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██▌ Artist...: Beresta ░▐██▌
░▐██ Album....: Svyato Mesto ░██▌░
▓▐██ Year.....: 2025 ▓▐██▓
▓▐██ Rel. Date: 2026-07-11 ░▐██▓
▐██ Genre....: Black Metal ██▌░
░ ██▌ Label....: SoundAge Productions ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Svyato Mesto 2:34
2. Slezy 4:33
3. Pesn Straha 4:45
4. Polutrup 4:33
5. Zarya 5:33
6. Svecha 4:36
7. Ta Samaya Dolgaya i Holodnaya Noch 7:43
8. Za Gorizontom 1:42
9. Zemlya 6:35
42:34
Atmospheric black metal / post black metal band from Saint-Peterburg,
Russia. The band was founded in 2024 and managed to release their debut
EP "Yaschik Zemli" the same year. The LP "Svyato Mesto" was released in
May, 2025.
---
May 1st, 2025 saw the debut release of yet another amazing band from St.
Petersburg - Beresta. The band's music is complex, layered and utterly
captive as with most of the metal bands from that city.
The band was formed last year and managed to release a promising EP,
something to live up to on their first release. And, man, have they
lived up to it and delivered. They even have the mighty Show Me a
Dinosaur joining them on one song, and the vocalist Anton Toshnyi from
Wowod joins them on another song, showing a tight metal music community.
It is a very varied album with ebbing and swelling music, heaving and
sinking. As a kind of trademark for the music coming out of St.
Petersburg there is always a melodic theme lurking in the cascading flow
of music. Although very dense sonics with blasting rhythms can be found
throughout the album, there are delicate parts that serve as breathers
in the vast expanses. There are even a couple of alluring Ambient tracks
like the opener "Holy Place" that is gradually surging towards the
coming track, "Tears" that opens with a graceful, clear guitar soon to
be overtaken by a dense fuzzing sound, leading to a cascade of blasting
Post-Black Metal sonics. The soundscape widens as the brutal music
slowly develops a melodic theme with a forceful bass. Deep in the wide
array of elements, a growling voice can be heard as the music
intensifies and rises, turning into undulating sounds, driving forward
with density and melody. Within the swelling music, a high-pitched solo
guitar emerges before it all simmers down, and the graceful, clear
guitar is back, giving relief as the song fades away.
Each song title, and the band name together with the album┤s title, is
written with the Cyrillic alphabet, and I have google-translated them,
hoping it is somewhat correct. But while the letters and language are
incomprehensible to me, the music is not. Music crosses borders and
cultures and unites us in unique listening experiences like the music on
this album does. One need not understand Cyrillic or Russian to be
intrigued by how the band opens nearly every song with clear, often
acoustic guitars and then dives into blasting melodic atmospheric metal
music. In the song "Candle", the opening acoustic six string even has
the timbre of a medieval English minstrel song before it is embraced by
heavy sonics, but the guitar can still be heard throughout billowing
forward.
On the "Song of Fears" the band is joined by Show Me a Dinosaur and the
music is racing forward with even more ferociousness, forming a
memorable musical theme underpinned by a blasting rhythm section. The
sonics are floating and swelling with tremolo guitars soaring above the
fast-paced music. A subtle change makes the track even heavier. Immersed
in the cascading sounds are growling and snarling vocals.
These are another feature in the expansive soundscapes the band creates.
They vary from snarling, powerful growls, and on "Dawn", these plow
their way into the ever-gushing music. This song is also a showcase of
how the band uses counterpoints to suddenly change the dense tracks.
Here, it is as if the music turns on its heels, swells with brightness,
and clear vocalizing, while elongated guitars and the drums add a
passionate yearning. As the blasting drums knits everything together,
the music begins to soar in a never-ending spiral before it simmers down
to a lone clean guitar ending.
The band is joined by Anton Toshnyi on "That Same Long and Cold Night",
and his clean vocals are found within torrential and swelling music that
heaves and sinks forward up to a point where the drums turn into
blastbeats and tighten the sonics, completely contrasting the prolonged,
fluid vocals that hover above the sound of heavy music. It is compelling
and textured. A shift in the musical direction arrives when everything
is combined with clean vocal harmonies before the vocals become snarling
growls as the music gets heavier, and another growling vocal line
emerges. The track is layered plentifully with a high-pitched guitar
cutting through the darkened cascades before it fades away and melts
into the meditative and ambient sounds of "Over the Horizon".
The album closer is another six-minute showcase of Blackened Atmospheric
Metal with hints of Blackgaze called "Earth". The song┤s rhythm is
prolonged and contemplative, with clean and growling vocals overflowing
with dense melodies. A clean guitar appears, becomes fuzzier and
fuzzier, the pace slows down like taking a deep breath before it swells
back with two vocal lines in harmony, one growling and one clean. The
music simmers down and widens out, uncovering a clear and clean
soundscape before it fuses back to a relentless crescendo that rises and
rises before it collapses with discordant sounds, and the music slowly
fades away.
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