Nusrat_Fateh_Ali_Khan_-_Sanson_Ki_Mala-1994-PsyCZ_NP-VBR

Section
MP3/FLAC
Group
VBR
Size
64,86 MB
Files
4
Date
2003-02-09

NFO

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 █▀░░░                                                                        ░░░▀█
 █▀░░    PsyCZ group was formed in spring 2001 by its first three members ...  ░░▀█
 █▀░   But as every group grows and gets new members, new people joined PsyCZ   ░▀█
 █▀░   to help us in our mission. Our main common loved genere was psychedelic  ░▀█
 █▀░   ... of course, but everone of us likes several more genres. This caused, ░▀█
 █▀░   that several members began to demand releasing other music styles such   ░▀█
 █▀░   as ambient, drum&bass and few more ... So we realized, that our original ░▀█
 █▀░   name PsyCZ is a little uncomfortable, because it highlights our psy -    ░▀█
 █▀░   sight. After few days of debates we decided to found new sub-group ...   ░▀█
 █▀░   and here we are ... PsyCZ_NP will bring you plenty of non psychedelic    ░▀█
 █▀░   music ... especially ambient, but some other genres are planned too.     ░▀█
 █▀░   Why did we decide for non-psy? Changing of the group name isn't possible ░▀█
 █▀░   so possibilities we had was only adding a suffix to current group name   ░▀█
 █▀░░  ... so have chosen non-psy, because it's clearest and most fluent ...   ░░▀█
 █▀░░░                                                                        ░░░▀█
 █▀░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ Keep the spirit! ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▀█
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 █▀║                                                                            ║▀█
 █▀║                   Nusrat Fateh Ali Khan - Sanson Ki Mala                   ║▀█
 █▀║                                                                            ║▀█
 █▀║ ┌════════════════════════════════════════════════════════════════════════┐ ║▀█
 █▀║                                                                            ║▀█
 █▀║  Artist: Nusrat Fateh Ali Khan                                             ║▀█
 █▀║  Album:  Sanson Ki Mala                                                    ║▀█
 █▀║                                                                            ║▀█
 █▀║ ┌════════════════════════════════════════════════════════════════════════┐ ║▀█
 █▀║ :                                                                        : ║▀█
 █▀║   Ripper........: Aeon                                                     ║▀█
 █▀║   Supplier......: Tawa                                                     ║▀█
 █▀║   Genre.........: Ethnic                                                   ║▀█
 █▀║   Style.........: Hardcore Sufi Ethno Music                                ║▀█
 █▀║   Ripp.With.....: EAC                                                      ║▀█
 █▀║   Encode.With...: Lame 3.91                                                ║▀█
 █▀║   Quality.......: VBRkbps / 44,1kHz / Full Stereo                          ║▀█
 █▀║   Company(Label): JARO                                                     ║▀█
 █▀║   CatalogNr.....: 4181-2                                                   ║▀█
 █▀║   Url...........: http://www.nfak.com/                                     ║▀█
 █▀║   Date..........: 25.01.2003                                               ║▀█
 █▀║   StreetDate....: 00.00.1994                                               ║▀█
 █▀║   Type..........: Album                                                    ║▀█
 █▀║   Source........: CDDA                                                     ║▀█
 █▀║   Tracks........: 02                                                       ║▀█
 █▀║   Playtime......: 46:59 min                                                ║▀█
 █▀║   Size..........: 64,8 MB                                                  ║▀█
 █▀║                                                                            ║▀█
 █▀║ ┌═════════════════════════════[ ReleaseNotes ]═══════════════════════════┐ ║▀█
 █▀║ :                                                                        : ║▀█
 █▀║   Without doubt the most important qawwal is Nusrat Fateh Ali Khan &       ║▀█
 █▀║   Party ù Party is a generic term for a qawwali ensemble but is also       ║▀█
 █▀║   used in Sikhism and to describe some classical music ensembles, for      ║▀█
 █▀║   example, shehnai maestro Bismillah Khan and Party. Dubbed                ║▀█
 █▀║   Shahen-Shah-e-Qawwali (the Brightest Star in Qawwali), he was born on    ║▀█
 █▀║   October 13, 1948, in Lyallpur in the Punjab Province of Pakistan. He     ║▀█
 █▀║   made his first recording in 1973 in Pakistan and a number of early EMI   ║▀█
 █▀║   (Pakistan) albums jointly billed him with his uncle Mubarak Ali Khan.    ║▀█
 █▀║   Since these mainly cassette albums were invariably undated and           ║▀█
 █▀║   numerous, it is difficult to place them in any more accurate             ║▀█
 █▀║   chronological sequence than catalogue number order. Between 1973 and     ║▀█
 █▀║   1993 his recorded output could only be described as prodigious, with     ║▀█
 █▀║   more than 50 album releases to his name on numerous Pakistani,           ║▀█
 █▀║   British, American, European and Japanese labels. Heavily                 ║▀█
 █▀║   over-recorded, blighted with a rash of poppy remix albums or albums      ║▀█
 █▀║   with Westernized instrumentation or arrangements, his recorded work is   ║▀█
 █▀║   a mire to suck in the uninitiated and their money. Converts, however,    ║▀█
 █▀║   do not escape scot-free. Although some releases hint at their nature     ║▀█
 █▀║   with coded titles such as Volume 4 Punjabi (Oriental Star CD SR013)      ║▀█
 █▀║   from 1990 or Ghazals Urdu (Oriental Star CD SR055) from 1992, the        ║▀█
 █▀║   chosen language and style is frequently a matter of conjecture or        ║▀█
 █▀║   uncertainty. While the Western market is saturated with his work, the    ║▀█
 █▀║   Indian market is supersaturated, and his recorded output is in danger    ║▀█
 █▀║   of overwhelming any sense of taste.                                      ║▀█
 █▀║                                                                            ║▀█
 █▀║   Real World was the label largely responsible for Khan's breakthrough     ║▀█
 █▀║   into a non-Indian audience. It was their marketing skills and the        ║▀█
 █▀║   platform provided by the WOMAD organization which introduced him to      ║▀█
 █▀║   Westerners. Musst Musst (Real World CD RW 15) released in 1990 was a     ║▀█
 █▀║   deliberate attempt to target the White market with its non-traditional   ║▀█
 █▀║   arrangements, yet it seems positively cherubic beside later              ║▀█
 █▀║   abominations. "All these albums are experiments," he told me in 1993.    ║▀█
 █▀║   "There are some people who do not understand at all but just like my     ║▀█
 █▀║   voice. I add new lyrics and modern instruments to attract the            ║▀█
 █▀║   audience. This has been very successful." Success, however, bred         ║▀█
 █▀║   indifference to the virtues and values of the original music. Many       ║▀█
 █▀║   find the remix albums, the Western and youth-market releases a source    ║▀█
 █▀║   of despair: buyer beware remains the watchword. When singing his         ║▀█
 █▀║   traditional work he remains peerless. Many, including myself, regret     ║▀█
 █▀║   the dilution of his talent that has occurred with his 'experiments.'     ║▀█
 █▀║   However, in 1994, reportedly tired of unauthorized releases, he took     ║▀█
 █▀║   greater control of both his business affairs and his concert and         ║▀█
 █▀║   recording activities. With his international renown at an all-time       ║▀█
 █▀║   peak, Khan died on August 16, 1997; a seemingly endless procession of    ║▀█
 █▀║   posthumous releases appeared in the years to follow.                     ║▀█
 █▀║                                                                            ║▀█
 █▀║   http://www.allmusic.com/ (Ken Hunt)                                      ║▀█
 █▀║                                                                            ║▀█
 █▀║ ┌══════════════════════════════[ Tracklist ]═════════════════════════════┐ ║▀█
 █▀║ :                                                                        : ║▀█
 █▀║    01. Sanson Ki Mala                                            20:43     ║▀█
 █▀║    02. Aag Daman Mein Lag Jai                                    26:16     ║▀█
 █▀║                                                                 -------    ║▀█
 █▀║                                                                  46:59 min ║▀█
 █▀║                                                                   64,8 MB  ║▀█
 █▀║                                                                            ║▀█
 █▀║ ┌══════════════════════════════[ PsyCZNews ]═════════════════════════════┐ ║▀█
 █▀║ :                                                                        : ║▀█
 █▀║   We are looking for ambient, ethno and electronic music oriented archive  ║▀█
 █▀║   FTP's. If you are interested in ambient, ethno etc., and if you want     ║▀█
 █▀║   to get best PsyCZ quality (more than 192 kbps mp3) releases, just fell   ║▀█
 █▀║   free to contact us. We offer to provide you with stuff which didn't      ║▀█
 █▀║   appear in mp3 scene as PsyCZ release.                                    ║▀█
 █▀║                                                                            ║▀█
 █▀║   Responsible rippers needed also: If you can supply us original CD/vinyl  ║▀█
 █▀║   or dj/live sets it in excellent quality meet us at #psycz-temp on EFnet  ║▀█
 █▀║   and msg op.                                                              ║▀█
 █▀║                                                                            ║▀█
 █▀║ ┌═════════════════════════════[ PsyCZGoals ]═════════════════════════════┐ ║▀█
 █▀║ :                                                                        : ║▀█
 █▀║    Our main goal isn't to produce large quantities of mp3 releases...      ║▀█
 █▀║   what you can expect are rare releases ... from limited music series      ║▀█
 █▀║   to the occasional unreleased tracks...                                   ║▀█
 █▀║                                                                            ║▀█
 █▀║    PsyCZ releases for gouremets mp3 FTP are encoded in 256kbps or VBR      ║▀█
 █▀║   (Lame encoder at its best actual setting only!)                          ║▀█
 █▀║                                                                            ║▀█
 █▀║    Releases for mp3 scene are encoded in 192kbps (higher quality is not    ║▀█
 █▀║   tolerated)                                                               ║▀█
 █▀║                                                                            ║▀█
 █▀╚════════════════════════════════════════════════════════════════════════════╝▀█
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Files

PathSize
[BMW]-[Ethnic-1994]-(64.8 MB in 2 files of 128kbps Stereo)-[bender@rec0 B
00-nusrat_fateh_ali_khan_-_sanson_ki_mala-1994-(front)-psycz_np-vbr.jp28,90 KB
01-nusrat_fateh_ali_khan_-_sanson_ki_mala-psycz_np-vbr.mp328,46 MB
02-nusrat_fateh_ali_khan_-_aag_daman_mein_lag_jai-psycz_np-vbr.mp336,38 MB