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▓█▓▓█ Artist.....[ Okkervil River ▀████▄█▓
██▓▀ Album......[ The Stage Names ▀▓██
▄ █▓█ █ Label......[ Jagjaguwar █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ JAG110 ▀▄█▓█▒█
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▓█████▓▓█ █▓▓█████▓
▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Indie ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-08-02 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-08-07 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 188 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.okkervilriver.com ▓█▓▄█▓█ ▄
█▒██▓█▀ ▀█ █▀ ▀█▓██▒█
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█▓ 01 Our Life Is Not A Movie Or Maybe 4:24 ▓█
█▓ 02 Unless It's Kicks 4:38 ▓█
█▓ 03 A Hand To Take Hold Of The Scene 3:59 ▓█
█▓ 04 Savannah Smiles 3:38 ▓█
█▓ 05 Plus Ones 3:43 ▓█
█▓ 06 A Girl In Port 6:36 ▓█
█▓ 07 You Can't Hold The Hand Of A Rock And 4:53 ▓█
█▓ Roll Man ▓█
█▓ 08 Title Track 5:22 ▓█
█▓ 09 John Allyn Smith Sails 4:33 ▓█
█▓ ----- ▓█
█▓ 41:46 ▓█
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▓█▓█ ▀ ▓█▄▀ ▓█▀ ▓█ ▓█▀█ ▓█ █ ▓█ ▓█▀ -▀▀▀█ ▀ █▓█▓
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█░█ Note: CD Says Special Radio Edit Version FCC █░█
█░█ Clean. █░█
█░█ █░█
█░█ ------ █░█
█░█ Okkervil River's Black Sheep Boy was one of the █░█
█░█ most acclaimed releases of 2005. "Wordy and █░█
█░█ dense, prone to murder ballads, full of soft █░█
█░█ strings and Wurlitzers...both violent and █░█
█░█ bookish; it's a striking, woebegone work █░█
█░█ that...plays out like the strangest Cocteau movie █░█
█░█ you've probably never seen," wrote the Chicago █░█
█░█ Tribune's Allison Steward. Kelefa Sanneh wrote in █░█
█░█ the New York Times that "Will Sheff, leader of █░█
█░█ the Austin indie-rock band Okkervil River, writes █░█
█░█ like a novelist." Pitchfork's Stephen Deusner █░█
█░█ added, "like all good storytellers, Sheff is █░█
█░█ interested in conflict...and he has the uncommon █░█
█░█ and perhaps unenviable gifts for speaking █░█
█░█ fluently through his misery-heavy characters." █░█
█░█ This underdog of a record even managed to come to █░█
█░█ the attention of rock icon Lou Reed, who on the █░█
█░█ MTV Video Music Awards and in the Denver Post █░█
█░█ pronounced Okkervil River one of his favorite █░█
█░█ contemporary bands. █░█
█░█ █░█
█░█ With their newest release, The Stage Names, █░█
█░█ Okkervil River dynamite the walls of Black Sheep █░█
█░█ Boy's gothic, moss-walled castle from the inside █░█
█░█ to let in the glaring sun. Where Black Sheep Boy █░█
█░█ presented a fairytale of dark babbling streams █░█
█░█ and high distant towers, The Stage Names ¿takes █░█
█░█ place in an unmistakably modern world, where █░█
█░█ snowy televisions blast into cheap hotels the █░█
█░█ spectral images of soap stars endlessly betraying █░█
█░█ each other, where losers in late-night bars █░█
█░█ languish to the beat of their favorite songs, █░█
█░█ where broken-down actresses place their final █░█
█░█ cell calls from lonely mansions high in the █░█
█░█ hills. Riddled with characters real and fake, █░█
█░█ with true-life biography and brazenly fabricated █░█
█░█ autobiography, with the relics of high culture █░█
█░█ and the crumpled-up trash of low culture, The █░█
█░█ Stage Names is a cinemascopic take on the meaning █░█
█░█ of entertainment. █░█
█░█ █░█
█░█ And, crucially, it entertains. Reverberant with █░█
█░█ echoes of Motown snap and girl-group pop, █░█
█░█ redolent with ripe whiffs of dirty rock 'n' roll, █░█
█░█ shining with the shimmy of Bo Diddley, with the █░█
█░█ shimmer of the Velvets, with the swagger of the █░█
█░█ Faces, and with a glittery sprinkling of cheap █░█
█░█ perfume over the top of it all to disguise the █░█
█░█ stink, The Stage Names is a relentlessly-paced █░█
█░█ and ruthlessly thrilling journey. █░█
█░█ █░█
█░█ Their fourth full-length may also be Okkervil █░█
█░█ River's most conceptually gnarled work to date, █░█
█░█ as frontman Will Sheff's intricately detailed █░█
█░█ lyrics leap from the ornate to the blunt, █░█
█░█ encompass philosophical inquiries and goofily █░█
█░█ playful riffing, invite the listener into █░█
█░█ confidence only to con them. With a voice both █░█
█░█ poetic and toughly slangy, these songs are equal █░█
█░█ parts high-concept filigree and low, street-level █░█
█░█ kicks; they're both artistically ambitious and █░█
█░█ refreshingly unpretentious. █░█
█░█ █░█
█░█ Written on the beds and beat-up couches of █░█
█░█ hotels, guest-rooms, and fourth-floor walk-ups █░█
█░█ during the itinerant Sheff's travels around the █░█
█░█ United States and tenure in New York City, █░█
█░█ recorded in Austin with longtime Okkervil River █░█
█░█ co-producer Brian Beattie, and mixed at Jim Eno █░█
█░█ of Spoon's Public Hi-Fi studio, The Stage Names █░█
█░█ eschews outsider guests to focus on the core █░█
█░█ lineup of a backing band made tight and █░█
█░█ road-weary in rock clubs around the world. These █░█
█░█ songs give members of this usually shambolic █░█
█░█ troupe (keyboardist Jonathan Meiburg, drummer █░█
█░█ Travis Nelsen, electric guitarist Brian Cassidy, █░█
█░█ bassist Patrick Pestorius, and coronet player █░█
█░█ Scott Brackett) the occasion to turn in bravura █░█
█░█ performances as Sheff's distinctively heated █░█
█░█ vocals, never more assured or in control, sail on █░█
█░█ top of them. The music soars, the lyrics cut, █░█
█░█ chaos is skirted, mystery is courted, and it all █░█
█░█ looks easy. This is the sound of a band at the █░█
█░█ height of their powers, effortlessly making good █░█
█░█ on their earlier promise long after the point █░█
█░█ where they remember or care that they even made █░█
█░█ that promise in the first place. █░█
█░█ █░█
█░█ http://www.okkervilriver.com █░█
█░█ http://www.jagjaguwar.com █░█
█░█ http://www.myspace.com/okkervilriver █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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