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Artist......: Poison Void
Album.......: Call of the Void
Year........: 2024
Genre.......: Death Metal
Type........: EP
Label.......: Independent
Language....: English
Source......: WEB/FLAC (16bit)
Quality.....: 870kbps / 44.1 kHz / Stereo
Tracks......: 5 tracks
Playtime....: 00:16:09
Size........: 104.8 MiB
R.Date......: 2026-07-13
S.Date......: 2024-11-17
Url.........: https://open.qobuz.com/album/vooqt5s79vwsc
01. Realm of the Dead 3:21
02. Revenant 3:51
03. To Oblivion 1:42
04. Spectral Embrace 3:43
05. Call of the Void 3:33
Singapore's Death Metal and Underground Extreme Metal
scene continues to grow with Poison Void emerging as a
new Death Metal force in pushing the local scene towards
heavier and more refined brutality.
Poison Void makes a commanding entrance with Call of the
Void, a five-track slab of evil and atmospheric Death
Metal forged by the fire intensity and experience of the
3 members from other local underground bands coming
together.
'Realm of the Dead' opens the EP with crushing riffs and
an ominous atmosphere, setting the tone for the band's
descent into death and decay. 'Revenant' follows with a
more sinister and haunting approach, driven by eerie
guitar work and a sense of restless dread.
The short but devastating 'Spectral Embrace' delivers
pure violence in condensed form, acting as a relentless
burst of chaos before the EP shifts into the haunting
depths of 'To Oblivion', arguably the record's most
atmospheric moment, where melody and darkness intertwine
to create an almost ghostly presence. The title track,
'Call of the Void', closes the release in crushing
fashion, combining the band's strongest elements into a
bleak and memorable finale.
Much of the EP's strength lies in the band's songwriting
and execution. B's guitar work demonstrates a strong
understanding of how atmosphere and aggression can
coexist, crafting memorable riffs that favour tension,
mood and dynamics over constant speed.
Poison Void stands firmly on its own identity, embracing
a darker and more immersive approach to songwriting. D's
bass provides a thick and menacing backbone throughout
the record, adding depth and weight to every passage,
while Z's drumming drives the songs forward with
precision, seamlessly shifting between savage assaults
and measured rhythms that allow the music to breathe.
With D's cavernous vocals, organic production and
carefully crafted sense of darkness, Call of the Void
feels less like a debut and more like the work of a band
that already knows exactly what it wants to achieve.
This is a strong first offering that proves Poison Void
is far more than just another side project; it is a band
with a distinct identity and a promising future within
Singapore's Death Metal underground. A powerful release
that should resonate with devotees of OSDM and the
underground alike.