshly ███
███ conceived and deeply committed. Part of this is ███
███ thanks to the tapes that were used, and the rough ███
███ edges and dreamy reverb (some of the synths are a ███
███ bit too dreamy). But the passion and commitment ███
███ would shine through even if this were remastered for ███
███ the iPod generation. ███
███ ███
███ On æ'Djougouya'Æ you hear the jazz urges, as well as ███
███ a 70s wash of urban cool û Shaft in Timbuktu û which ███
███ gives way to a gorgeous funk pop song with Keita ███
███ talking to the sax. æ'Bara Willie'Æ has a reggae ███
███ beat and spacey dub treatment. æ'Wassalon Foli'Æ ███
███ takes you to a basement dive bar swirling with smoke ███
███ and swaying bodies. No song comes in at under six ███
███ minutes and one, æ'Kibaru'Æ, indulges us in an epic ███
███ 20 minutes û it was originally performed at the ███
███ legendary æbattle of the bandsÆ concert held in ███
███ Bamako in 1974, when Les Ambassadeurs took on the ███
███ Rail Band, then fronted by Mory Kante'. But what ███
███ stands out is Les AmbassadeursÆ skill at taking on ███
███ jazz, funk, ethnic rhythms and even Mexican horns, ███
███ and working them into a stylish, seamless signature ███
███ sound. ███
███ ███
███ Few bands exude this kind of confidence and panache, ███
███ and this gorgeous reissue is a reminder that before ███
███ the subsections at the record store, African music ███
███ was just fantastic music û outward-looking and ███
███ inwardly assured. ███
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▓██▌ Group ▀ ▓██
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▄ ▀▄▓▄▓██ if you have something to offer contact us. ███
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