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. . 34345 => C13H16ClNO + 34345 + C13H16ClNO Dolph
title > Chasing The Dragon EP
year > 2019
genre > Electronic
label > Heimlich Musik
catno > HMLEP011
predate > 2026-10-13
tracks > 6
size > 268.46 mb
url > https://www.deezer.com/album/118986432
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codec > FLAC
encoder > FLAC
quality > FLAC 1411kbps/16bit/44.1kHz/Stereo
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time
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01. Chasing The Dragon (Original Mix) 7:12
02. OMFG (Original Mix) 8:41
03. Lilith (Original Mix) 9:04
04. Invictus (Original Mix) 8:36
05. Omfg (O/Y Remix) 7:52
06. Invictus (Arutani Remix) 6:23
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00:47:48
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Having already contributed a remix to the third EP on Heimlich Musik,
Berlin-based downtempo wizard Dolph now returns to the label with a
solid solo EP consisting of four original mixes and remixes by Arutani
and O/Y. Chasing the Dragon enchants with a distinctive mixture of
organic elements and well-dosed synth lines, creating a unique sound
oscillating between dancefloor energy and living room atmosphere.
Originating from Dolph's infamous live performances, the 11th EP out
on Heimlich Musik paints a coherent and homogeneous picture. The
release's title track is a metaphoric attempt to chase your inner
dragon, describing a passionate state of consciousness between self-
destruction and perfectionism, and the challenging attempt to find the
balance between light and darkness. Highlighting melancholic elements
with bright bell sounds, this inner fight is drawn in vivid detail,
leaving the question open if the dragon ever gets caught. OMFG picks
up this vibe without giving a clear answer - creating a euphoric
feeling of enlightenment by mixing up a dominant lead sound with
humanoid drums. As a symbol of falling for the dark side, Lilith is
building up an atmosphere of irrational and passionate instincts,
which are present as a dominant mood throughout every element of the
track. Invictus is in turn built upon a certain kind of optimism that
emerges at the end of Dolph's Chasing the Dragon. In his remix, O/Y
strips down OMFG to its very essentials, building up a version that
can be identified as the signature O/Y sound from the very first
second, through his use of groove - without losing the originals'
focus. Arutani, on the other hand, tries to make sure the dragon gets
caught in the end.
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last nfo update: 20220405