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▀▀▓▓█▌ The James Bond Sextet - The James Bond Songbook ░
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▀▀▄▓▒▓ Artist .....: The James Bond Sextet ▓▒▓
▐█▓▓ Title ......: The James Bond Songbook ▓▓█
▀██▓ Year .......: 2006 ▓██
██▓ Genre ......: Jazz ▓██
███ Label ......: The BGP Sound Library ▓██
███ Source .....: CD ▓█▓
███ Bitrate ....: 193 kbps avg ██▓
███ khz ........: 44.1 █▓▓
███ Mode .......: Joint Stereo ██▓
██▓ Encoder ....: LAME ██▓
██▓ Reldate ....: 2007-06-25 ▓██
██▓ Storedate ..: 2006-00-00 ▓██
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███▌ Tracklist ▀ ███
██▓▀ ███
███ 1. Thunderball 3:47 ███
███ 2. Casino Royale 3:51 ███
███ 3. The Man with the Golden Gun 2:22 ███
███ 4. From Russia with Love 2:49 ███
███ 5. 007 Theme from Dr. No 3:32 ███
███ 6. Moonraker 5:08 ███
███ 7. James Bond Theme 3:45 ███
███ 8. For Your Eyes Only 3:33 ███
███ 9. Goldfinger 3:09 ███
███ 10. Live and Let Die 3:09 ███
███ 11. Diamonds are Forever 4:39 ███
███ 12. You Only Live Twice 6:00 ███
██▓ ▓██
██▓ 45:44 min ▓██
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██████████████████████████████████████████████████████████████████████████████
▀▀▀ █▓▓ ▓▀▀▀ ▄▓▄ ▀█▀ ▀ ▀▀▀ ▓▓█
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███▌ Release ▀ ███
██▓▀ ███
███ Fantastic CD reissue of the original 1965 James Bond ███
███ Songbook LP from jazz veteran Jimmy Bond, ███
███ accompanied by some of LA's highest quality session ███
███ jazz players. ███
███ ███
███ As many of the James Bond movies had not been made ███
███ when the original The James Bond Songbook LP was ███
███ recorded, five of the twelve tracks are cover ███
███ versions of original Bond movie music (Thunderball, ███
███ From Russia With Love, 007 Theme From Dr No, and ███
███ Goldfinger), with the rest being genuine James ███
███ (Jimmy) Bond originals being sold as "personal ███
███ interpretations of Ian Fleming's stories". ███
███ ███
███ By the time that Thunderball appeared in cinemas in ███
███ 1965, Bond-mania was in full flight. With a ███
███ sufficient backlog of music it was only a matter of ███
███ time before the cash-in albums appeared. Mirwood ███
███ Records contributed to the flood of Bond related LPs ███
███ with The James Bond Songbook, and against all ███
███ expectations it was a pretty fine effort. The ███
███ Mirwood team had seen the angle in employing jazz ███
███ bass player Jimmy Bond, and for this occasion ███
███ calling him James, allowing for the entirely ███
███ legitimate release of The James Bond Songbook by the ███
███ James Bond Sextet. ███
███ ███
███ Jimmy Bond was a jazz veteran who had been playing ███
███ on the LA scene since the early 50s, Jimmy Bond had ███
███ been a fixture in Chet Baker's mid-50s band, and ███
███ frequently played on live dates with artists such as ███
███ Gene Ammons and Charlie Parker. He became a fixture ███
███ in the band of Ella Fitzgerald. In the 60s he ███
███ concentrated on studio work, appearing on sessions ███
███ for Phil Spector, Frank Zappa, Fred Neil and Tim ███
███ Buckley as well as covering the notoriously ███
███ difficult to fill bass chair for the Jazz Crusaders ███
███ on occasion. This level of serious musicianship ███
███ meant that any album that he made would not lack ███
███ weight, and for The James Bond Songbook he ███
███ surrounded himself with some of LA's highest quality ███
███ session players. ███
███ ███
███ Drummer John Guarin was a fixture in the area's ███
███ studios and Joe Parnello was an accomplished pianist ███
███ / arranger whose career would see him as Musical ███
███ Director for Tom Jones and Frank Sinatra among many. ███
███ The three-pronged horn line up was as good as you ███
███ could hope to make up from the area. Buddy Collette ███
███ was one of the earliest pioneers of playing jazz on ███
███ the flute, though he was equally accomplished on the ███
███ tenor sax. He had made a series of albums on the ███
███ West Coast and had been an early teacher of Charles ███
███ Mingus. Harold Land was another native Californian ███
███ and after working with the legendary Max Roach - ███
███ Clifford Brown band of the mid-50s, he had recorded ███
███ one of the definitive West Coast hard bop records ███
███ "The Fox" for the Hi-Fi jazz label, produced by ███
███ David Axelrod. In the late 60s he led an incredible ███
███ group with Bobby Hutcherson, all the time making ███
███ great music, with his wonderful tone on the tenor ███
███ sax. Final group member Bobby Bryant was the ███
███ trumpeter of choice on West Coast sessions in the ███
███ late 60s, and went on to make some fine albums for ███
███ Cadet and Pacific Jazz towards the end of the ███
███ decade. ███
███ ███
███ With this line-up, even a simple run through of the ███
███ tunes was likely to cook, and sure enough the band ███
███ takes on all the Bond music with aplomb. Thunderball ███
███ is a tour-de-force for the interaction between ███
███ Bond's bass and Land's tenor, From Russia With Love ███
███ becomes an intricate bossa nova and 007 Theme From ███
███ Dr No showcases exactly why Bryant was so in demand ███
███ amongst the session elite of LA. The bonus of this ███
███ album are the extra tracks that Bond wrote for this ███
███ project. They are a fine example of 60s small group ███
███ jazz with fine players working through some great ███
███ changes. It's a shame that work such as this is ███
███ virtually ignored because of the context in which it ███
███ was originally presented. The James Bond Songbook ███
███ is, if not a jazz masterpiece, a hidden gem worthy ███
███ of your attention. ███
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▓██▌ Group ▀ ▓██
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▄ ▀▄▓▄▓██ if you have something to offer contact us. ███
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