s w e e t b e a t s
july.16.2001 - #696
=============================================================================
artist : Yonderboi
album : Padabam / Riders On The Storm
year : 2000
label : United
genre : Lo-Fi
catalogue : UTD010-3
url : www.unitedrecordings.com
quality : CD 192k HQ True Stereo
=============================================================================
01.Padabam 03:56
02.Riders On The Storm 04:22
03.Padabam (Paul Legere Mix) 05:38
03 tracks | 13:56 mins | 19,2 MB
=============================================================================
When in civvies, this 19-year-old Hungarian talent goes under the
name of Laszlo Fogarasi Jr. He lives only 250 kilometers from
Budapest, but it takes a good four hours by bus to reach the tiny
village of Mernye where he grew up. Despite already showing great
interest in music as a child, Yonderboi was not allowed to sing in
the school choir. His music teacher called him' cloth-eared' and
only let him pretend to sing while mouthing the words, but she
encouraged his parents by noting the little boy's good sense of
rhythm. At secondary school, he took guitar lessons, but this soon
had to takesecond place to the development of his technical skills
when Yonderboi received his first cheap, mono computer sound board.
He had soon submersed himself in the clicks and bleeps of
programming technoid music. He was enchanted less by the style of
music but more by the fact that he could create it himself.
The first musical influences were discovered in his father's
record collection: Osibisa, Rhoda Scott and early disco hits. At
the same time, Yonderboi also listened to the Hungarian and Polish
jazz greats of the sixties and seventies such as Studio 11, Rudolf
Tomsits, Gyorgy Vukan, Syrius and Zbigniew Namislowski. The real
roots of his music, however, can be found in the soundtracks of
eastern European cartoons.
He satisfied his hunger for all kinds of musical information by
tuning into the short- and medium-wave radio stations and later to
satellite radio. Here, he heard the music which, in his own words,
'he lived by.' His later musical work's tone was coloured by
eighties hip hop, such as De La Soul, GangStarr, Stereo MCs and the
Beastie Boys, as well as French hip hop, especially MC Solar.
As a high-school student, Yonderboi managed to travel two or three
times ayear to the capital, with the hope of finding one or two
interesting newrecords. But, when he could not find exactly what he
wanted, he decided the'do-it-yourself' method was the best. He was
barely past his sixteenth birthday when he sent his first demo to
"Juice Records" in Budapest. And so his first release was on the
'Future Sound of Budapest'compilation which gained international
recognition. The 'Pink Solidism' single, released in Hungary was
then featured on many compilations in different countries.
After graduation from high school, Yonderboi arrived in Budapest in
the summer of 1999 with his friend, keyboarder Balazs Zsager. While
still in the process of looking for a flat, they recorded the
'Shallow and Profound' album in an empty room of their record
company's office building. The album featured full instrumentation,
with original equipment including a 'Vermona' organ from the former
East Germany. They only had to spend a few evenings inthe studio to
lay down the vocal tracks and acoustic instrument layers, using
vibraphone, accordion, sax and guitar. Mixing was done at home on a
borrowed, home-made monitor desk.
Yonderboi also managed to simultaneously use the time to work with
keyboarder Balazs Zsager on the grooves and instrumentation for the
solo record 'Bombajo' -Fantastic (Crossroads Records) by the young
popular actor Ivan Kamaras. This became one of the hits of the
Christmas '99 season in Hungary.
Yonderboi's debut album, 'Shallow and Profound' promises to be the
start of a glittering career. He still manages to remain modest and
relaxed about the initial wildly-enthusiastic reactions from the
test audience. He doesn't wish to take part in the material
scuffles of the electronic music business, nor does he follow the
electronic music fanaticism for trying to stay 'one day ahead.'
Rather he chooses to stay with the simple melodic music, rooted in
emotions, whose strong visual links show a unique and
characteristic eastern European identity.
=============================================================================
s w e e t b e a t s
-------------------------------------------------
greetings to klangwerk, mgc, sour, dh, impg & sfe
=============================================================================
This file went through...
_____________________________________
\_ ____ __ ___ _______ ___ ____ \_
_/ / / \____/ - \_ / / d e a d s o c k e t
\_________/________/_________/________/
zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz .______
___________________________________| /___________/\_____
__\___ ____ ____ ___ _________ | _/ ___ _____ ____/
\ / / \ / |/ / \ \____/ \
\________/_________/__________/_____| \_______/________\
zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzdt______/zzzzzzzzzzzzzzzz
- TFAMP3 WORLD HQ - HELLSOUND WORLD HQ - IDM MEMBER SITE - CCMP3D EUROPEAN HQ -
- UBE HQ - CMG RELEASE HQ - AMOK COURIER HQ - eMission EUROPEAN RELEASE HQ -
- NmE EUROPEAN HQ - BPM EUROPEAN HQ - klangwerk EUROPEAN HQ - Tclub RHQ -
- STAR EUROPEAN CHQ - MLTN RELEASE HQ - rH RELEASE HQ - CHR SPHQ -
- DVNMP3 COURIER HQ - UTOPiA EHQ - ATM COURIER HQ - NBD spHQ -
- amrc RELEASE HQ - TCE WORLD HQ - CNMC HQ - FERICE EHQ -
- TRBMP3 HQ - MPL EHQ - SS HQ - QDP EHQ - TR HQ -
- FSP spHQ - JUSTFUN EHQ - RADIAL HQ -
-=-=-=-=-=-=-=-=-=-=-=- ░░ THE FLAME ARROWS '2k ░░ -=-=-=-=-=-=-=-=-=-=-=-
[#TFAMP3] You Release... We Spread Everywhere... Contact Us.. [#TFAMP3]
-=-=-=-=-=-=-=-=-=-=-=- ░░ THE FLAME ARROWS '2k ░░ -=-=-=-=-=-=-=-=-=-=-=-
Files
Path
Size
[BMW]-[Lo-Fi-2000]-(19.2 MB in 3 files of 192kbps Stereo)-[bender@reco