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cDr|m's
.:: a klangwerk release ..................................................::.
artist :: various artists
release :: kid606 and friends vol one
year :: 2001
genre :: electronic
label :: tigerbeat6
catalogue :: meow001 (reprise)
website :: www.tigerbeat6.com
ripper :: milch
date :: 07-sep-2001
quality :: 192kbps/44,100hz
source :: compact disc
.::.......................................................................::.
01 catstep / my kitten / catnap - vatstep dsp rmx hrvatski 5:58
02 silver egg - 6/8 egg rmx by electric company 4:53
03 kid 606 vs underwood - kid goes to the fashion show 2:05
04 dropkick - matmos theme for a biker movie with kid606 5:27
05 ghettoblaster - marumari remix 5:19
06 dont sweat the technics - lexaunculpt style 4:22
07 people never die - chessie rmx 5:05
08 r-8 - rmx by aube 4:04
09 the rapture vs kid606 - notes 4:38
10 my kitten - swinging string jumpin kitten rmx j mandell 3:05
11 my kitten - christoph de babalon rmx 3:27
12 kid 606 vs twisted science - splinters 2:03
13 catch a lucky star - special prosecutor in a net by cex 3:51
14 dropkick - organ donor remix by the siking body 1:04
15 catstep half - eaten by solvent rmx 2:49
16 damm im hard - yes im flat rmx by vochs 5:20
17 kid606 vs miss kick - catkick 1:46
18 kid606 vs max tundra - five minutes five seconds 4:01
playtime :: 01h 09m 17s
.::.......................................................................::.
It is a time-honored aspect of rock and roll mythology that the
camaraderie of the rock and roll band is an essential element of
the larger rock community. Friends and fellow musicians band
together to make a statement that simultaneously places them within
that rock community, sets them off from the non-rock world, and
elevates their status from watchers to doers. That this mythology
is problematic should go without saying, but the utopian roots,
based in communal production, are not merely charming. The rock and
roll band can represent collective action to their listening
public. Eventually, nearly every such band falls victim to ennui,
or backstabbing, or simple drifting apart. But while the band
exists, it can exert a romantic appeal over its listeners. Even its
Boys' Night Out ethos can be translated, in girrl bands and queer
bands and mixed bands and the rest, into a celebration of working
and playing together that is more inclusive than exclusionary.
In contrast to this myth, we have contemporary artists like kid606,
one of whose ultimate goals as a musician, his web bio tells us, is
to "become president of Apple computers." The Powerbooks of today
can conveniently be seen as just the 21st century version of the
electric guitar, a relatively cheap way for anyone with the desire
and the nerve to create their own music. Seen in this light, the
tools of production are not revolutionary, no matter how different
kid606's music might sound from Chuck Berry's. But even Chuck Berry
needs a pickup band if he wants to perform; even the solo rock and
roller collaborates with other rockers. The Ramones taught the
world that all you needed was a cheap guitar, a cheap bass, a cheap
drumset, a cheap mic, four cretins, and a few thousand bucks to
create a great rock and roll album; artists like kid606 eliminate
the need for three of the cretins, which makes it easier for the
individual to pursue his or her muse, but also removes the need for
communal production that, in the past, has at least pretended to
make rock and roll utopian in a collective sense.
What does an artist like kid606 do when he, too, desires the
communal experience? Based on kid606 and friends vol.1, he
simulates collectivity, much as electro simulates "human" music.
Various electronic musicians and friends of kid606 construct
remixes of his earlier work, which are mixed in with the occasional
"new" work of the kid himself. The result is reminiscent of the
"Supergroup" syndrome of rock's past, where celebrated musicians
formed a faux-band, not out of a spirit of collectivism, but
because they could make a quick killing on the charts. Blind Faith,
indeed. The work on kid606 and friends vol.1 is as strong as
kid606's prior work; there's no reason for it not to be, as long as
he chooses talented remixers. But as a concept, it's merely Blind
Faith II. And if the Blind Faiths of the world are ultimately
little more than public circle jerks, then kid606 and friends vol.1
is the same thing for the wired world: instead of a bunch of guys
pulling their puds in tandem for a rabid audience, we're left with
a group of solo artists masturbating alone in their rooms while
playing their favorite songs on their computers. Group sex has been
replaced with onanism.
Steven Rubio
Monday, May 15 2000, 12:42 PM
yes review is 2000 but cd is a promo reprint and re-released for
*.eu and other markets in 2001 as u see on cat id it was rare .
i know why ;) well get this goodie and you┤ll know too :)
we like ...IT...⌐
.::.......................................................................::.
greetings :: sb, qdp, sour, dps, rac, dh, sfe, hbz, tr, igr and mgc
.::.......................................................................::.
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