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▓█▓▓█ Artist.....[ Jozef Van Wissem ▀████▄█▓
██▓▀ Album......[ Stations Of The Cross ▀▓██
▄ █▓█ █ Label......[ Incunabulum █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ INC004 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Instrumental ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-07-05 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-06-00 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 140 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.jozefvanwissem.com ▓█▓▄█▓█ ▄
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█▓ 01 Dew Drops Fall Like Tears At Eventide 5:28 ▓█
█▓ 02 Propempticon 3:24 ▓█
█▓ 03 Low Mass 2:15 ▓█
█▓ 04 The Weeping Virgin, Trembling, Kneels 3:19 ▓█
█▓ Before The Rising Sun ▓█
█▓ 05 You Can't Go Home Again 1:20 ▓█
█▓ 06 Smokeless Altar 4:20 ▓█
█▓ 07 Beyond The Veil 2:17 ▓█
█▓ 08 All Day Within The Dreamy House The 3:48 ▓█
█▓ Doors Upon Their Hinges Creaked ▓█
█▓ 09 Passage Of His Presence 2:43 ▓█
█▓ 10 A Visit Not Measured With A Return In 1:43 ▓█
█▓ Kind ▓█
█▓ 11 Without The Rose 2:54 ▓█
█▓ 12 Grand Central Confessional 4:50 ▓█
█▓ 13 The Lowering 1:32 ▓█
█▓ 14 All Earth Was Black, All Heaven Was 3:18 ▓█
█▓ Blind ▓█
█▓ ----- ▓█
█▓ 43:11 ▓█
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█░█ 2007 release, the most recent recording by jozef █░█
█░█ van wissem. a suite of pieces for solo lute with █░█
█░█ occasional forays into field recording and mild █░█
█░█ electronic processing... █░█
█░█ █░█
█░█ lovely stuff, much in the way sandy bull recast █░█
█░█ luis bonfaÆs ômahana de carnivalö for oud, jozef █░█
█░█ here works a series of repetitive, often █░█
█░█ doubled-up lines not too far removed from the █░█
█░█ fahey / takoma universe; the deep bass of the █░█
█░█ ringing lower strings sounds rich & full, the █░█
█░█ travis-like arpeggiations work perfectly to lull █░█
█░█ the listener into a nice alpha state... █░█
█░█ █░█
█░█ jozef van wissem - 10 course renaissance lute, 13 █░█
█░█ course baroque lute, tape █░█
█░█ recordings concluded at locksley hall on easter █░█
█░█ 7-4-7 █░█
█░█ other material taped at grand central station, █░█
█░█ nyc, heathrow airport, london and liberty █░█
█░█ international airport, newark, new jersey on █░█
█░█ various occasions. █░█
█░█ instruments built by michael schreiner, toronto, █░█
█░█ canada in 1998 and 2005 respectively █░█
█░█ █░█
█░█ "New cd of solo Lute compositions by Jozef van █░█
█░█ Wissem, blended with manipulated airport lounge █░█
█░█ and train station recordings. Beautiful and █░█
█░█ timeless musick." █░█
█░█ █░█
█░█ ---- █░█
█░█ New release from baroque conceptualist and █░█
█░█ improviser, Josef Van Wissem, who, for more than █░█
█░█ a decade, has been quietly but surely reinventing █░█
█░█ the vocabulary of that most unlikely of █░█
█░█ instruments, the lute. With the exception of the █░█
█░█ odd Renaissance preservationist context, the █░█
█░█ lute, which was once the most popular portable █░█
█░█ instrument in the Western world, has all but █░█
█░█ disappeared from our musical landscape. Despite █░█
█░█ the arcane associations of his chosen instrument, █░█
█░█ Van Wissem is no revivalist; his compositions █░█
█░█ often marry a deep and self-conscious knowledge █░█
█░█ of the instrument's weighty history with a █░█
█░█ rigorous post-modern sensibility that has █░█
█░█ encompassed everything from appropriation to █░█
█░█ minimalist free improvisation, electronic █░█
█░█ manipulation, and the mirrored or palindrome █░█
█░█ musical structures for which he is perhaps best █░█
█░█ known. █░█
█░█ █░█
█░█ These palindrome compositions, a group of which █░█
█░█ are collected on his latest solo release, █░█
█░█ Stations of the Cross, are compositions that, █░█
█░█ like the words "radar" or "wow," or the phrase, █░█
█░█ "Madam, I'm Adam," read the same forwards or █░█
█░█ backwards. Each composition progresses through a █░█
█░█ series of notes to the midpoint of the piece, █░█
█░█ where the sequence then reverses and the pitches █░█
█░█ are played in retrograde order back to the █░█
█░█ compositions starting point. The effect is █░█
█░█ strange and subtle, and oddly psychological -- █░█
█░█ there is a sense that time expands and contracts █░█
█░█ back to the point of origin, while the exact █░█
█░█ moment of reversal is difficult to detect. █░█
█░█ Compositional expectations are similarly, subtly █░█
█░█ undercut and, being that the beginning is always █░█
█░█ also the end, these pieces tend to come to a █░█
█░█ close without resolution, which gives them a █░█
█░█ quietly unsettling, question-like quality. To █░█
█░█ make things even more interesting, these mirrored █░█
█░█ structures are often superimposed onto field █░█
█░█ recordings of airport terminal interiors which █░█
█░█ are digitally manipulated into mirrored █░█
█░█ structures of their own. These recordings lend an █░█
█░█ eerie, impersonal atmosphere, the specificity and █░█
█░█ contemporary nature of which stands in stark █░█
█░█ contrast to the timeless, esoteric quality of Van █░█
█░█ Wissem's gut stringed lutes. Stations is a record █░█
█░█ of quiet, stately beauty and concept. [CC] (June █░█
█░█ 7, 2007) █░█
█░█ █░█
█░█ http://www.jozefvanwissem.com █░█
█░█ http://www.myspace.com/vanwissem █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
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▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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