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▒ ░ ░ "OPEN MUSiC ASSOCiATiON"
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▒ █▓▓█▀ ██▓░ ▓ PROUDLY PRESENTS: ░ ▒ ░ █▓▓▓▒█ ▒
▓ ▀█▒█▄ █ ▓ ██▓▒█▀ ▓
▓█ █▓░█ ▒ Bernard Fowler - Live in Berlin █░▒█ █▓
█ ▀███ ███▀ █
▀█▄▄ ▀ ARTiST..[ Bernard Fowler ▀ ▄▄█▀
░ █ ▀█ TiTLE...[ Live in Berlin █▀ █ ░
▒ █ ▀█ GENRE...[ Rock GRABBER.[ Wavelab █▀ █ ▒
▓ █▄ █ LABEL...[ n/a ENCODER.[ Lame 3.97 █ ▄█ ▓
█▄ █▄ █ YEAR....[ 2007 QUALiTY.[ avg. 202kbps █ ▄█ ▄█
█▄ █▄█ SOURCE..[ Radio MODE....[ Joint-Stereo █▄█ ▄█
█ ▀█ PLAYTIME[ 89:44 min REL.DATE[ Jul.21.2007 █▀ █
██▄ TRACKS..[ 01 RiPPER..[ TEAM OMA ▄██
░ █▓█▄ SiZE....[ 133,9 MB SUPPLiER[ TEAM OMA ▄█▓█ ░
▒ █▓▓█ █▓▓█ ▒
▓ ▀█▒█▄ ▄█▒█▀ ▓
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░ █ ▀█ █▀ █ ░
▒ █▄ ▀█ NR. TRACK. TiME. █▀ ▄█ ▒
▓▄ █ █ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ █ █ ▄▓
█ █░ █ 01 live in berlin (070308) 07-17-2007 89:44 █ ░█ █
█ █░ █ █ ░█ █
█ ▀█▄█ ∙∙∙∙∙∙∙∙∙∙∙ ░ █▄█▀ █
▀█ ▀█ ▒ TOTAL: 89:44 ▒ █▀ █▀
██▄ ▄▓░ ░▓▄ ▄██
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▓█ █▓░█ █░▓█ █▓
█ █▓░█ Recorded March 8th 2007, Lindenpark, Potsdam, █░▓█ █
█ █▓░█ Germany. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ 01 Get Away █░▓█ █
█ █▓░█ 02 Tell Me The Hurt █░▓█ █
█ █▓░█ 03 Small █░▓█ █
█ █▓░█ 04 Cinnamon Girl (Neil Young) █░▓█ █
█ █▓░█ 05 Broken Man █░▓█ █
█ █▓░█ 06 Pop That Thang █░▓█ █
█ █▓░█ 07 Trance █░▓█ █
█ █▓░█ 08 Too Many Mountains █░▓█ █
█ █▓░█ 09 Hammerhead █░▓█ █
█ █▓░█ 10 Grow █░▓█ █
█ █▓░█ 11 Stormy Weather █░▓█ █
█ █▓░█ 12 Stealing █░▓█ █
█ █▓░█ 13 People Grinning In Your Face █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ www.tackhead.com: █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Tackhead is the vanishing point, the vortex, at the █░▓█ █
█ █▓░█ end of many years of formative, experimental █░▓█ █
█ █▓░█ collaborations between the innovative British █░▓█ █
█ █▓░█ producer and mixologist extraordinaire Adrian █░▓█ █
█ █▓░█ Sherwood and the American trio of musicians: █░▓█ █
█ █▓░█ guitarist Skip McDonald, bassist Doug Wimbish and █░▓█ █
█ █▓░█ drummer Keith LeBlanc, completed by singer Bernard █░▓█ █
█ █▓░█ Fowler. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ But...s █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Tackhead is back. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ We write June 2004 and Tackhead is preparing for █░▓█ █
█ █▓░█ battle. Keith LeBlanc, Doug Wimbish, Skip McDonald █░▓█ █
█ █▓░█ and Bernard Fowler will roam the stages again, with █░▓█ █
█ █▓░█ (of course) Adrian Sherwood at the knobs of the █░▓█ █
█ █▓░█ control tower, ready to blow your mind. Time to take █░▓█ █
█ █▓░█ it to another level. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ The Tackhead saga goes back to the mid-70's, when █░▓█ █
█ █▓░█ Wimbish and McDonald, teamed up in the 'disco' boom, █░▓█ █
█ █▓░█ when they attained cult success with Wood, Brass & █░▓█ █
█ █▓░█ Steel and with such tracks as Push push in the bush █░▓█ █
█ █▓░█ from Musique. They first met up with Keith LeBlanc in █░▓█ █
█ █▓░█ 1979 on the newly-formed Sugar Hill Records. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ They soon became the label┤s house band, providing █░▓█ █
█ █▓░█ backing, both live and on disc, for the █░▓█ █
█ █▓░█ ground-breaking Sugar Hill Gang (Rapper's Delight), █░▓█ █
█ █▓░█ Grandmaster Flash (The Message) and Melle Mel (White █░▓█ █
█ █▓░█ Lines), helping to launch the onslaught of 80's rap. █░▓█ █
█ █▓░█ After the demise of Sugar Hill and drawn outlegal █░▓█ █
█ █▓░█ wranglings, the three musicians continued to work on █░▓█ █
█ █▓░█ various projects. Described by The New York Times as, █░▓█ █
█ █▓░█ 'one of todays most extraordinary rhythm sections', █░▓█ █
█ █▓░█ they included recordings for the Tommy Boy label. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Moving on from the early 80's rap explosion, drummer █░▓█ █
█ █▓░█ Keith LeBlanc already released some solo work on █░▓█ █
█ █▓░█ Tommyboy Records (Maneuvres, Uh, on the sampler █░▓█ █
█ █▓░█ Masters of the Beat); mixing the (now legendary) DMX █░▓█ █
█ █▓░█ drumbeats with his own special drumsound. His release █░▓█ █
█ █▓░█ No Sell Out featured the cut-up raps of civil rights █░▓█ █
█ █▓░█ activist Malcolm X pitched against the infamous DMX █░▓█ █
█ █▓░█ drumbeat to acknowledged as the first ever 'sampling █░▓█ █
█ █▓░█ record'. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Ahead of the time and timeless. LeBlanc's No Sell █░▓█ █
█ █▓░█ Out, brought him to the attention of London's █░▓█ █
█ █▓░█ dub-master extraordinare and On-U Sound label owner █░▓█ █
█ █▓░█ Adrian Sherwood. A foremost producer of reggae in the █░▓█ █
█ █▓░█ early 80's, Sherwood began to take his dub █░▓█ █
█ █▓░█ methodology to the limit, creating a unique █░▓█ █
█ █▓░█ form-distorted media and environmental collages of █░▓█ █
█ █▓░█ 'mind' sounds. Michael Williams (a.k.a. Prince Far I) █░▓█ █
█ █▓░█ was the spiritual teacher of Adrian Sherwood's art of █░▓█ █
█ █▓░█ dub. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ In 1984, while working on a remix of On-U Sound act █░▓█ █
█ █▓░█ Akabu's Watch yourself for Tommy Boy records, he met █░▓█ █
█ █▓░█ Keith LeBlanc. After a productive meeting between █░▓█ █
█ █▓░█ Sherwood and LeBlanc, McDonald and Wimbish later █░▓█ █
█ █▓░█ joined them in London to begin work on a new project █░▓█ █
█ █▓░█ which they christened, Fats Comet. LeBlanc's beat, █░▓█ █
█ █▓░█ pitched with Sherwood's dub methodology, taken it to █░▓█ █
█ █▓░█ the limit (and far beyond...), creating unique form █░▓█ █
█ █▓░█ distorted media where the heavily distorted sound of █░▓█ █
█ █▓░█ McDonald's guitar and Wimbish's funky bass art made █░▓█ █
█ █▓░█ things complete. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ As LeBlanc sums it up, "We started Fats Comet as a █░▓█ █
█ █▓░█ studio experiment. The stuff we considered being █░▓█ █
█ █▓░█ 'non-commercial' got stuck on Adrian Sherwood's label █░▓█ █
█ █▓░█ and Doug Wimbish came up with the name Tackhead; █░▓█ █
█ █▓░█ which is New Jersey slang for homeboy." After █░▓█ █
█ █▓░█ releasing a couple of 12", like the vast underground █░▓█ █
█ █▓░█ club and science fiction dancehall classics Mind at █░▓█ █
█ █▓░█ the End of the Tether and What's my Mission Now? █░▓█ █
█ █▓░█ Tackhead already gained a lot of credits and █░▓█ █
█ █▓░█ popularity, especiallly among those who tied up to █░▓█ █
█ █▓░█ the industrial virus. An album was inevitable and █░▓█ █
█ █▓░█ Gary Clail's Tackhead Sound System's Tackhead Tape █░▓█ █
█ █▓░█ Time was bound to be a classic from the very day of █░▓█ █
█ █▓░█ its release. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ In the meantime, they also found the time to back █░▓█ █
█ █▓░█ former Popgroup main man Mark Stewart as The Maffia; █░▓█ █
█ █▓░█ a collaboration which resulted in probably some of █░▓█ █
█ █▓░█ the most deranged hip-mutant-funk-metal-dub-hop █░▓█ █
█ █▓░█ records ever to be made. 'Tackhead in the area!' █░▓█ █
█ █▓░█ became the common chant after the 12" The Game, which █░▓█ █
█ █▓░█ featured TV commentator Brian Moore alongside Jerry & █░▓█ █
█ █▓░█ The Pacemakers' You'll never walk alone, a legendary █░▓█ █
█ █▓░█ Liverpool football evergreen. The band also started █░▓█ █
█ █▓░█ touring live, which resulted in the initial release █░▓█ █
█ █▓░█ of the live album En Concert, quickly withdrawn after █░▓█ █
█ █▓░█ release because the band never wanted it to be █░▓█ █
█ █▓░█ released. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Friendly as a Hand Grenade, the band's debut album as █░▓█ █
█ █▓░█ Tackhead, marked a new direction. They had now been █░▓█ █
█ █▓░█ joined by fellow American and ex-Peech Boys vocalist █░▓█ █
█ █▓░█ Bernard Fowler, giving a soulful edge to their beats █░▓█ █
█ █▓░█ an making them more accessible to a wider audience. █░▓█ █
█ █▓░█ Bernard Fowler's introduction to the band came █░▓█ █
█ █▓░█ through the Mick Jagger-connection. Jagger is a big █░▓█ █
█ █▓░█ Tackhead-fan. Bernard Fowler still is background █░▓█ █
█ █▓░█ vocalist with The Rolling Stones. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ In 1990 Tackhead released the album Strange Things █░▓█ █
█ █▓░█ which, despite some good tracks, turned out to be the █░▓█ █
█ █▓░█ band's major malfunction! They were dropped by record █░▓█ █
█ █▓░█ company EMI and until now, we hardly heard anything █░▓█ █
█ █▓░█ from Tackhead as a band apart from some 'live' gigs █░▓█ █
█ █▓░█ and compilation releases on Blanc Records, Keith █░▓█ █
█ █▓░█ LeBlanc's label. The German label Echobeach re-issued █░▓█ █
█ █▓░█ Strange Things in 1999, with additional mixes ass █░▓█ █
█ █▓░█ bonus tracks. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ But the Tackhead-members have never stopped █░▓█ █
█ █▓░█ recording. They have worked together under various █░▓█ █
█ █▓░█ names such as Interference, Strange Parcels and of █░▓█ █
█ █▓░█ course Skip McDonald's soloproject Little Axe. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Adrian Sherwood is a renowned producer (Primal █░▓█ █
█ █▓░█ Scream, Sinead O'Connor, Air, Asian Dub Foundation, █░▓█ █
█ █▓░█ to name but a few), and finally released his first █░▓█ █
█ █▓░█ solo album in 2003, called Never Trust a Hippy?, █░▓█ █
█ █▓░█ assisted by the usual suspects, and is recording for █░▓█ █
█ █▓░█ the follow-up to 'NTAH?'. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Keith LeBlanc remixed tracks by The Cure, Nine Inch █░▓█ █
█ █▓░█ Nails and Godfathers, delivered many sample cd's and █░▓█ █
█ █▓░█ is working 'solo' with the help of the other three █░▓█ █
█ █▓░█ Tackheads... █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Skip McDonald is concentrating on Little Axe (album █░▓█ █
█ █▓░█ Champagne & Grits due September 2004!). █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Doug Wimbish released his first solo album, Trippy █░▓█ █
█ █▓░█ Notes for Bass, in 1999, apart from projects such as █░▓█ █
█ █▓░█ Jungle Funk and Black Jack Johnson, that involve █░▓█ █
█ █▓░█ Living Colour mate Will Calhoun. Wimbish and Calhoun █░▓█ █
█ █▓░█ are Head>>Fake and are of course part of the Living █░▓█ █
█ █▓░█ Colour reunion. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Besides the previously mentioned activities we should █░▓█ █
█ █▓░█ not forget to mention that the Tackhead members █░▓█ █
█ █▓░█ played, produced and remixed as guest musicians for █░▓█ █
█ █▓░█ high class quality productions: James Brown, Africa █░▓█ █
█ █▓░█ Bambaataa, George Clinton, Seal, BB King, Robbie █░▓█ █
█ █▓░█ Robertson, Annie Lennox, Mick Jagger, R.E.M., Tina █░▓█ █
█ █▓░█ Turner, Charlie Watts, Miles Davis, Bob Marley, Sly & █░▓█ █
█ █▓░█ Robbie, Depeche Mode, Bomb The Bass, Robert Palmer, █░▓█ █
█ █▓░█ Neneh Cherry, Malcolm McLaren, ABC, Jalal, Madonna, █░▓█ █
█ █▓░█ Brooklyn Funk Essentials... █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ ...and then we're not even mentioning the +100 █░▓█ █
█ █▓░█ releases and formidable productions by the whole On-U █░▓█ █
█ █▓░█ Sound posse; Dub Syndicate, African Head Charge, Gary █░▓█ █
█ █▓░█ Clail, Mark Stewart, Bim Sherman, Ghetto Priest, █░▓█ █
█ █▓░█ Jesse Rae...! █░▓█ █
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██▄ All the siteops that host us... ▄██
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█▄ █▄ █ ░ iRC: #euhmnope? ░ █ ▄█ ▄█
█▄ █▄█ MAiL: oma@hushmail.com █▄█ ▄█
█ ▀█ ░ WEB: http://www.never-ever.com ░ █▀ █
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░ █▓█▄ ▓▓░ We're always looking for skilled rippers! ░▓▓ ▄█▓█ ░
▒ █▓▓█ ██▓░ Use one of the contact methods above to apply ;) ░▓██ █▓▓█ ▒
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▀▀▀ ▀▀▀ ▀▀▀ updated by ▀▀▀ ▀▀▀▄ ▀▀▀
cA3R0n