___ _ __ __
___/ (_)_________(_)___/ /__ ____ / /_
/ __ / / ___/ ___/ / __ / _ \/ __ \/ __/
/ /_/ / (__ |__ ) / /_/ / __/ / / / /_
\__,_/_/____/____/_/\__,_/\___/_/ /_/\__/
d i s s i d e n t
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a r t i s t : Sonny Murray
t i t l e : Sonny's Time Now
d a t e : 1965
l a b e l : DIW
g e n r e : Jazz
r l s. d a t e : Jan/2003
t r a c k s : 04
b i t r a t e : 192kbps
s i z e : 49,6 MB
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Were it not for Murray's name on the cover, Sonny's Time Now could
probably be misinterpreted as an Albert Ayler record. Like Eric Dolphy
before him, Ayler simply dominated sessions as a sideman. His painfully
wide vibrato is instantly recognizable, but this is a much more
fractured affair than most Ayler records of the time. Missing are the
church-influenced spiritual heads and deep blues improvising heard on,
say, Spiritual Unity or Vibrations. Instead, one is presented with some
exceptionally free music that doesn't appear, on the surface anyway, to
be based on any predetermined structures. Particularly of note is the
Amiri Baraka (then-Leroi Jones) recitation, "Black Art." While not
altogether different than "Sweet-Black Dada Nihilismus," a similar
reading from the self-titled New York Art Quartet record, "Black Art"
is a much more bleak and (at least potentially) upsetting piece. This
session has since been reissued on both CD and LP by the Japanese label
DIW. The LP reportedly included a bonus 7" record with more material.
This is some very serious music by some very serious cats.
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01-Virtue [11:07]
02-Justice [12:43]
03-Black Art [06:33]
04-The Lie [05:44]
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36:07 min
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e m a i l: diss@subdimension.com
inventas vitam iuvat excoluisse per artes
Files
Path
Size
[BMW]-[Jazz-1965]-(49.6 MB in 4 files of 192kbps Stereo)-[bender@recor