THIS IS NOT PIRACY.
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▀ ▀ █ WASHED UP SCENESTERS 2oo7 SEXiLY PROMOTES ... █ ▀ ▀
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█ Luciana Souza--The New Bossa Nova █
█ █
█ Artist ....: Luciana Souza █
█ Album .....: The New Bossa Nova █
█ Genre .....: Fusion █
█ Label .....: Verve Records █
█ Catalog # .: 000945602 █
█ Language ..: English █
█ █
█ Source ....: CDDA █
█ Grabber ...: EAC █
█ Encoder ...: LAME 3.97 (VBR NEW) █
█ Bitrate ...: VBRkbps █
█ Size ......: 68,5 MB █
█ █
█ Rel. date .: Aug-23-2007 █
█ Str. date .: █
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▄▄▀ [ TRACK LiST ] ▀▄▄
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█ THIS IS *NOT* A SUBSTITUDE OF THE ORIGINAL. █
█ -------------------------------------------------------------------- █
█ █
█ NB TRACKNAMES: LENGHT: █
█ █
█ 01. down to you 05:03 █
█ 02. never die young 04:36 █
█ 03. here it is 05:36 █
█ 04. when we dance 05:17 █
█ 05. satellite 04:40 █
█ 06. were you blind that day 05:01 █
█ 07. love is for strangers 05:29 █
█ 08. you and the girl 04:36 █
█ 09. living without you 03:18 █
█ 10. i can let go now 04:02 █
█ 11. god only knows 03:53 █
█ 12. waters of march 04:42 █
█ 56:13 min █
█ █
█ -------------------------------------------------------------------- █
█ TO THE INVOLVED ARTIST(S): CONSIDER THIS AS A FREE WORLDWIDE PROMO █
█ CAMPAIGN. TO THE END USER, SUPPORT ARTIST(S) OR DEL! █
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▄▄▀ [ RELEASE NOTES ] ▀▄▄
█ █
█ █
█ Product Description: █
█ █
█ I wanted to make a record that would be accessible yet truthful, █
█ Luciana Souza says of The New Bossa Nova, her seventh album and █
█ her Verve debut. The world is so loud and noisy and █
█ overwhelming now that it can be a challenge to get people to sit █
█ and listen to something thatÆs quiet. But I have faith that █
█ they will. █
█ █
█ The New Bossa Nova marks an exciting new chapter for the █
█ Brazilian-born vocalist and three-time Grammy nominee, whos █
█ already widely acknowledged as one of jazzs most respected and █
█ accomplished vocalists. The 11-song album finds the artist █
█ crafting a fresh and highly personal variation on the beloved █
█ bossa nova style, matching Souzas exquisite, deeply-felt █
█ performances with spare, eloquent arrangements that place the █
█ emphasis squarely on the songs timeless emotional truths. █
█ █
█ The New Bossa Nova finds Souza applying her interpretative █
█ skills to material drawn from a diverse array of sources, █
█ including Joni Mitchell (Down To You), Leonard Cohen (Here It █
█ Is), Sting (When We Dance), Elliott Smith (Satellite), Steely █
█ Dan (Were You Blind That Day), Randy Newman (Living Without █
█ You), Michael McDonald (I Can Let Go Now) and legendary bossa █
█ nova master Antonio Carlo Jobim (the standard Waters of March), █
█ along with a pair of memorable new songs written for the █
█ project, You and the Girl, written by Souza and producer Larry █
█ Klein, and Love Is for Strangers, by Klein and Steely DanÆs █
█ Walter Becker. The set also features a memorable guest █
█ appearance by James Taylor, who joins Souza for a soulful duet █
█ reading of the Taylor composition Never Die Young. █
█ █
█ The resulting album confirms Souzas reputation as both a █
█ world-class vocalist and a versatile, consistently adventurous █
█ creative force. The project is Souzas first collaboration with █
█ her husband, producer/musician Klein, whose extensive resume █
█ encompasses work with artists as diverse as Joni Mitchell, █
█ Freddie Hubbard, Peter Gabriel and Wayne Shorter. The New Bossa █
█ Nova also features a stellar cast of players including tenor █
█ saxophonist Chris Potter, guitarist Romero Lubambo, pianist █
█ Edward Simon, bassist Scott Colley, vibraphonist Matt Moran and █
█ drummer Antonio Sanchez. █
█ █
█ We really wanted to explore the aesthetic of bossa nova, Souza █
█ states. Because its a style thats 40 years old, we felt it █
█ would be nice to re-introduce it to people, but in a different █
█ way. █
█ █
█ We also wanted to do songs that represented a cross-section of █
█ some of the best songwriters of the later part of the last █
█ century. A lot of the songs on this album are songs that IÆve █
█ lived with and loved for a very long time, so the idea was to █
█ combine bossa nova with the work of these great songwriters █
█ whose music is so deeply imprinted into my musical █
█ consciousness. Some of my other records combined music and █
█ poetry, and to me this is an extension of that, because all of █
█ these songwriters are great poets as well as great composers. █
█ █
█ Another thing that we wanted to do, she adds, was to make a █
█ record of songs that deal with the different aspects and █
█ manifestations and complexities of love lust and desire and envy █
█ and jealousy and pain, and all of the things that make love a █
█ universal subject. █
█ █
█ Although shes worked in a wide array of musical genres, Souzas █
█ connection to bossa nova stretches back to her early life █
█ growing up in a musical family in Sao Paulo, Brazil. Her █
█ parents, Walter Santos and Tereza Souza, were influential █
█ composers in Brazils original bossa nova movement, and went on █
█ to run the influential recording studio Nossoestudio and the █
█ seminal record label Som da Gente. Luciana launched her █
█ performing career at the age of three, singing on a radio █
█ commercial, and subsequently cut more than 200 jingles and █
█ soundtrack recordings. By her teens, she was established as a █
█ first-call studio veteran. █
█ █
█ Prior to The New Bossa Nova, Souza released six critically █
█ acclaimed albums: An Answer to Your Silence (1999), The Poems of █
█ Elizabeth Bishop and Other Songs (2000), Brazilian Duos (2002), █
█ North and South (2003) and Neruda (2004) and Duos II (2005). In █
█ addition to her three Grammy nominations, she was awarded Female █
█ Jazz Singer of the Year by the Jazz Journalists Association in █
█ 2005, was named Top Rising Star Female Vocalist in Down Beat █
█ magazine's 2004 Critics Poll, and two of her albums have been █
█ included in the Top Ten of The New York Times year-end critics █
█ polls. █
█ █
█ Souza has performed around the world with small combos and █
█ orchestras, and has sung on more than thirty albums by such jazz █
█ greats as Danilo Perez, George Garzone, Kenny Wheeler, Steve █
█ Kuhn, John Patitucci and Maria Schneider. She spent four years █
█ on the faculty of the Berklee College of Music in Boston, where █
█ she had received a bachelor's degree in jazz composition; she █
█ also holds a master's degree in jazz studies from the New █
█ England Conservatory of Music. She also taught for four years █
█ at Manhattan School of Music in New York. █
█ █
█ In 1996, Souza began successfully crossing over into █
█ contemporary classical music, receiving enthusiastic notices for █
█ her vocal performances on works by the contemporary classical █
█ composer Osvaldo Golijov, which she has performed with █
█ orchestras in New York, Boston, Los Angeles and Stuttgart. Shes █
█ also performed Manuel de Fallas El Amor Brujo with the Atlanta █
█ Symphony and the New York Philharmonic. █
█ █
█ Despite her extensive musical history, The New Bossa Nova █
█ carries particular personal significance for Souza. Making this █
█ record was an incredible experience, she says. It was the first █
█ time IÆve ever made a record in more than two days, and the █
█ first time Id ever really had the chance to spend time crafting █
█ a record and crafting the sounds and the colors. █
█ █
█ One of the things I loved about this project is that its not a █
█ record that I could have made on my own, she continues. I think █
█ its a natural evolution from what Ive been doing all along, but █
█ it was also very different and a new challenge. In the past, Id █
█ always produced my own records and been very controlling of my █
█ own music. On this one, it was amazing and inspiring to have a █
█ collaborator who has so much musical knowledge and music █
█ empathy, and who I also love. Larry is remarkable at capturing █
█ sounds and capturing the air and space between each instrument. █
█ All of a sudden it felt like I could surrender to somebody █
█ elseÆs expertise. █
█ █
█ All of the records Ive done, Souza concludes, have been █
█ explorations. Bossa nova is definitely an area that I would █
█ love to pursue more, but I look at it as opening another door, █
█ as opposed to closing the door on the other things Ive done █
█ before. My next record could be something completely different, █
█ but I think that IÆd like to live with this music for a while █
█ longer. █
█ █
█ █
█ Known for her interpretations of poetry and a classical vocal █
█ technique, Brazilian singer Luciana Souza makes her most overt █
█ bid for mainstream recognition with this collection of jazzy █
█ takes on the works of latter day pop stars. Starting with a █
█ supple rendition of Joni Mitchell's "Down to You" and continuing █
█ through songs by Sting, Steely Dan, Randy Newman, and James █
█ Taylor, among others, Souza never opts for the easy base-hit. █
█ Duetting with Taylor himself on "Never Die Young," she recasts █
█ the melody into something ineffably Brazilian (Souza sings in █
█ unaccented English) and unrecognizable. Even on the most popular █
█ bossa in the world (next to "The Girl from Ipanema"), "Waters of █
█ March," Souza uncovers something new in her phrasing, even if █
█ it's just the wonder of the lyrics in English ("a truckload of █
█ bricks / In the morning sun"). Backed by a simpatico band █
█ anchored by guitarist Romero Lubambo and featuring vibist Matt █
█ Moran, Souza's most commercial outing may be calculating, but so █
█ is everything she does. A singer this intelligent is a rare find █
█ indeed. █
█ █
█ Performance Credits - █
█ █
█ Luciana Souza Primary Artist, Vocals █
█ Romero Lubambo Guitar, Cavaquinho █
█ Antonio Sanchez Percussion, Drums █
█ Edward Simon Piano, Pump Organ █
█ Matt Moran Vibes █
█ James D. Taylor Vocals █
█ █
█ Technical Credits - █
█ █
█ Bernie Grundman Mastering █
█ Larry Klein Producer █
█ Daniel Richard Executive Producer █
█ Helix Hadar Engineer █
█ █
█ █
█ Thanks to our Latin suppliers for this wonderful release! You █
█ guys know who you are! Once again WUS taking this scene by █
█ fucking massive storm! Odin commands our Armies to move foward █
█ as we Pillage and Conquer! This has been foretold by the Runes █
█ and Oracles! █
█ █
█ Side Notes By the CORE of WUS: █
█ █
█ WUS Definition - Psykotic Silent Assassins here to eliminate all █
█ who oppose us. █
█ █
█ Why do we do this? We do this because there are those that have █
█ this tendency to piss us off, and then there are the groups that █
█ don't have a clue as to what real friendship and teamwork really █
█ mean. Whats this mean? This means that WUS will teach everyone █
█ how its really done. █
█ █
█ Our suppliers consist of every corner of the world. █
█ █
█ █
█ DISCLAIMER: Piracy? What the "FUCK" is that? We love our █
█ Asses the way its Shaped and Formed! █
█ █
█ █
█ We specialize in "ALL YEARS" + "ALL GENRES" + "ALL LANGUAGES" █
█ █
█ █
█ Greets To All Our Friends From The Past & Now The Present: █
█ █
█ PWA, DOD, iNC, THG, ACiD, iCE, MYTH, CULT OF THE DEAD COW, █
█ QUARTEX, RAZOR1911, HiGH VOLTAGE, PENTAGRAM, PTL, HOODLUM, █
█ ROMKIDS, TRSi, ESi, ZENITH, CLASSIC, MALiCE, MASTERS OF █
█ DiSASTER, EXODUS, FATE, NAFTA, DiViNE, F4CG, FAiRLiGHT, PHRACK, █
█ NEXUS, GLOW, TDT, CORE, PARSEC, TYRANNY, MOTiV8, RTS, EQUALiTY, █
█ DEVOTiON, REBELS, SNEAKERS, DEViANCE, CLASS, 2600, NUKE, █
█ PHALCON/SKiSM, NOKTURNAL TRADiNG ALLiANCE, SCUM, LEGiON OF DOOM, █
█ ALPHA FLIGHT, PREMiERE, AMOK, ANTHROX, PARADiGM, TDU-JAM, █
█ DOMiNATORS, SKiD ROW, LEGEND, SUPPLEX, HYBRiD and on and on... █
█ █
█ Keep the scene secure! Keep all releases off XDCC, FSERVE, █
█ NEWSGROUPS, P2P, BTorrent, and other forms of public accessible █
█ sites.. Your only hurting the scene which entails hurting your █
█ friends within the underground.. If you like this release █
█ please consider buying the original! █
█ █
█ We definately do not greet any part of the government. We like █
█ to keep our dignity and do this the underground way. █
█ █
▄▀ ▀▄
█ █
▀▄█ █▄ ▄█ █▄▀
▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀
▄▄▀ [ Oi ] ▀▄▄
█ █
█ 4 HORSEMEN, █
█ 801, █
█ ADDiCTED TO MUSiC, APOCALYPSE PRODUCTiON CREW, AUDiO ARCHiVE FORCE, █
█ BEAT MASTERS iNTERNATiONAL, BEATS iN CONTROL, █
█ CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDiO, CRiSiS, █
█ DEAFNESS, DiGiTAL SOUND PROPHETS, DiSSiDENT, █
█ FRENCH SOUND PROViDER, █
█ iMAGiNE, iMPULZ, iNDECENT XPOSURE, iNTERNET MUSiC PiRATE GUiLT, █
█ JAZ, █
█ KiLOHERTZ, █
█ MUSiC AND DECiBELS, MUSiC TO MASSES, █
█ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, █
█ NUTRiCiOUS HEARiNG SUPPLiES, █
█ PROViDERS OF SOUND, PSiLOCiBiN, █
█ RABiD NEUROSiS, RARE MUSiC FiNDER, REVOLUTiON, ROCKERS' BREWiNG █
█ CORP, RUDE BWOY KUTZ, █
█ SCHOOL OF THE OLD, STRONGER THAN ALL, SYNTHESiS MEDiA, █
█ THE FLAME ARROWS MP3, TOUCHDOWN, TWEE, █
█ WALL OF SOUND, WE LOVE WAREZ MP3, █
█ █
█ FAITHMUSE, MCKENNA, MORGOTH, MISTAHWAX, SDL & █
█ █
▄▀ *ALL* of our friends and family. ▀▄
█ █
▀▄█ █▄ ▄█ █▄▀
▀ ▀ █ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ █ ▀ ▀
▄▄▀ [ ABOUT ] ▀▄▄
█ █
█ █
█ - We laugh at your encoding standards! █
█ If you don't like our release : LEECH A DIFFERENT FORMAT!!! █
█ █
█ - We shit on alot of scene "members". Maybe you part of them? █
█ █
█ - We only believe NOW is good music. █
█ █
█ Furthermore, we just LOVE all 1+Gb/s-3+Tbs-ftpd-with-0sec-attitude █
█ that can't even achieve 12 months of uptime. █
█ █
█ Lastly, to those who think they are in charge : █
█ PLEASE OH PLEASE give us some kind of RiAA2k8 standard! As we █
█ rightfully need a 6th rule change(and 1 revision) ever! This is █
█ alltime scene History record! Thanks kids! Keep bringing us to █
█ leetland, you sure know how to get us there! █
█ █
█ █
█ Your TRUE pseudo-friends, █
▄▀ ▀▄
█ ▄▄▄ ▄▄▄ █
▀▄ ▄▀ ▀▄ WUZZiES' iNK ▄▀ ▀▄ ▄▀
▀▀ ▄▀ ▀▄ ▀▀
▀▀ ▀▀
TRUE WARRiORS NEVER DiE, THEY JUST SLEEP...
▄▄
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THIS IS NOT PIRACY.