.
.
/______
___ // \
/ /// \__ __
/ // / / \_
__ _____ ____/ / / /____/
/_/ / // / _ __ _____ ______ _______
\___// . \//\\____// /\
/ . /______/ \
_______ / ___ ______ _______ _\_____ \ /
\ /___ ___/ /______ / /\\ /___ / /\_\/
/ / _/ \ \__/ \/ / X / _// /__\_
/ __ \ / _ _ \ / / __ \ / /\
/ / // // \ \ / / /\__ \ \
/ / \ // \ // / \ / /\/
\____/ /______/ \_____/ / \____/ /\/_______/ \
\ \_______/\ \ \ /____/ \ \_______/ \ \ /
\__\ \ \______\/ \__\ \ / \__\ \ /\_______\/
/ .\______\/ \____\/ \______\/ h7/dS!
\__/ . / /
/ . / /
\___ / .\ / K I N K Y C R E W
// __/ \____/\/
//______/
/
.
. .
. ____:_ ____ ____ _____ ___ .
. _____/ | / \ _\ (__ / _/___ _/ /_____. h7 .
. _ __ ______ .\ _ \ ./ /7 \| _// _/ /.\____ /: ______ __ _ .
: __ /.\ _// |____\ :_______/|____|\____\_____|____/_____| \\_ /.\ __ :
: XX_ |___/... \____| ...\___| _XX :
| XXX | ...:.: R E L E A S E I N F O :.:... | XXX |
| TT! | :: ' ` :: | !TT |
| T!: | : : | :!T |
| !:. | . album : Frank Ski's Club Trax Vol.3 . | .:! |
| ::. | artist : Frank Ski | .:: |
| !:. | | .:! |
| !:. | label : Deco | .:! |
| !:. | cat.nr. : DEC-0011 | .:! |
| !:. | | .:! |
| !:. | year : 1993 genre : Booty Bass | .:! |
| ::. | source : Vinyl quality : VBR @ 228kbit | .:: |
| ::. | size : 42MB total : 7 tracks | .:: |
: . _| |_ . :
|____\| |/____|
| : R E L E A S E N O T E S : |
: . . :
. .
. This is truely an absolute classic from Baltimore Club .
. Music, featuring the killer "Pull Ya Gunz Out". Enjoy! .
. .
. About Baltimore Club Music : .
. .
. Baltimore Club, also called Baltimore Breaks, Baltimore .
. house, " Knucklehead" and Dew Doo Beat, is a genre of .
. House and Dance music. A blend of Hip-Hop and Electronica, .
. it was created in Baltimore, Maryland in the early 1990s .
. by Scottie B., Frank Ski, Miss Tony and DJ Spen and has .
. since been performed by artists such as Rod Lee, KW Griff, .
. Rod Braxton, Karizma, D.J.Technics, and DJ Phinesse. .
. Female DJ K Swift is currently one of the most popular .
. DJ's in Baltimore, with her radio shows on 92.3 WERQ. .
. .
. Baltimore Club is exemplified by its 8/4 beat structure .
. and tempos at or near 130 beats per minute. It combines .
. repetitive, looped vocal snippets similar to ghetto house .
. with humorous vocal samples from television shows like .
. Sanford and Son and Sponge Bob SquarePants, and also .
. includes heavy breakbeats and call and response stanzas .
. similar to those found in the Go-Go music of Washington, .
. D.C.. More often than not, the breakbeats are pulled from .
. two records; Sing Sing by Gaz, and Think by Lyn Collins .
. and James Brown. Much like the rave-era sub-genre of .
. Techno music known as Breakbeat Hardcore, Baltimore Club .
. sounds as if the music was purposely produced in a hurried .
. manner as the each song is made with a limited pallette of .
. sounds and is based on a similar templates. .
. .
. Some say Baltimore Breaks grew out of Miami Bass, largely .
. due to Frank Ski working with Luke Skyywalker Records in .
. the early 1990s, remixing songs such as Disco Rick's .
. Wiggle Wiggle in 1992. Frank's production of the 1991 .
. track Doo Doo Brown by 2 Hype Brothers and a Dog samples .
. heavily from the 1989 "Doo Doo Brown edit" of C'mon Babe .
. by the X-rated Miami Bass group known as 2 Live Crew. This .
. most likely explains the genre's nickname of "Dew Doo .
. Beat". Despite its roots nearer to Miami Bass, the sound .
. of the music itself more closely resembles Ghetto House. .
. Frank Ski helped to pioneer the sound with his nightly .
. radio show on now defunct V103, playing many Breakbeat .
. Hardcore songs such as Acid Party, Too much Energy and .
. others, alongside his newly released Doo Doo Brown track. .
. The influence of the UK Breakbeat Hardcore was critical in .
. the development of the genre. Soon after the release of .
. Doo Doo Brown, Frank Ski teamed with Miss Tony and Scotty .
. B on the release of "What's up What's up" and "Pull Ya .
. Guns Out", two of the earliest examples to feature the .
. signature Baltimore Club sound. .
. .
. Baltimore Club has long been popular in Baltimore, largely .
. in African-American venues where DJs spin exclusively .
. Baltimore Club, but has recently spread beyond the city's .
. borders to Philadelphia and New York City and inspired .
. offshoots in New Jersey (D.J.Tamiel) and Alabama .
. (Bamabounce). This expansion is due largely to the success .
. and influence of the DJ duo Hollertronix, who present .
. Baltimore Club in conjunction with hip-hop, rock, and .
. other dance music. .
. .
. . . : _____ : . . .
. . . : ____ ________ _______ ____. \_ |____ ___ h7 : . . .
. :.::: _\ (____\__ /_\__. /__ _\ |____/ | _/_ _/ /____. :::.: .
. _ __ __ | _/ _/ /| \| /.\ |/ / _ /.\____ /: __ __ _ .
: __ /._/ |____||___\____\|____|_____|______________| |____/____| \_.\ __ :
: XX_ | ...... |_____| ...... | _XX :
| XXX | :..:.: T R A C K L I S T I N G :.:..: | XXX |
| TT! | :: ' ` :: | !TT |
| T!: | : : | :!T |
| !:. | 01: (A1) Whores In This House (Remix) 03:39 | .:! |
| !:. | 02: (A2) The Bar-Nee-Song (Brittany's | .:! |
| !:. | Version) 02:26 | .:! |
| !:. | 03: (A3) Bitch Track 2 - Yes! 04:14 | .:! |
| !:. | 04: (A4) Frank Ski's Whoot 02:18 | .:! |
| !:. | 05: (B1) Pull Ya Gunz Out 05:32 | .:! |
| !:. | 06: (B2) Where's Ya Boyfriend At 03:30 | .:! |
| !:. | 07: (B3) Welcome To Baltimore 03:14 | .:! |
: . _| ~~~~~ |_ . :
|____\| 24:53 |/____|
| : : |
: . . :
. .
. . : : . .
. . . : ____ _________ ____ ______ _______ : . . .
. :.::: _/ _/____ __\__ // \ /____._\__ /. h7 :::.: .
. _ __ ______ .\ \_ /. _/ // /7 \ /| /| /____| ______ __ _ .
: __ /.\ _// |_____| |___\_____\_______/_________|____\ \\_ /.\ __ :
: XX_ |___/... |____| ...\___| _XX :
| XXX | ...:.: G R O U P I N F O R M A T I O N :.:... | XXX |
| TT! | :: ' ` :: | !TT |
| T!: | : : | :!T |
| !:. | . We are dudes and dudettes who prefer to keep a family vibe . | .:! |
| !:. | within our group. Music love and friendship are the key | .:! |
| !:. | values that keep us together. | .:! |
| !:. | If you look at the definition of KINKY - it means | .:! |
| !:. | something new, unusual and also showing or appealing to | .:! |
| !:. | bizarre or deviant tastes. Now apply that definition to | .:! |
| !:. | our family and you get a pretty vivid description of our | .:! |
| !:. | modus operandi - delivering a variety of electronic music | .:! |
| !:. | styles which cater to our eccentric palette. | .:! |
| !:. | | .:! |
| !:. | Contact: | .:! |
| !:. | You can find us in cute pubs, at nice parties, in under- | .:! |
| !:. | ground clubs, in bed with kinky girls, in vinyl shops, | .:! |
| !:. | in swimming pools hunting sharks and (octo)pussies, lying | .:! |
| !:. | on the nuda beaches peeping, jumping in the sound studios, | .:! |
| !:. | sneaking on train stations with bags full of cans... | .:! |
| !:. | | .:! |
| !:. | Disclaimer: | .:! |
| !:. | Don't spread our stuff on any public sources like p2p. It | .:! |
| !:. | also applies to public dupechecks. It won't hurt your | .:! |
| !:. | ego-meter too much. Please respect our decision, we do NOT | .:! |
| !:. | want our releases to appear there! | .:! |
: . _| |_ . :
|____\| |/____|
| : : |
: . . :
. .
. . : : . .
. . . : ____ _________ _____ _____ _____ ___ h7 : . . .
:.::: _/ _/____ __\__ // _/__ / _/____\ (___/ /____. :::.:
. _ __ __ .\ \_ /. _/ // _/ // _/ | _/\____ | __ __ _ .
: __ /._/ |_____| |___\_____\____\________\___________||____/____| \_.\ __ :
: XX_ | ...... |____| ...... | _XX :
| XXX | :..:.: G R E E T I N G S :.:..: | XXX |
| TT! | :: ' ` :: | !TT |
| T!: | : : | :!T |
| !:. | BCC BEX BOSS CMC dh DPS DRUM EMP gEm kW mbs MPX PsyCZ sb | .:! |
| ::. | | .:: |
: . _| soup TR tronik TrT UPE |_ . :
|____\| |/____|
| |__ our friends and fans | |
: :/_____ \ / _____\: :
. | \____\\ //____/ |
|_____ _ \_____________________________________/ _ _____|
logos & layout ::) generated in KiNKER 1.2 ::( last update
by H7/dS! 07/08/2005