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Artist : Jenn Grant
Album : Orchestra For The Moon
Bitrate : VBR kbps
Source : CD (LP)
Label : Paris 1919 Records
Year : 2007
Genre : Folk
Rip date : 2007-06-14
Store date : 2007-00-00
Encoder : LAME
Size : 61 megs
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| |
| .-'~~~`-.
| .' `.
| |TRACK LIST|
| | |
| | RIP |
\ \\| |//
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
1. Morning Break 3:46
2. Dreamer 4:35
3. Dancin In The Wind 3:23
4. Unique New York 4:21
5. Make It Home Tonight 3:36
6. In A Brown House 4:24
7. Don't Worry Baby 3:00
8. Britt N Kip 2:53
9. At The Finish Line 3:20
10. Sound Of Success 3:39
11. Rainy Day 3:21
12. White Horses 3:43
13. Blue Skies 3:01
-----------------------------------------------------------------------
47:02
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| | RLS NOTES |
| | |
| | RIP |
\ \\| |//
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Born and raised on Prince Edward Island, Canada, Jenn Grant embodies the
shimmering effervescence of vintage AM pop and the naked melancholy of roots.
She understands the cosmic connection between Patsy Cline and Brian Wilson,
and her oeuvre has elements of both polarities and everything in between. She
intuits the power of nuance and beugiles like no other singer you are likely
to hear.
Orchestra For The Moon, Grant's debut full-length produced by The Heavy
Blinkers' Jason MacIsaac and David Christensen, is a lush album of textured
pop that puts her honeyed voice front and center. Whether accompanied by her
band The Night Painters ("Dreamer"), stripped down to orchestral harp ("Rainy
Day") or string quartet ("Blue Skies"), Grant's vocals remain the focal
point. On "In a Brown House," she duets with legendary songwriter Ron
Sexsmith, and the result is tender and moving.
At times country, and others venturing into reggae and baroque, Orchestra For
The Moon introduces a fine songwriter with a timeless, soulful voice. Grant
is convincing in the muted and dulcet tones of Francoise Hardy or Astrud
Gilberto and when belting out gritty and world-weary tones akin to Stevie
Nicks. This album consolidates elements of Dusty Springfield's Dusty in
Memphis and traces of Tusk-era Fleetwood Mac into a pastoral folk-pop album
as magical as the woman who created it.