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▓█▓▓█ Artist.....[ Raising The Fawn ▀████▄█▓
██▓▀ Album......[ Sleight Of Hand ▀▓██
▄ █▓█ █ Label......[ Sonic Unyon Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ SUNCD117 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Indie ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-06-29 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-07-03 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 199 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.raisingthefawn.com ▓█▓▄█▓█ ▄
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█▓ 01 River Of Gold 4:30 ▓█
█▓ 02 ROMA/AMOR 4:04 ▓█
█▓ 03 Two Wives 3:37 ▓█
█▓ 04 Focusfocusfocus 4:36 ▓█
█▓ 05 You Are The Enemy 2:09 ▓█
█▓ 06 Cypress Fields 5:10 ▓█
█▓ 07 The Cliffdivers 6:10 ▓█
█▓ 08 Palace Gates 2:44 ▓█
█▓ 09 A Lion In Winter 8:47 ▓█
█▓ ----- ▓█
█▓ 41:47 ▓█
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█░█ When it came time to record the new Raising the █░█
█░█ Fawn album, we were just exhausted from being on █░█
█░█ the road. This is especially true of myself as █░█
█░█ between RTF and Broken Social Scene, I spent █░█
█░█ about 13 of 16 months touring. Ive not felt so █░█
█░█ personally relieved as when I said to Scott and █░█
█░█ Dylan in November, lets just get home and make a █░█
█░█ record. █░█
█░█ █░█
█░█ The record in question became Sleight of Hand. We █░█
█░█ recorded the meat of it in a single week and the █░█
█░█ mixing was done in four days warp speed for a █░█
█░█ band whose previous two full-lengths required █░█
█░█ months to complete. This new brevity was █░█
█░█ partially a challenge laid to ourselves. █░█
█░█ █░█
█░█ The recording of 2006s The Maginot Line left me █░█
█░█ pleased but exhausted. Rather than go through █░█
█░█ that again, we self-imposed a band boot camp. █░█
█░█ With so much groundwork already laid out, we █░█
█░█ wanted to push our preparation to the point where █░█
█░█ the performances were subconscious. █░█
█░█ █░█
█░█ The biggest challenge was realizing these █░█
█░█ performances properly. In this respect, Sleight █░█
█░█ of Hand would have been impossible without the █░█
█░█ guidance of our producer, Ian Blurton (The █░█
█░█ Weakerthans, Amy Millan, Cursed). The week of █░█
█░█ recording passed with the delirium of a marathon █░█
█░█ runner on an August day. Ians patience and █░█
█░█ expertise was crucial here. It was all there, █░█
█░█ exactly as we had hoped. █░█
█░█ █░█
█░█ Sleight of Hand is (by design) our shortest album █░█
█░█ yet. It is also both our most varied and most █░█
█░█ accessible release. After making our previous █░█
█░█ record with focus on group writing and live █░█
█░█ performance, Sleight of Hands blueprint was very █░█
█░█ different a true studio album. Songs were given █░█
█░█ exactly what they needed, whether it was twelve █░█
█░█ tracks of vocals, two drumkits, synths and drum █░█
█░█ machine or just guitar and voice. █░█
█░█ █░█
█░█ More than anything, we hope that this album █░█
█░█ reflects a natural shift for the band back to the █░█
█░█ world of melody or maybe more accurately, an █░█
█░█ improved integration of our experimental side █░█
█░█ with the harmonies that have always been there. █░█
█░█ This is our pop album and it contains what I feel █░█
█░█ to be at least four of the best things Ive ever █░█
█░█ written. █░█
█░█ █░█
█░█ -John Crossingham, April 2007 █░█
█░█ █░█
█░█ http://www.sonicunyon.com █░█
█░█ http://www.raisingthefawn.com █░█
█░█ http://www.myspace.com/raisingthefawn █░█
█░█ █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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