Matthew_Herbert-The_Antioch_Bypass_EP-(ANTI02)-Vinyl-1997-MPX
- Section
-
MP3/FLAC
- Group
- MPX
- Size
- 30,11 MB
- Files
- 4
- Date
- 2007-08-09
NFO
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░ ▄█▀ ▄▄▄▄█ PRESENTS: ▀▀█▄▄▄▄▄▄▄▄▄▄▄█▀▀▀ ▀█▄ ▀██▄
▄███ ▄█▀ ▀█ ███▄
█▓█▀ ▄█ Matthew Herbert - The Antioch Bypass EP █▄ ▀█▓█
▄██▀ █▓ ▓█ ▀██▄
█▓█ █░ RiPPER......[ Winnie the Pooh ░█ █▓█
█▓█ ▄█▀ ENCODER.....[ LAME 3.97 V2 VBRNEW ▀█▄ █▓█
█▓██░▀ BiTRATE.....[ avg. 198kbps ▀░██▓█
█▓▓█ MODE........[ Joint-Stereo █▓▓█
▄█ ▀▓█▄ GRABBER.....[ EAC ▄█▓▀ █▄
█ █▓█ DATE RiPPED.[ 08.08.2007 █▓█ █
█▄ ▄█▓█ YEAR........[ 1997 █▓█▄ ▄█
▀▄█▓█ RELEASE SiZE[ 30,1 MB █▓█▄▀
█▓▓█ TUNES.......[ 04 █▓▓█
█▓█▀ ▀▄ SOURCE......[ Vinyl ▄▀ ▀█▓█
██▀ ▀▄ GENRE.......[ Electronic ▄▀ ▀██
█▓█ █ LABEL.......[ ANTIPHON █ █▓█
█▓█ █ CAT.NO......[ ANTI02 █ █▓█
█▓█ █ URL.........[ http://www.matthewherbert.com/ █ █▓█
█▓█ █ █ █▓█
███▄▄▀ ████ ███▄ ███▄ ████ ██ █ ███ ▀▄▄███
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█▓ █▓█ █▀▀▀▀▀ ▀▀▀▀▀█ █▓█ ▓█
█ █▓█ NR.│ TRACKNAME. │ TiME. █▓█ █
█ ███ ∙∙∙│∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙│∙∙∙∙∙∙ ███ █
█ █▓█ 01.│ klunk 2 (waiting for you) │ 04:19 █▓█ █
█ █▓█ 02.│ robot-radio (antioch step) │ 06:01 █▓█ █
█ █▓█ 03.│ herbert's touch │ 04:19 █▓█ █
█ █▓█ 04.│ robot-radio (rattlesnake) │ 06:26 █▓█ █
▀▓ ████ │ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ▓▀
▀▄█▓█ │ TOTAL[ 21:05 █▓█▄▀
█▓▓█ . █▓▓█
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██▀ ▀▄ . ▄▀ ▀██
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█▓▓█ █▓▓████████ ▓█▀▄ ▓█▄▄ ▓█▄▄ ▓█ █ ▓█▄█ ▓█ ▓█▄▄ ▄▄█ █████████▓▓█ █▓▓█
▄▀█▓█ ▀█▀ ▀█▀ █▓█▀▄
█▓ █▓█ ▀ ▀ █▓█ ▓█
█ █▓█ Restless innovator, sampling wizard, classically █▓█ █
█ █▓█ trained pianist and superstar collaborator, MATTHEW █▓█ █
█ █▓█ HERBERT is one of electronic music's most versatile and █▓█ █
█ █▓█ prolific figureheads. Recording under his own name as █▓█ █
█ █▓█ well as Doctor Rockit, Wishmountain, Radio Boy and █▓█ █
█ █▓█ others, Herbert has also produced and remixed artists █▓█ █
█ █▓█ as diverse as Bjork, REM, John Cale, Roisin Murphy, █▓█ █
█ █▓█ Yoko Ono and Serge Gainsbourg. █▓█ █
█ █▓█ █▓█ █
█ █▓█ An alchemist of avant-garde sound in the tradition █▓█ █
█ █▓█ stretching from Stockhausen to the Aphex Twin, Herbert █▓█ █
█ █▓█ combines playful pop sensibility with a strictly █▓█ █
█ █▓█ imposed experimental agenda. In his increasingly █▓█ █
█ █▓█ conceptual and political albums he has emerged as a █▓█ █
█ █▓█ unique figure in modern music: a kind of one-man █▓█ █
█ █▓█ Radiohead, or a Brian Eno for the 21st century. █▓█ █
█ █▓█ █▓█ █
█ █▓█ It was in January 1995 that Herbert gave his first █▓█ █
█ █▓█ large public performance. His instruments: a sampler █▓█ █
█ █▓█ and a bag of crisps. But long before he discovered the █▓█ █
█ █▓█ revolutionary possibilities of sampling, he began █▓█ █
█ █▓█ playing violin and piano at the age of four. When he █▓█ █
█ █▓█ was seven he sang in the school choir and played with █▓█ █
█ █▓█ orchestras. At school, he had the good fortune to have █▓█ █
█ █▓█ a music teacher who considered Reich, Xenakis and Jazz █▓█ █
█ █▓█ standards to be the equal of Beethoven. During his time █▓█ █
█ █▓█ as a theatre student at Exeter University, Herbert, the █▓█ █
█ █▓█ son of a BBC sound technician, continued to invest in █▓█ █
█ █▓█ his own home studio. █▓█ █
█ █▓█ █▓█ █
█ █▓█ Herbert's studies helped to germinate his interest in █▓█ █
█ █▓█ "musique concrete". Rummaging around his bag of crisps █▓█ █
█ █▓█ was only the beginning. His 1998 masterwork 'Around the █▓█ █
█ █▓█ House' (re-released on !K7 in 2002) collected sounds █▓█ █
█ █▓█ from the house and home: washing machines, toasters and █▓█ █
█ █▓█ toothbrushes were sampled and processed into swinging █▓█ █
█ █▓█ grooves and absorbing sound scapes. All the project █▓█ █
█ █▓█ needed was the silken voice of Dani Siciliano, █▓█ █
█ █▓█ Herbert's long-term collaborator, to humanise the album █▓█ █
█ █▓█ into a left-field classic. █▓█ █
█ █▓█ █▓█ █
█ █▓█ In 2000, Herbert wrote a manifesto, the "Personal █▓█ █
█ █▓█ Contract for the Composition Of Music (PCCOM) █▓█ █
█ █▓█ (Incorporating the Manifesto of Mistakes)", rules which █▓█ █
█ █▓█ have defined the compositional methods ever since. The █▓█ █
█ █▓█ manifesto, not unlike Dogme 95's filmic principles, █▓█ █
█ █▓█ prohibits the use of any pre-recorded musical sources, █▓█ █
█ █▓█ as well as any synthetic sounds that imitate acoustic █▓█ █
█ █▓█ instruments. █▓█ █
█ █▓█ █▓█ █
█ █▓█ Furthermore, accidental sounds or errors should █▓█ █
█ █▓█ influence the process of his production. Herbert █▓█ █
█ █▓█ considers mistakes in programming or recording as the █▓█ █
█ █▓█ welcome intervention of random humanity in a sterile █▓█ █
█ █▓█ world. This is a man, after all, who runs a record █▓█ █
█ █▓█ label called Accidental. █▓█ █
█ █▓█ █▓█ █
█ █▓█ █▓█ █
█ █▓█ █▓█ █
█ █▓█ Deriving much of its musical content from human skin, █▓█ █
█ █▓█ hair, bones and the random contents of Dani Siciliano's █▓█ █
█ █▓█ handbag, Herbert's 2001 album 'Bodily Functions' was █▓█ █
█ █▓█ the audible result of putting this theory to practice. █▓█ █
█ █▓█ But far from being limited by these self-imposed rules, █▓█ █
█ █▓█ the record unlocked rich new vaults of unique sound and █▓█ █
█ █▓█ fascinating rhythm from the most unlikely everyday █▓█ █
█ █▓█ objects. █▓█ █
█ █▓█ █▓█ █
█ █▓█ In 2003 Herbert redefined his musical agenda yet again █▓█ █
█ █▓█ with his big-band album 'Goodbye Swingtime', which was █▓█ █
█ █▓█ recorded at Abbey Road studios with 16 jazz and █▓█ █
█ █▓█ session musicians. Despite its self-consciously █▓█ █
█ █▓█ traditional elements, the album was █▓█ █
█ █▓█ composed under strict PCCOM rules, and again featured █▓█ █
█ █▓█ Siciliano on vocals. The subsequent live shows, █▓█ █
█ █▓█ including Sonar in Barcelona, the Montreux jazz █▓█ █
█ █▓█ festival, and Roskilde festival in Denmark, were █▓█ █
█ █▓█ rapturously received by large crowds. █▓█ █
█ █▓█ █▓█ █
█ █▓█ From bedroom samplers to concert halls, Herbert █▓█ █
█ █▓█ continues to expand the horizons of electro-organic █▓█ █
█ █▓█ music. █▓█ █
█ █▓█ █▓█ █
█ █▓█ The political content of Herbert's music has become █▓█ █
█ █▓█ increasingly overt in recent years. His 2004 album █▓█ █
█ █▓█ 'Plat Du Jour' was his most rigorously experimental to █▓█ █
█ █▓█ date, featuring sounds entirely derived from food and █▓█ █
█ █▓█ its packaging. Unified in concept and content, it used █▓█ █
█ █▓█ witty culinary metaphors to attack not just giant food █▓█ █
█ █▓█ companies but also the death penalty, body fascism and █▓█ █
█ █▓█ war in Iraq. In Britain, 'The Guardian' called the █▓█ █
█ █▓█ consequent live shows, complete with a chef making live █▓█ █
█ █▓█ smells "a wild stimulation of senses, feet and █▓█ █
█ █▓█ intellect". █▓█ █
█ █▓█ █▓█ █
█ █▓█ In 2005, Herbert produced 'Ruby Blue', the debut solo █▓█ █
█ █▓█ album by Moloko singer Roisin Murphy. A fertile garden █▓█ █
█ █▓█ of flamboyant dance-pop and artfully textured █▓█ █
█ █▓█ jazz-funk. █▓█ █
█ █▓█ █▓█ █
█ █▓█ Herbert's latest album, 'Scale', is probably his most █▓█ █
█ █▓█ pleasingly pop-friendly mellifluous so far. But beneath █▓█ █
█ █▓█ its deceptively glossy surface sheen of jazz, disco and █▓█ █
█ █▓█ sensual house rhythms lie quietly anguished meditations █▓█ █
█ █▓█ on mortality, global suffering and the end of the oil █▓█ █
█ █▓█ age. Among the 723 objects sampled on these lush tracks █▓█ █
█ █▓█ are coffins, petrol pumps, meteorites, an RAF Tornado █▓█ █
█ █▓█ bomber, and somebody being sick outside a banquet for a █▓█ █
█ █▓█ notorious London arms fair. More than any previous █▓█ █
█ █▓█ Herbert album, 'Scale' combines immaculately groomed █▓█ █
█ █▓█ dance music with subversive subject matter. █▓█ █
█ █▓█ █▓█ █
█ █▓█ Herbert is as solid as a rock in these times of █▓█ █
█ █▓█ "borderless digital arbitrariness," as the German █▓█ █
█ █▓█ newspaper 'Die Zeit' once described his work. Between █▓█ █
█ █▓█ programming mistakes and the conceptual stringency of █▓█ █
█ █▓█ his PCCOM manifest, between divine accident and strict █▓█ █
█ █▓█ intent, whether he scores films or theatre shows or █▓█ █
█ █▓█ paints the musical backdrop for fashion shows - █▓█ █
█ █▓█ Herbert's endless innovation and transgression of █▓█ █
█ █▓█ genres is never just art for its own sake. His music is █▓█ █
█ █▓█ always engaged in lively dialogue with the wider world, █▓█ █
█ █▓█ with the past and future of experimental music, with █▓█ █
█ █▓█ its own political and economic origins. █▓█ █
█ █▓█ █▓█ █
█ █▓█ Crucially, in most cases, you can also dance to it. █▓█ █
█ █▓█ Matthew Herbert's records are true weapons of mass █▓█ █
█ █▓█ seduction. █▓█ █
█ █▓█ █▓█ █
█ █▓█ █▓█ █
█ █▓█ Enjoy !! █▓█ █
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Files
| Path | Size |
|---|
| 01-matthew_herbert-klunk_2_(waiting_for_you).mp3 | 5,80 MB |
| 02-matthew_herbert-robot-radio_(antioch_step).mp3 | 8,93 MB |
| 03-matthew_herbert-herberts_touch.mp3 | 6,15 MB |
| 04-matthew_herbert-robot-radio_(rattlesnake).mp3 | 9,23 MB |