Artist.......: Jean-Franτois Latour
Album........: Chopin 24 PrΘludes
Label........: Atma Classique
Genre........: Classical
Catnr........: ACD22560
source.......: CDDA
rip.date.....: May-24-2007
str.date.....: May-00-2007
quality......: VBR/44,1Hz/Joint-Stereo
Url..........: www.atmaclassique.com
track title time
01. 24 PrΘludes, op. 28 00:45
02. 24 PrΘludes, op. 28 02:40
03. 24 PrΘludes, op. 28 00:57
04. 24 PrΘludes, op. 28 02:28
05. 24 PrΘludes, op. 28 00:41
06. 24 PrΘludes, op. 28 02:24
07. 24 PrΘludes, op. 28 00:59
08. 24 PrΘludes, op. 28 02:06
09. 24 PrΘludes, op. 28 01:22
10. 24 PrΘludes, op. 28 00:33
11. 24 PrΘludes, op. 28 00:34
12. 24 PrΘludes, op. 28 01:17
13. 24 PrΘludes, op. 28 03:12
14. 24 PrΘludes, op. 28 00:31
15. 24 PrΘludes, op. 28 04:57
16. 24 PrΘludes, op. 28 01:11
17. 24 PrΘludes, op. 28 03:11
18. 24 PrΘludes, op. 28 00:59
19. 24 PrΘludes, op. 28 01:18
20. 24 PrΘludes, op. 28 01:54
21. 24 PrΘludes, op. 28 01:47
22. 24 PrΘludes, op. 28 00:50
23. 24 PrΘludes, op. 28 00:48
24. 24 PrΘludes, op. 28 02:32
25. Polonaise en do diΦse mineur, op. 26 no 1 09:34
26. Quatre Mazurkas, op. 33 02:13
27. Quatre Mazurkas, op. 33 02:19
28. Quatre Mazurkas, op. 33 02:51
29. Quatre Mazurkas, op. 33 05:37
30. Nocturne en mi bΘmol majeur, op. 9 no 2 05:20
31. Nocturne en sol mineur, op. 15 no 3 05:25
Runtime 73:15 min
Size 83,1 MB
Release Notes:
The vibrant young Canadian pianist Jean-Franτois
Latour has established a reputation as a poetic and
imaginative artist with brilliant technique and a
strong personal voice. A protΘgΘ of Leon Fleisher,
he is enjoying a rapidly growing prominence on the
international scene including engagements in Paris,
Toulouse, Geneva, Hamburg, Brussels, Moscow,
Washington, Baltimore, and Chicago. His debut on
ATMA is a solo recording consisting of a microcosm
of ChopinÆs pianistic art: the PrΘludes opus 28 ù
music closely identified with the relationship
between the composer and Georges Sand; the
Polonaise in C sharp minor opus 26, no. 1, the
Mazurkas opus 33 and the Nocturnes (opus 9 no. 2
and opus 15 no. 3).