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└────────┘ 27.06.2007
freshhh!
artist: Brooklyn Express
album: Sixty Nine (86 Mix)
label: ARS Productions
cat: ARS 3665
year: 1986
genre: Disco
sub-genre: miami disco nyc re-edit new-beat italo
source: Vinyl
grabber: Eac
encoder: LAME 3.97 V2 --Vbr-New -V 2
quality: VBRkbps / 44.1kHz / Joint-Stereo
size: 21,4 MB
link: n/a
─┐└───────────────────────────────────────────────────────────────────────
│tracklist.
no. time track title
a 08:06 Sixty Nine (85 Mix)
b 05:44 Change Position
total time: 13:50 min
─┐└───────────────────────────────────────────────────────────────────────
│release notes.
Legendary underground edit track (Tee Scott mix) given the mid-80s
remix treatment by Italo-producers.
Hear the disco sound of Miami (Jimmy "Bo" Horne) chopped on a New
York block and winding up as proto-New Beat. One of those
records...as per this interview from jahsonic:
Daniel Wang: "Who was Began Cekic? And what was the deal with those
grungy little One Way Records that you mixed? He made that version
of Love Is the Message where he seems to be playing the keyboards
himself...."
Tee Scott:" Began Cekic was a real case. He was a Yugoslavian guy
with this little record company - One Way was a subsidiary of his
main label, B.C. Recards, which he eventually changed to One Way.
He was the king of the copiers. He got a hold of me, and he treated
me to all kinds of baubles (laughter); he bought me two huge
1500's, or 1520 tapedecks, the model they used in the studio with a
"Store" feature and the extra sections for your tone generators,
which were built-in; it cost about $4000. And then he bought me the
1506, which was a 4-track recorder. These were all gifts for doing
those records for him."
Daniel Wang:So he was the original bootlegger, so to say? Did he
make money?
Tee Scott:"He made a lot of money on those! He did Love Is the
Message, Sixty-Nine (Spank), Eighty-Eight, Beyond the Clouds,
Relight My Fire (Let's Get Horny), Computer Games, all of those...
He took me to Florida, too. Of course he did cover records, really
because he didn't sample anybody else's records - it wasn`t
possible then,-- he just did things that sounded close to them. And
after a while, he started getting involved in stuff that I felt I
should back out of. He started getting really ridiculaus and
stepping over the line with a lot of stuff. I lost touch with him
after a while."
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nfobygucci! *feb2OO7