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███▓▀ Jandek-Manhattan Tuesday ▄ ▐▓░
███▓ █▌▄▄▄▓▒
███▓ █▌▀█▄ ▀▀█▄ ░
███▓ Company ...: Corwood 0788 ▀▓ ▀▀▀▐█▀ ▒░
███▓ Style .....: Folk ▐▓▄▄▄▄█▌ ▀▓▓▒░
███▓ Source ....: CDDA ▄▄▓▓▀▀▄▀▄▀▀█▄▄ ▀▓▒░
███▓ Date ......: 07-06-2007 ▄▓███▄▄ ▀ ▄▄█▓▄ ▀▓░
███▓▄ ▓▓▐█▌ ▀▀▓▒▄▄██▀▐█▌▓█ ▐▓
████▌ Grabber ...: dBpoweramp Ref. ▓█▒ ▐█▌▄██▀▀█▓▄▐█▌ ▓█ ▒░
██▓██▄ Encoder ...: LAME 3.97 ▐▓▒░▄▄▓█▌ ▐█▌▓▄ ▐█▌ ░
█▓▓▒░▀▓▄ Quality ...: VBR kbps ▐▓██▀▀ ▐█▌ ▐█▌ ▀▀███▌ ░
▄██▓▓ ▐█▌▄▄ Mode ......: Joint-Stereo ░ ███▄▄▄▄▐█▌▄▄▐█▌▄▄▄▄▄█▓
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▀▀██▓▌ Tracklist ▓▓██
▀▀▄▄ """"""""""" ▓███
▀▀▄▄ ▓███
▐█▓ ▓███
▀█▓ ▓███
█▓ . cd1 ▓███
█▓ . ▓███
█▓ 01. Afternoon of Insensitivity: Part One 13:09 ▓███
█▓ 02. Afternoon of Insensitivity: Part Two 20:48 ▓███
█▓ 03. Afternoon of Insensitivity: Part Thre 09:57 ▓███
█▓ . ▓███
█▓ . cd2 ▓███
█▓ . ▓███
█▓ 01. Afternoon of Insensitivity: Part Four 11:29 ▓███
█▓ 02. Afternoon of Insensitivity: Part Five 12:44 ▓███
█▓ 03. Afternoon of Insensitivity: Part Six 07:11 ▓███
█▓ 04. Afternoon of Insensitivity: Part Seve 18:26 ▓███
█▓ ▓███
█▓ ▄▓███
█▓ ▐████
█▓ ▄██▓██
░ █▓ Total Time: 93:44 min ▄▓▀░▒▓▓█
░░ █▓▄ ▄▄▐█▌ ▓▓██▄
░ ▒░ ██▌ ██▌ ▀▓▄ ▀▓▓█▌
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██▓▓ ▀ ▀▓▓▄ ▐███▀▀
███▓ Notes ▐▓██▀▀
███▓ """"""" ▄▄▀▀
███▓ ▄▄▀▀
███▓ ▓█▌
███▓ ▓█▀
███▓ Another live double disc. According to the ▓█
███▓ spine, the name of the album is Manhattan ▓█
███▓ Tuesday. But the name of the composition it ▓█
███▓ contains is ôAfternoon of Insensitivity; this ▓█
███▓ is printed above the track listing. The credit ▓█
███▓ on the back says RECORDED LIVE: ANTHOLOGY FILM ▓█
███▓ ARCHIVES MANHATTAN NEW YORK SEPTEMBER 6, 2005.ö ▓█
███▓ The representative from Corwood plays Korg ▓█
███▓ synthesizers (set to organ-like sounds) and ▓█
███▓ sings; he is accompanied by Loren Connors ▓█
███▓ (electric guitar), Matt Heyner (bass), and ▓█
███▓ Chris Corsano (drums). ▓█
███▓ ▓█
███▓ "Curiously, I've noticed that his covers for ▓█
███▓ the live albums follow a similar behavior: he's ▓█
███▓ NEVER on them (I always presume him to be the ▓█
███▓ taker of the photograph, though that may not be ▓█
███▓ true), and they are often as far removed from ▓█
███▓ the venue as possible. In other words, how much ▓█
███▓ further from Manhattan would you get to a creek ▓█
███▓ (complete with rippling water) running through ▓█
███▓ a spooky, mist-covered forest. Sorta like ▓█
███▓ imagining a sea-side hotel in Austin, or the ▓█
███▓ countryside of Glasgow or Newcastle? Of course, ▓█
███▓ how about the suburban church of the original ▓█
███▓ Glasgow cover? On all of them, things are not ▓█
███▓ as they seem. ▓█
███▓ ▓█
███▓ That's more fitting here than on any other ▓█
███▓ disc. My GOD, this thing is S P O O K Y. The ▓█
███▓ cover is perfect. The album, on first listen, ▓█
███▓ is a psychedelic church sermon performed by ▓█
███▓ ghosts. Whether intentional or not, it sounds ▓█
███▓ like a bootleg. Or more specifically, it ▓█
███▓ reminds me of the live recording of "Careful ▓█
███▓ with that Axe, Eugene" on Pink Floyd's ▓█
███▓ "Ummagumma." No, really - scoff all you want. ▓█
███▓ You've got a sustained wah-wah guitar, ▓█
███▓ percussion that keeps an eccentric rhythm and, ▓█
███▓ above it all, this ghostly keyboard. ▓█
███▓ ▓█
███▓ And then the vocals... ▓█
███▓ ▓█
███▓ May I invite not only Nate but as many as get ▓█
███▓ this to help in transcription? This is gonna be ▓█
███▓ TOUGH. The vocals (for the most part) echo ▓█
███▓ about, lost in the froth of the music around ▓█
███▓ them. "There's no escape" he says in the first ▓█
███▓ song, and that's no joke. I think this spooks ▓█
███▓ me more than any Jandek album since "Shadow of ▓█
███▓ Leaves." Maybe more than that. But it's so ▓█
███▓ unique, so unlike anything else. I figured this ▓█
███▓ would sound like the Toronto show, but it ▓█
███▓ doesn't. It sounds like a dank cellar in 1968, ▓█
███▓ as recorded by some rabid follower on an old ▓█
███▓ tape deck, and somebody dug it up and now we ▓█
███▓ have it. ▓█
███▓ ▓█
███▓ So yeah, it relates to Toronto in the sense ▓█
███▓ that the keyboard playing is similar, but the ▓█
███▓ sound is...a lot darker. Also, the lyrics are ▓█
███▓ more vague - my favorite thing about Toronto ▓█
███▓ was the way the characters played off each ▓█
███▓ other (he did this in Indianapolis also); you ▓█
███▓ got a sense of human interaction, or at least ▓█
███▓ of some sort of interaction, even if one of the ▓█
███▓ players was an invented personality. Here there ▓█
███▓ is only one man and his depression. He ▓█
███▓ addresses people throughout (and I'll have more ▓█
███▓ impressions on this as I figure out just WHAT ▓█
███▓ these lyrics are) but it all circles back to ▓█
███▓ him, like buzzards flying over a corpse that ▓█
███▓ doesn't know that it's gone. I - of all people ▓█
███▓ - am not leveraging the sort of 'he's so ▓█
███▓ crrrreeepy, lord what will we do' type of ▓█
███▓ criticism at Jandek. In fact, it's not ▓█
███▓ criticism at all. It's honest. This is as close ▓█
███▓ to the dark side as I can imagine getting ▓█
███▓ without being sucked inside. ▓█
███▓ ▓█
███▓ And yes, as with Glasgow and Toronto (and ▓█
███▓ Atlanta? I assume that was one piece, but I ▓█
███▓ never heard a name for it) this is one "song" ▓█
███▓ stretched over an hour and a half of disc time. ▓█
███▓ It's not like anything else in the catalog. I ▓█
███▓ recall people pondering what his fiftieth ▓█
███▓ release would be, well here it is. You couldn't ▓█
███▓ ask for more. "It's all so useless/why do ▓█
███▓ it/why do anything" he says in the twenty ▓█
███▓ minute second song. You do it so we can have ▓█
███▓ music like this, that's why. ▓█
███▓ ▓█
███▓ note: I'm going to upload the cover on ▓█
███▓ photobucket or something - I don't want to ▓█
███▓ overload anyone's account. I'll send a link ▓█
███▓ soon. Meantime, anybody who wants a copy of the ▓█
███▓ cover I'll be happy to send one. ▓█
███▓ ▓█
███▓ I'm still floored." ▓█
███▓▄ ▓█
████▌ ▓█
██▓██▄ ▓█
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▄██▓▓ ▐█▌▄▄ ▄▓█ ░░
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▀▀███▌ ▄▓▓▀ ▀ ▓▓██
▀▀██▓▌ Group News ▓███
▀▀▄▄ """""""""""" ▓███
▀▀▄▄ ▓███
▐█▓ Entering year 8 and no plans to stop. ▓███
▀█▓ ▓███
█▓ Greetings fly out to all ppl who supported us ▓███
█▓ in one way or another. Raise your glass and ▓███
█▓ hope for the next 1000 years to come :) ▓███
█▓ Our intention is to spread the voice of metal ▓███
█▓ and widen the audience for bands. ▓███
█▓ If you like what you hear buy the CD and help ▓███
█▓ the artists to produce more fine tunes. ▓███
█▓ We do the same. ▄▓███
█▓ ▐████
█▓ -/- AMRC STAFF 2007 -/- ▄██▓██
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██▓▓ ▀ ▀▓▓▄ ▐███▀▀
███▓ Respect ▐▓██▀▀
███▓ """"""""" ▄▄▀▀
███▓ ▄▄▄█▀
███▓ * Our video division: AMRCMPG ██▀ ▀█▄
███▓ * Siteops who support our efforts and show ▐█▌ ▐█
███▓ us respect/loyalty by affiliating us. ▄█▓█▄ ■▀
███▓ * Personal/scene friends, other groups ▄██▓▒ ▀█▄
███▓ that AMRC members belong to, ▄▄████▓▒░ ▀██▄▄
███▓▄ and all quality groups from ▀██▓▓▒ ▄█▀
████▌ the mp3, tv, musicvideo, musicdvd, █▓▓▒░ ▐█ ░
██▓██▄ 0-day, iso and movie scenes. ▐█▓▒ █▌ ░░
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█▀▀██▓ Contact ▄▓▄ ▀█▓▓▒▒░ A * M * R * C ░▒▒▓▓█▀
█▓▓██ """"""""" ▀ ▀█▓░ ▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄ ░▓█▀
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██▓▓▀ ▀ ░▄ █▓▄▄ █▓▓ ▐█░▄▄▓▓ ▀
███▓ * Promo rippers, shells, dumps, ░▒▓▄▄ ▀▀▓█▓▓ ▐█▓▀▀
███▓ IRC bncs wanted! ▒░▒▓█▄ █▓▓ ▐█ ▄▓█▄
███▓ * If you're meant to know, you will ░ ░▒▓ █▓▓ ▐█ ▀▀
███▓ know how to reach us ;) ▒ █▓▓ ▐█
███▓ * We don't send files or requests, ░ █▓▓ ▐█
███▓ have a public channel or xdcc, █▓▒ ▐█
███▓ don't bother looking. ▐█▓▒ █▌
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