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█▀░░ PsyCZ group was formed in spring 2001 by its first three members ... ░░▀█
█▀░ But as every group grows and gets new members, new people joined PsyCZ ░▀█
█▀░ to help us in our mission. Our main common loved genere was psychedelic ░▀█
█▀░ ... of course, but everone of us likes several more genres. This caused, ░▀█
█▀░ that several members began to demand releasing other music styles such ░▀█
█▀░ as ambient, drum&bass and few more ... So we realized, that our original ░▀█
█▀░ name PsyCZ is a little uncomfortable, because it highlights our psy - ░▀█
█▀░ sight. After few days of debates we decided to found new sub-group ... ░▀█
█▀░ and here we are ... PsyCZ_NP will bring you plenty of non psychedelic ░▀█
█▀░ music ... especially ambient, but some other genres are planned too. ░▀█
█▀░ Why did we decide for non-psy? Changing of the group name isn't possible ░▀█
█▀░ so possibilities we had was only adding a suffix to current group name ░▀█
█▀░░ ... so have chosen non-psy, because it's clearest and most fluent ... ░░▀█
█▀░░░ ░░░▀█
█▀░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ Keep the spirit! ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▀█
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█▀║ ║▀█
█▀║ Nusrat Fateh Ali Khan & Party - Devotional and Love Songs ║▀█
█▀║ ║▀█
█▀║ ┌════════════════════════════════════════════════════════════════════════┐ ║▀█
█▀║ ║▀█
█▀║ Artist: Nusrat Fateh Ali Khan & Party ║▀█
█▀║ Album: Devotional and Love Songs ║▀█
█▀║ ║▀█
█▀║ ┌════════════════════════════════════════════════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ Ripper........: Aeon ║▀█
█▀║ Supplier......: Aeon&Caster ║▀█
█▀║ Genre.........: Ethnic ║▀█
█▀║ Style.........: Pakistan, Qawwali ║▀█
█▀║ Ripp.With.....: EAC ║▀█
█▀║ Encode.With...: Lame 3.92 ║▀█
█▀║ Quality.......: 192kbps / 44,1kHz / Full Stereo ║▀█
█▀║ Company(Label): Real World ║▀█
█▀║ CatalogNr.....: CAROL 2300-2 ║▀█
█▀║ Url...........: http://www.nfak.com/ ║▀█
█▀║ Date..........: 07.02.2003 ║▀█
█▀║ StreetDate....: 00.00.1992 ║▀█
█▀║ Type..........: Album ║▀█
█▀║ Source........: CDDA ║▀█
█▀║ Tracks........: 10 ║▀█
█▀║ Playtime......: 74:18 min ║▀█
█▀║ Size..........: 102,2 MB ║▀█
█▀║ ║▀█
█▀║ ┌═════════════════════════════[ ReleaseNotes ]═══════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ ║▀█
█▀║ Artist Info: ║▀█
█▀║ ║▀█
█▀║ Without doubt the most important qawwal is Nusrat Fateh Ali Khan & ║▀█
█▀║ Party - Party is a generic term for a qawwali ensemble but is also ║▀█
█▀║ used in Sikhism and to describe some classical music ensembles, for ║▀█
█▀║ example, shehnai maestro Bismillah Khan and Party. Dubbed ║▀█
█▀║ Shahen-Shah-e-Qawwali (the Brightest Star in Qawwali), he was born on ║▀█
█▀║ October 13, 1948, in Lyallpur in the Punjab Province of Pakistan. He ║▀█
█▀║ made his first recording in 1973 in Pakistan and a number of early EMI ║▀█
█▀║ (Pakistan) albums jointly billed him with his uncle Mubarak Ali Khan. ║▀█
█▀║ Since these mainly cassette albums were invariably undated and ║▀█
█▀║ numerous, it is difficult to place them in any more accurate ║▀█
█▀║ chronological sequence than catalogue number order. Between 1973 and ║▀█
█▀║ 1993 his recorded output could only be described as prodigious, with ║▀█
█▀║ more than 50 album releases to his name on numerous Pakistani, ║▀█
█▀║ British, American, European and Japanese labels. Heavily ║▀█
█▀║ over-recorded, blighted with a rash of poppy remix albums or albums ║▀█
█▀║ with Westernized instrumentation or arrangements, his recorded work is ║▀█
█▀║ a mire to suck in the uninitiated and their money. Converts, however, ║▀█
█▀║ do not escape scot-free. Although some releases hint at their nature ║▀█
█▀║ with coded titles such as Volume 4 Punjabi (Oriental Star CD SR013) ║▀█
█▀║ from 1990 or Ghazals Urdu (Oriental Star CD SR055) from 1992, the ║▀█
█▀║ chosen language and style is frequently a matter of conjecture or ║▀█
█▀║ uncertainty. While the Western market is saturated with his work, the ║▀█
█▀║ Indian market is supersaturated, and his recorded output is in danger ║▀█
█▀║ of overwhelming any sense of taste. ║▀█
█▀║ Real World was the label largely responsible for Khan's breakthrough ║▀█
█▀║ into a non-Indian audience. It was their marketing skills and the ║▀█
█▀║ platform provided by the WOMAD organization which introduced him to ║▀█
█▀║ Westerners. Musst Musst (Real World CD RW 15) released in 1990 was a ║▀█
█▀║ deliberate attempt to target the White market with its non-traditional ║▀█
█▀║ arrangements, yet it seems positively cherubic beside later ║▀█
█▀║ abominations. "All these albums are experiments," he told me in 1993. ║▀█
█▀║ "There are some people who do not understand at all but just like my ║▀█
█▀║ voice. I add new lyrics and modern instruments to attract the ║▀█
█▀║ audience. This has been very successful." Success, however, bred ║▀█
█▀║ indifference to the virtues and values of the original music. Many ║▀█
█▀║ find the remix albums, the Western and youth-market releases a source ║▀█
█▀║ of despair: buyer beware remains the watchword. When singing his ║▀█
█▀║ traditional work he remains peerless. Many, including myself, regret ║▀█
█▀║ the dilution of his talent that has occurred with his 'experiments.' ║▀█
█▀║ However, in 1994, reportedly tired of unauthorized releases, he took ║▀█
█▀║ greater control of both his business affairs and his concert and ║▀█
█▀║ recording activities. With his international renown at an all-time ║▀█
█▀║ peak, Khan died on August 16, 1997; a seemingly endless procession of ║▀█
█▀║ posthumous releases appeared in the years to follow. ║▀█
█▀║ ║▀█
█▀║ - Ken Hunt, www.allmusic.com ║▀█
█▀║ ║▀█
█▀║ ║▀█
█▀║ Album Info: ║▀█
█▀║ ║▀█
█▀║ Nusrat Fateh Ali Khan opens this album as he often opened his live ║▀█
█▀║ shows, by calling upon God in the form of Allah to come and bless the ║▀█
█▀║ gathering with His presence. For that is the sole purpose of the ║▀█
█▀║ qawwal: to reach God through music, through his voice. And this ║▀█
█▀║ collection of Devotional and Love Songs is set forth with that in ║▀█
█▀║ mind. Unlike some of Khan's more Western-influenced releases, such as ║▀█
█▀║ Mustt Mustt and Night Song, the songs are presented here with minimal ║▀█
█▀║ instrumentation (mostly harmonium and tabla) in the traditional call ║▀█
█▀║ and response form, with Khan singing a line that is echoed by the ║▀█
█▀║ party of musicians that shares the stage with him. Surprisingly ║▀█
█▀║ accessible and captivating, you need not be a Muslim or a seeker of ║▀█
█▀║ any kind to recognize the power of this music. Just try to not sway ║▀█
█▀║ and clap in rhythm. Bet you can't. With the repetition of certain ║▀█
█▀║ phrases and syllables, qawwali music is designed to bring both the ║▀█
█▀║ musicians and audience to a heightened plane of reality, an almost ║▀█
█▀║ trance-like state of existence. For when Khan's voice soars up to the ║▀█
█▀║ heavens and then swoops back down to bring you along for the ride, you ║▀█
█▀║ are swept away without a second thought. That is why, prior to his ║▀█
█▀║ death in 1997, Khan was considered the brightest star in qawwali, the ║▀█
█▀║ master of this art form. ║▀█
█▀║ ║▀█
█▀║ - Kelly McCartney, www.allmusic.com ║▀█
█▀║ ║▀█
█▀║ ║▀█
█▀║ Credits: ║▀█
█▀║ ║▀█
█▀║ Nusrat Fateh Ali Khan - Vocals ║▀█
█▀║ Dildar Hussain - Tabla ║▀█
█▀║ David Buckland - Photography ║▀█
█▀║ Sy-Jenq Cheng - Art Direction, Design ║▀█
█▀║ Malcolm Garrett - Art Direction, Design ║▀█
█▀║ Farrukh Fateh Ali Khan - Harmonium, Vocals ║▀█
█▀║ Majawar Abbas - Guitar, Mandolin ║▀█
█▀║ Ghulam Fareed - Vocals (bckgr) ║▀█
█▀║ Maqsood Hussain - Vocals ║▀█
█▀║ Ishida Masataka - Photography ║▀█
█▀║ Rahat Fateh Ali Khan - Vocals (bckgr) ║▀█
█▀║ Rahmat Ali - Harmonium ║▀█
█▀║ ║▀█
█▀║ ┌══════════════════════════════[ Tracklist ]═════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ 01. Allah Hoo Allah Hoo 07:59 ║▀█
█▀║ 02. Yaad-E-Nabi Gulshan Mehka 07:37 ║▀█
█▀║ 03. Haq Ali Ali Haq 07:26 ║▀█
█▀║ 04. Ali Maula Ali Maula Ali Dam Dam 07:44 ║▀█
█▀║ 05. Mast Nazroon Se Allah Bachhae 06:24 ║▀█
█▀║ 06. Woh Hata Rahe Hain Pardah 07:59 ║▀█
█▀║ 07. Yeh Jo Halka Saroor Hae 07:17 ║▀█
█▀║ 08. Biba Sada Dil Morr De 07:15 ║▀█
█▀║ 09. Yaadan Vichhre Sajan Dian Aiyan 07:24 ║▀█
█▀║ 10. Sanson Ki Mala Pey 07:13 ║▀█
█▀║ ------- ║▀█
█▀║ 74:18 min ║▀█
█▀║ 102,2 MB ║▀█
█▀║ ║▀█
█▀║ ┌══════════════════════════════[ PsyCZNews ]═════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ ║▀█
█▀║ We are looking for ambient, ethno and electronic music oriented archive ║▀█
█▀║ FTP's. If you are interested in ambient, ethno etc., and if you want ║▀█
█▀║ to get best PsyCZ quality (more than 192 kbps mp3) releases, just fell ║▀█
█▀║ free to contact us. We offer to provide you with stuff which didn't ║▀█
█▀║ appear in mp3 scene as PsyCZ release. ║▀█
█▀║ ║▀█
█▀║ Responsible rippers needed also: If you can supply us original CD/vinyl ║▀█
█▀║ or dj/live sets it in excellent quality meet us at #psycz-temp on EFnet ║▀█
█▀║ and msg op. ║▀█
█▀║ ║▀█
█▀║ ┌═════════════════════════════[ PsyCZGoals ]═════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ Our main goal isn't to produce large quantities of mp3 releases... ║▀█
█▀║ what you can expect are rare releases ... from limited music series ║▀█
█▀║ to the occasional unreleased tracks... ║▀█
█▀║ ║▀█
█▀║ PsyCZ releases for gouremets mp3 FTP are encoded in 256kbps or VBR ║▀█
█▀║ (Lame encoder at its best actual setting only!) ║▀█
█▀║ ║▀█
█▀║ Releases for mp3 scene are encoded in 192kbps (higher quality is not ║▀█
█▀║ tolerated) ║▀█
█▀║ ║▀█
█▀╚════════════════════════════════════════════════════════════════════════════╝▀█
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[BMW]-[Ethnic-1992]-(102.2 MB in 10 files of 192kbps Stereo)-[bender@r