Un-Cut-Midnight-Promo-CDS-2003-DPS

Section
MP3/FLAC
Group
DPS
Size
20,31 MB
Files
3
Date
2003-02-19

NFO

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   Un-cut - Midnight

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 r   i   p   p   i   n   g   n   o   t   e   s   .   .   .   .   .   .   .    ▀

   date        Feb-19-2003
   style       Drum & Bass
   label       WEA
   cat.no.     n/a
   source      CDDA
   type        Single
   quality     192kbps 44.1hz Joint-Stereo
   size        20,3 MB

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 r   e   l   e   a   s   e   n   o   t   e   s   .   .   .   .   .   .   .    ▀

   "That's only the second time I've been able to listen to that tune
   without crying."

   Jenna G's eyes focus in the distance as the dying strains of Un-Cut's
   gorgeous aching soul lament 'Senseless' fade. "All of the songs are
   about me and my life, or us and our lives." She adds, "The emotion
   behind the songs is sometimes too much for me." It's something that
   every songwriter aims for - the ability to touch people on the
   deepest and most honest level. From Stevie Wonder to Prince to Marvin
   Gaye, it's the ability to tune in to those most basic, but complex
   emotions, that makes the greats stand out from the also rans. Now its
   time to add another name to this list. Un-Cut, a Mancunian trio who
   possess that rare quality, the ability to create music that pulls on
   the strings of every emotion. Songs that make the hairs on your neck
   dance like voodoo, shivers run like smoke through your body and
   goosebumps tingle like great sex. It's soul music - pure and simple.

   The Uncut story begins in the darkest recesses of jungle fever circa
   '93 with a young Manchester born producer and DJ going by the name 2D
   (real name Iyiola Babalola, real origins - a Nigerian Prince). At a
   time when Manchester's clubs had closed their doors to jungle, 2D
   opened a drum'n'bass night at The Tenbar called Knowledge, before
   eventually moving to a larger venue called The Music Box with a night
   called Future Sounds. In the meantime 2D had also been working on a
   few ideas in the studio with like-minded producer Waiwan. Together,
   as Mind 21, they created a cut called 'Mind' which' blew up on the
   underground, eventually getting licensed all over the world. 2D would
   subsequently put out singles on a variety of labels including DJSS'
   "Jazz'n'Bass" collection.

   Meanwhile Londoner Darren Lewis (Mum from South America, Dad a
   drummer, so music always had a strong presence in his childhood)
   arrived in Manchester to study for a degree in French and Spanish.
   Thanks to a stint working at Nico's legendary No U-Turn label in
   1995, he was able to turn his focus to the Manchester scene, opening
   his own night "Freshly Cut" in the process. It was almost inevitable
   that 2D and Darren would meet.

   "He said that if I did some flyering for his night then we could go
   in the studio together," laughs Darren at the memory of how they came
   to work together. "Later I found out that was what he told everyone.
   But he didn't count on me turning up at the studio with a pile of
   records and waiting for three hours for him to turn up!" In a moment
   of obtuse creativity the promoters of Manchester's finest drum'n'bass
   nights, Future Sounds and Freshly Cut, amalgamated their names to
   come up with the moniker they would soon become internationally known
   à Future Cut. The newly created duo debuted with, 'Fresh Step'; it
   got signed straight away. And history was in the making.

   The trio was completed by the arrival Jenna G, (Prince fan and
   rainbow child, parents both in bands). Jenna had already been a face
   on the Manchester urban landscape for a few years following a stint
   singing live on infamous pirate station Love Energy. However Jenna
   was becoming more inspired by darker, underground soundsà
   "I did this night in Castlefield and Darren saw us." She recalls, "he
   came up to me afterwards and said he was impressed by my singing and
   wanted to work with me. I gave him my number but he never got back in
   touch!" Thanks to a mutual friend, however, she finally hooked up
   with Darren and 2D a couple of years later. "We spent the best part
   of six months just taking the piss out of Jenna, so she would feel at
   home," 2D laughs. Underlining the sharp and dry humour that
   continually flows through the trio.
   What followed was a three-year process of experimenting with ideas.
   It was also a time in which Jenna explored an earlier love of acting
   with a major role in Danny Boyle's acclaimed BBC2 drama 'Strumpet'.
   Future Cut continued to DJ the world over and release singles. Among
   them the classic 'Obsession' for Goldie's Metalheadz label -
   featuring Jenna's sultry vocals in freeform.

   "Goldie phoned up buzzing about "Obsession" exclaims Darren of that
   tune "That was a big moment for us." However, the true instigation of
   Un-Cut as a three-piece came with 'Borderline' a CD only track on a
   Future Cut EP for Renegade Hardware. It was a drum'n'bass/ punk mash
   up featuring Jenna in full flow. The response to it was incredible.
   The threesome joined forces. Un-Cut was bornà And the magic started
   to flow.

   Un-Cut's debut collective effort was the stunning 'Midnight'. A
   luscious, half-tempo drum'n'bass tune which found Jenna delivering a
   classy vocal arrangement over a three-minute song. It sold out of its
   10,000 copy run within weeks. But 'Midnight' only hinted at the shape
   of things to come."For three years we'd been writing to pay the
   bills, which meant every tune had to go off on the dancefloor,"
   explains Darren. But as we began to develop and explore we were like,
   lets do something slow, something deep. Everything we've wanted to do
   for the past five years but hadn't had the time. It was like a
   rebellion."

   Rebellion, or catharsis, the tracks Un-Cut have created in the wake
   of that first offering are nothing short of timeless. Classic cuts
   that evoke the spirits of the Motown greats and reposition them in
   the here and now. Take the Northern soul groove of 'Things You Say'
   with its downlow funk vibes, jubilant horns, Hammond refrains and
   burning muted trumpet solo. Or then there's the dub soaked, lowslung
   groove of 'No Way', and the poetic power of the smoky 'Music is m"
   ("Music is, um, the breath of soul, new and old"), with its jazz
   infused walking b-line. On a deeper soul tip come the stunning duo of
   "Loveless' and 'Senseless'. Two tunes held together by the fusion of
   classic sounds, future ambience, vocals that could scorch the soul of
   the most hardhearted cynic and lyrics that bite. "I like to have a
   twist in the lyrics." Says Jenna "It might be like a really nice slow
   song, but the twist is that it's about me taking drugs and drinking
   myself to death. Or another might be a really nice love song, but
   it's really about a guy saying he loves me and me saying I don't
   really love him back. So there's a twist in there."

   It's these twists that add that final, powerful touch to the already
   timelessly emotional music. From happiness to hurt, joy to despair -
   it's all in Un-Cut. "Four years ago we wanted to hurt the drum & bass
   scene," concludes Darren. "These days we'd like to hurt everyone one
   from some guy sat in his bedroom to Dr. Dre. You know what I mean? We
   want to inspire people."

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 p   l   a   y   l   i   s   t   .   .   .   .   .   .   .   .   .   .   .    ▀

   01          midnight                                              03:54
   02          midnight (mist vip 2003 mix)                          06:26
   03          midnight (waiwan mix)                                 04:26
                                                                     .   .
                                                                     14:46 min

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 t   h   e   p   u   r   p   o   s   e   o   f   i   t   a   l   l   .   .    ▀

   digaphobia public sound specializes in releasing so-called
   'intelligent dance music', experimental electronic music, dark
   ambient, drone/noise, beat-laden indie, and a spot of techno.

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 t   h   e   h   e   a   d   s   .   .   .   .   .   .   .   .   .   .   .    ▀

   peace to music lovers everywhere

   1real  agw  amok  chr  cmg  cms  diss  fuffens  hit2k  its  just  kw  mgc
   ms  nuhs  om  pulsar  pyt  rac  radial  sb  sfe  sour  tr  tronik ube wos

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 j   o   i   n   t   h   e   a   r   m   y   .   .   .   .   .   .   .   .    ▀

   looking for MD/DAT recordings of electronic music shows
   track us down on IRC if you'd like to help

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 a   l   w   a   y   s   r   e   m   e   m   b   e   r   .   .   .   .   .    ▀

   go to the show. buy the t-shirt. order the vinyl.
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Files

PathSize
01-un-cut-midnight-dps.mp35,37 MB
02-un-cut-midnight_(mist_vip_2003_mix)-dps.mp38,85 MB
03-un-cut-midnight_(waiwan_mix)-dps.mp36,09 MB