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▒ ░ ░ "OPEN MUSiC ASSOCiATiON"
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▒ █▓▓█▀ ██▓░ ▓ PROUDLY PRESENTS: ░ ▒ ░ █▓▓▓▒█ ▒
▓ ▀█▒█▄ █ ▓ ██▓▒█▀ ▓
▓█ █▓░█ ▒ Tori Amos - Live in Berlin █░▒█ █▓
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▀█▄▄ ▀ ARTiST..[ Tori Amos ▀ ▄▄█▀
░ █ ▀█ TiTLE...[ Live in Berlin █▀ █ ░
▒ █ ▀█ GENRE...[ Acoustic GRABBER.[ EAC █▀ █ ▒
▓ █▄ █ LABEL...[ n/a ENCODER.[ Lame 3.97 █ ▄█ ▓
█▄ █▄ █ YEAR....[ 2007 QUALiTY.[ avg. 177kbps █ ▄█ ▄█
█▄ █▄█ SOURCE..[ Radio MODE....[ Joint-Stereo █▄█ ▄█
█ ▀█ PLAYTIME[ 34:43 min REL.DATE[ Aug.01.2007 █▀ █
██▄ TRACKS..[ 01 RiPPER..[ TEAM OMA ▄██
░ █▓█▄ SiZE....[ 45,5 MB SUPPLiER[ TEAM OMA ▄█▓█ ░
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░ █ ▀█ █▀ █ ░
▒ █▄ ▀█ NR. TRACK. TiME. █▀ ▄█ ▒
▓▄ █ █ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ █ █ ▄▓
█ █░ █ 01 live in berlin apr-10th-2007 34:43 █ ░█ █
█ █░ █ █ ░█ █
█ ▀█▄█ ∙∙∙∙∙∙∙∙∙∙∙ ░ █▄█▀ █
▀█ ▀█ ▒ TOTAL: 34:43 ▒ █▀ █▀
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█ █▓░█ Recorded April 10th 2007, rbb-Sendesaal, Berlin. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Setlist: █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ 01 Velvet Revolution █░▓█ █
█ █▓░█ 02 Father's Son █░▓█ █
█ █▓░█ 03 Silent All These Years █░▓█ █
█ █▓░█ 04 Beauty Of speed █░▓█ █
█ █▓░█ 05 Leather █░▓█ █
█ █▓░█ 06 Almost Rosey █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Biography by Stephen Thomas Erlewine █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Tori Amos (born Myra Ellen Amos) was one of several █░▓█ █
█ █▓░█ female singer/songwriters who combined the stark █░▓█ █
█ █▓░█ lyrical attack of alternative rock with a distinctly █░▓█ █
█ █▓░█ '70s musical approach. Her music falls between the █░▓█ █
█ █▓░█ orchestrated meditations of Kate Bush and the █░▓█ █
█ █▓░█ stripped-down poetics of Joni Mitchell. In addition █░▓█ █
█ █▓░█ to reviving the singer/songwriter traditions of the █░▓█ █
█ █▓░█ '70s, Amos revived the piano as a rock & roll █░▓█ █
█ █▓░█ instrument. With her 1992 album, Little Earthquakes, █░▓█ █
█ █▓░█ Amos built a dedicated following that continued to █░▓█ █
█ █▓░█ expand with her second album, Under the Pink. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Born in North Carolina but raised in Maryland, Amos █░▓█ █
█ █▓░█ was the daughter of a Methodist preacher. By the age █░▓█ █
█ █▓░█ of four, she was singing and playing piano in the █░▓█ █
█ █▓░█ church choir; she began writing her own songs shortly █░▓█ █
█ █▓░█ afterward. Amos won a scholarship to Baltimore's █░▓█ █
█ █▓░█ Peabody Conservatory based on her instrumental █░▓█ █
█ █▓░█ prowess. While she was studying at Peabody, she █░▓█ █
█ █▓░█ became infatuated with rock & roll, particularly the █░▓█ █
█ █▓░█ music of Led Zeppelin. She began writing pop ballads █░▓█ █
█ █▓░█ and performing in local bars. Amos moved to Los █░▓█ █
█ █▓░█ Angeles in her late teens to become a pop singer. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ Atlantic Records signed her in 1987, recording an █░▓█ █
█ █▓░█ uninspired pop-metal album called Y Kant Tori Read █░▓█ █
█ █▓░█ the following year. The record was a complete █░▓█ █
█ █▓░█ failure, attracting no attention from radio or press █░▓█ █
█ █▓░█ and selling very few copies; nevertheless, she didn't █░▓█ █
█ █▓░█ lose her record contract. By 1990, Amos had adopted a █░▓█ █
█ █▓░█ new approach, singing spare, haunting, █░▓█ █
█ █▓░█ semiconfessional piano ballads that were arranged █░▓█ █
█ █▓░█ like Kate Bush but had the melodies and lyrical █░▓█ █
█ █▓░█ approach of Joni Mitchell. Atlantic sponsored a trip █░▓█ █
█ █▓░█ to England in 1991, where she played a series of █░▓█ █
█ █▓░█ concerts in support of an EP, Me and a Gun. █░▓█ █
█ █▓░█ █░▓█ █
█ █▓░█ The harrowing "Me and a Gun" was an autobiographical █░▓█ █
█ █▓░█ song, telling the tale of Amos' own experience with █░▓█ █
█ █▓░█ rape. It gained positive reviews throughout the █░▓█ █
█ █▓░█ media, and both the EP and the concerts sold well. █░▓█ █
█ █▓░█ Little Earthquakes, Amos' first album as a █░▓█ █
█ █▓░█ singer/songwriter, was released in late 1991 and sold █░▓█ █
█ █▓░█ well in both the U.S. and the U.K. In 1992, she █░▓█ █
█ █▓░█ released the Crucify EP, which featured three covers, █░▓█ █
█ █▓░█ including Nirvana's "Smells Like Teen Spirit" and Led █░▓█ █
█ █▓░█ Zeppelin's "Thank You." Delivered in early 1994, █░▓█ █
█ █▓░█ Under the Pink, the full-length follow-up to Little █░▓█ █
█ █▓░█ Earthquakes, was a bigger hit, selling over a million █░▓█ █
█ █▓░█ copies and launching the minor hit singles "God" and █░▓█ █
█ █▓░█ "Cornflake Girl." Two years later, Amos delivered her █░▓█ █
█ █▓░█ third album, Boys for Pele, her most ambitious and █░▓█ █
█ █▓░█ difficult record to date. The album debuted at number █░▓█ █
█ █▓░█ two and quickly went platinum. Amos spent much of █░▓█ █
█ █▓░█ 1997 dealing with personal matters, including a █░▓█ █
█ █▓░█ miscarriage and a marriage, and working on her fourth █░▓█ █
█ █▓░█ album, From the Choirgirl Hotel, which was released █░▓█ █
█ █▓░█ in the spring of 1998. The two-disc To Venus and Back █░▓█ █
█ █▓░█ followed in 1999 to coincide with a tour with Alanis █░▓█ █
█ █▓░█ Morissette. In 2001, Amos returned with the covers █░▓█ █
█ █▓░█ album Strange Little Girls, which also marked her █░▓█ █
█ █▓░█ last release for Atlantic. The next year, she found a █░▓█ █
█ █▓░█ new label home with Epic and followed with Scarlet's █░▓█ █
█ █▓░█ Walk in October. Her eighth studio album, an █░▓█ █
█ █▓░█ autobiographical record titled The Beekeeper, was █░▓█ █
█ █▓░█ released in 2005. █░▓█ █
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██▄ All the siteops that host us... ▄██
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█ ▀█ ░ WEB: http://www.never-ever.com ░ █▀ █
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░ █▓█▄ ▓▓░ We're always looking for skilled rippers! ░▓▓ ▄█▓█ ░
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