▄▓▄
▄▓▄ ▀
▀ ▀ ▀
▄▄▄▀▀ ▄▄▄▄▄▄▄ .: s i n s a t i o n :. ▄▄▄▄▄ ▄▄
▄▓▀▀ ▄▄▓███████▓▓▓▓▄ ▀ ▄▄▓▓▓██▀ ▀██▄▀▓█▓▄
▄▓▀ ▄▓███▓▓▀▀▀ ░▒▓▓▌ ▄▓▄ ▄▄▄▄█▀▄▒▓████████▄██▀██▄▀▓█▓
▄▀ ▄▓███▓▀ ░▒▓▓▀ ▄ ▀ ▄▄██████▓▓▄▀▓▓▓████████████████▓█▓
▄▓███▓▀ ▄▒▓▓▀ ▄▄▀ ▄▄▓▓▀▀▀ ▄▄▄ ▀▀▓▄ ▀█▀▀ ▀▓▀▄██████████▓▓▄▄
▓████▓ ░░ ▒▓▓█ ▀ ▀▀ ▄▓▀▀ ▄▄▓████▓░ ▀█████▄▄ ▓████████▄▀▓███▓▀
▓████▓ ░░░ ▐▓▓█▌ ▄▄▄██▄▀ ▄▄▓███▓▓▀▀▀ ▄███▄▄▄██ ▀██▀▀▀▓▓█████▓ ▓██▌
▐▓███▓ ░░░▒░ ▐▓██▌▄█████▓▀ ▄▓▓███▓▀ ▄▒░ ▐█▄▀▀▀▀▀ ▄ ▓▓▄ ░ ▄▄ ▀██▓▓███▄
▐████▌ ░░▒▓▓▒░ ▐▓███▄▀▀▓▓▀ ▄▓▓███▓▀ ▄▒▓▒▓▒░ ▀██▄▄▄▄▄▄████▄▀▓▓▄▄▄▄▄▄▓█████▓▓██
█████▌ ░▒▓▓▓▓▓▓ ▓█████▓▓▌ ▓▓████▓ ▄▓▓▓▒▓▀ ▀▀▀▀ ░▓▓███▓▄ ▀▀▀▀▀▀▀▄▄▄█▓▒ ▀█▌
████▓ ▒▓▓█▓▓█▓▒ ▓█████▓ ▐▓████▓ ▄▓▓█▓▓ ░░░ ░░ ░▒▓████▓▒ ▄▄▓█▀▀▀▀█████▀▀
████▓ ░▒▓███▓██▓▒ ▓█████ ▐▓███▓ ▄▓▓██▓ ░░▒▒░▒░░ ░▒▓████▓█▓▀ ▄
████▌ ░▒▓███████▓▒ ▀▓███ ▐▓▓██▌▐▓▓███ ░▒▓▓▓▒▒░ ▀▒▓▓████▌ ▄▄▄▄ ▀▌
████▌ ░▒▓████████▓▒ ▓██▄ ▀▓▓█▌▐▓███▌ ▒▓▓███▓▓░ ▒▄ ▀▀▓████▄ ▀ ▄ ▓█▄
████▌ ░▒▓█▓▓ █████▓▒ ▓██▓▄ ▀▀▓ ▓███▌ ▐▓▓█████▓ ▒▓▓▓▒ ▀▀▓██▄▓▌ ▀▓▓▌
████▌ ░▒▓██▓ ███▄██▓▒ ▓██▓▓▄▄ ▀▀██ ▐▓▓▓████▓▒ ▒▓███▓▒░ ░ ▀▀▀██▄ ▀
████▌ ░▒▓██▓▌▐██▀ ▀█▓▒░ ▓██▓▓▓██▄▄ ▀▀ ▀▀▓▓████▓░ ▒▓█████▓▒ ▒
█████ ░▒▓██▓▒ ███▄██▓▓▓▒ ▓█▓████████▄▄ ▀▄ ▀▓████▓▓████████▒ ▒░
█████ ░▒███▓▒ ██▄█▀ ▀▓ ▐▓████████████▄ ▀▄ ▀███▓ ████████▓ ▒▓
█████▌ ░▒▓███▓▒ ▀█▌ ▐▓██████████████▄ █ ▀██▌▐████████▓ ▒▓
██████ ░▒████▓▓▄ ▓█████████████████ █ ▀▀ █ ███████▌▐▒▓░
▐██████ ░▒████▓▓▓▓▄▄▄ ▐▓████████████▓▒▓███ █▄▄█ ██████▓▌▐▒▓░
▐███████ ░▒▓▓▓▓▀▀▀▀▀▀██▄███████████▓█▓ ░▒▓███ █▀ ██ ███▓ ▒▓▓▒
▓███████ ░▒▀ ▓████████▓▒ ▓ ░▓▓▓██▄ ▄▌ ▓█▌▐███▓ ▒▓▓▓
▐▓███████ ░ ▐▓▓█▀██▓▓▒░ ▓▌ ░▒▓▓████▓▓ ▓▓ ▐██▓▌ ▐▓▓█
▓▓█████▓█▄ ▐▓▓▓▌▐█▀▓ ▐█ ░▒▓█████▓▌ ▐▓▌ ██▓ █▄▀▓█▌
▓ ▓▓████▄██▓▄▄ ▓▓▀▀ ██▌ ▌ ░▒▓▓▓███▓▓ ▓▓ ▓▌ ▀████
▐▓ ▓█████▀ ▀█████▄▄▄ ▄▄▄███ ▒▒▄ ░▒▓▀▀▀▀▀ ▓▓▌ ▄▓▓ ▒▓▄▄▀▀█
▐█▓ ▓█████▄██▄███▀████████▀▀▀ ▒▓▓▓▓ ▄▄▄▄ ▐▓█▓▒▓█▓ ▓█████▄
▓█▓ ▓████▄█████▀▀▀▀ ▄▄▄▄▄ ▒▓███▓▓ ░▒▒▒▓▓▓▌ ▓▓██▓██▓▌▐██▀█▄█▌
▓██▓ ▓████████ ▄▄▓▓▓▓█████▄ ▓██████▓ ░▒▓▓▓▒ ▐▓██████▓▌▐███▀ ▀▌
▐███▓ ▓██████▌ ▓▓████▓▓█████▌▐██▄████▓ ░▒▓▒ ▓▓█████▓▓ ▓████▄█
▓███▓ ▓█████▌ ▓███████▓████▌▐▓▀███▄██▓ ░▒▌ ▐▓██████▓▌▐▓▓██▓▀ ▄
░ ▓███▓ ▓████▌ ████████████▀ ▓▓█▀ ▀████▓ ░ ▓▓██████▓ ▒▓▓▓▀ ▄
▒▒ ▓███▓ ▓████▄ ▀██████▀▀ ▓▓█▄▀▀████▓ ▓██████▓ ▒▓▓▀ ▄█
▓▓▓ ▓███▓ ▀▓███▄ ▀▓██▄█████▓ ▐▓█████▓▌▐▓▀ ▀
▓▓▓▄ ▓███▓▄ ▀▓███▄▄ ▀▓█▄█████▌ ▐▓█████▓ ▀
▀ ▐██████▄ ▀▀▓████▄▄ cpN! ▓██████▓ ▐▓████▓▌ ▄
▄██▄ ▓████████▄▄ ▀▀██████▄▄▄▄▄ ▐██████▓▌▐▓▓██▓▓▌ ▄ ▐▓
▐▓▓████▄▄▄███████▀▀ ▀▀▀██████████████▓▓▓▓ ▒▓▓▓▓▓ ▄ ▄▀ ▄
▀▒▓▓▓██████▀▀▀ ▄ ▄▄▄ ▄▄ ▀▀▀▀█▓▓▓▓▓▒▒░░░▒▒▓▓▓ ▓▌▓▌ ▓▌ ▄▓▄
▀▀▀▀ ▓█▌▐██▌▓██ ▒░▒▒▒░░ ░▒▒░░ ▀ ▀▄ ▀▄▓▄ ▀ ▄
▀ ▀███▀▀ ▄▄ ██▌▐██ ▐█▀ ███ ░▒░ ▄ ░░ ▀ ▀ ▀▀▀▀▀█▀▀
█▀ ▓▓██▄ ▀ ▀▀ ▀ ▄██▓ ░ ▐▓█▓▓▓ ▄▄▄▄▀▀███████ ▄
█ ▐▓████▌ ▒▓▓██▓▒ ▄ ▄▀▓██▓▌ ▓████▄ ▓▓███▌
▀▓████▄ ▓▓▓███▌▄▀ ▐████▌▐▓████▌ ▒▓▓██
▀▀▓███▄▄ ▓▓█████▌ ▄▀▐████▌ ▀▓████▄
▀█████▄▄ ▐▓███▓▀█▐▌ ▓███▓ ▀▀▓███▄▄ ▄
▀██▀▀ ▀ ▐█▓██████░▓███▓ ▀█▄▓███▓ ▀████░▄▄ ▀██▀ ▀
▀ ▓▓██▓▓▓ ▀ ▐█▀████▓█████▌ ▐█████▓ ░░ ███▓██▓▄ ▀
▄▄▀▀ ▓ ▄ ▀▓▒ ▄▀ ▐█████████▌ ▀ ▓███▓ ▒▓ ▄▐█████▓▓▌
▄▀ ▄▓▄ ▐█ ▒ ▄▓▄ ▄ ▐█████████▓ ▓▓█▓▓ ▓▓▌ ▐███████▓
▄▓▌ ▀ ▄▓▄▄ ▄ ▀ ▀ ▄▐████████▓▓ ▄▄▄███▄▄ ▄▄███████▀▀ ▄▄▄
▄▀ ▀▄▀▀▓▀ ▄▀ ██▀ ▄▀ ▄ ▐█████████ ▀ ▄▄▄███▓██▀▀
▌▄▀ ▄▄ ▓▌ ▄▓▄█▌ █▌ ▐█████████▀ presents ▓▓▓
▓ ▄▀ ▀▓▄ ▄▀ ██▄▄▄█▄▄▄▄▄▄█▀▀▀▀▀▀ ▒▒░
▓▐▌ ▄▀ ▀▓▄███▀▀▀▀▀▀ ░░
▀█▄▓▌ ▄▓█▀▀ ░░
▀▀▓▓█▌ Dave Liebman - Back On The Corner ░
▄▀ ▀▀ ▄ ░ ░
█▌ ░ ░░
▀▄▄ ░▒▒ ░▒░
▀▀▄▓▒▓ Artist .....: Dave Liebman ▓▒▓
▐█▓▓ Title ......: Back On The Corner ▓▓█
▀██▓ Year .......: 2007 ▓██
██▓ Genre ......: Jazz ▓██
███ Label ......: Tone Center ▓██
███ Source .....: CD ▓█▓
███ Bitrate ....: 188 kbps avg ██▓
███ khz ........: 44.1 █▓▓
███ Mode .......: Joint Stereo ██▓
██▓ Encoder ....: LAME ██▓
██▓ Reldate ....: 2007-10-06 ▓██
██▓ Storedate ..: 2007-00-00 ▓██
▄▄▄ █▓▓ ▄▄▄ ▓▓█
███████████████████████████████████████████████████████████████████████
█▓▓ ▓▀▀▀ ▄▓▄ ▀█▀ ▀ ▓▓█ ▀▀▀
██▓▄▀ ▀ ▄▓▄ ▓██
███▌ Tracklist ▀ ███
██▓▀ ███
███ 1. 5th Street 7:42 ███
███ 2. Ife 8:11 ███
███ 3. Bass Interlude 1:24 ███
███ 4. Black Satin 5:25 ███
███ 5. Bela 7:45 ███
███ 6. Drum Interlude 1:32 ███
███ 7. New Mambo 7:37 ███
███ 8. Acoustic Guitar Interlude 1:52 ███
███ 9. Mesa D'Espana 7:34 ███
███ 10. Electric Guitar Interlude 1:30 ███
███ 11. J.B. Meets Sly/5th Street Reprise 10:36 ███
██▓ ▓██
██▓ 61:08 min ▓██
█▓▓ ▄▄▄ ▓▓█ ▄▄▄
██████████████████████████████████████████████████████████████████████████████
▀▀▀ █▓▓ ▓▀▀▀ ▄▓▄ ▀█▀ ▀ ▀▀▀ ▓▓█
██▓▄▀ ▀ ▄▓▄ ▓██
███▌ Release ▀ ███
██▓▀ ███
███ Ever since Miles Davis passed away in 1991, there's ███
███ been endless Miles tribute albums by artists ███
███ influenced by him whether by listening to him or ███
███ even by playing with him. More recently, tribute ███
███ albums have focused more on the enigmatic electric ███
███ period and we even covered a few of them already, ███
███ most recently one by David Stryker. ███
███ ███
███ Jazz saxophonist Dave Liebman had already put out a ███
███ nice Davis tribute album back in '94 called Miles ███
███ Away. But thirteen years later, Liebman is back at ███
███ it again but with a different twist: an album ███
███ intended to recall not the In A Silent Way/Bitches ███
███ Brew/Jack Johnson early electric period, but rather ███
███ the more overlooked On The Corner/Get Up With It ███
███ era. More precisely, the period of time Liebman ███
███ himself was recording and touring in the Miles Davis ███
███ band. ███
███ ███
███ This was a good project to tackle, not just because ███
███ the leader identifies so directly with the music ███
███ that inspired this collection, but also because the ███
███ period between 1970's Live-Evil and the dual live ███
███ epics of 1975 (Agartha and Pangaea) remains a ███
███ largely underappreciated and misunderstood section ███
███ of Davis' vast work ███
███ ███
███ But back to Back On The Corner. For this project, ███
███ Liebman wanted to capture the essence of Miles' ███
███ music during his time in the band, of which he ███
███ states "the main premise was the rhythm and texture ███
███ with the elements of harmony and melody taking a ███
███ back seat." ███
███ ███
███ For this session, Liebman used his regular band of ███
███ Tony Marino on bass, Vic Juris on guitar and Marko ███
███ Marchinko on drums --- and supplemented it with an ███
███ extra bass (Anthony Jackson) and fellow Miles ███
███ alumnus Mike Stern on second guitar. The additional ███
███ bass and guitar was taking a page from the old ███
███ boss's playbook; Miles loved to double up on some ███
███ instruments if it helped him to achieve a thicker, ███
███ knotty sound. The extra coordination involved ███
███ demands especially attentive musicians, which is why ███
███ Liebman started with guys who were used to playing ███
███ with him and supplemented them with guys who are ███
███ used to playing with anybody. ███
███ ███
███ So is this a recommended album? If you're a Liebman ███
███ fan, yes. Stern fans, too. Eletric Miles fans might ███
███ prefer, for example, Mark Isham's Miles Remembered: ███
███ The Silent Way Project because it just sounds more ███
███ like a Miles Davis rock-jazz record. Back On The ███
███ Corner sounds more like a Dave Liebman record. But ███
███ if you were looking for a good, recent Liebman ███
███ fusion effort, the more adventurous Flashpoint, ███
███ which also includes Anthony Jackson, is a tad better ███
███ choice overall. ███
██▓ ▓██
▄▄▄ █▓▓ ▄▄▄ ▓▓█
▀▓██████████████████████████████████████████████████████████████████████
▐█▓▓ ▓▀▀▀ ▄▓▄ ▀█▀ ▀ ▓▓█ ▀▀▀
▀██▓▄▀ ▀ ▄▓▄ ▓██
▓██▌ Group ▀ ▓██
▄▓▓█▓▀ ▓██
▀▓██ ███
▄ ▀▄▓▄▓██ if you have something to offer contact us. ███
▄▀ ▀ ▓██ ██▓
▌▄ ▄ ▀▓██▄ ▀ ▄██▓
▓ ▄▀ ▓▌ ▓██▌ ▄▓▄ ▐██▓
▓▐▌ ▀▓▄ ▓▓██▄ ▀ ▄▄▓█▓▓
▀▓▄▀ ▀▓█▓█████████████████████████████████████████████████████████████
▀▀▓▓▓▓▓▀▀ ▀▀▀▓▄ ▄▀ ▀▓▄ ▄ ▀▀▀ ▀▀▀
▄▀ ▄ ▀▓ ▄▓▄ ▄ ▀▓▌ o7 ▐█▌ ▄▄▀
▓▌ ▓▌ ▄▀ ▀ ▐▓ ▐█▄▓▄ ▄▄▓▀ ▓▓▌ cpN/cRo
▀▄ ▀▄ ▓▌ ▀ ▀ ▄▀ ▀▀▀ ▀▀
▐▓ ▀▓▄█▄ ▄▄▄▀▀ ▄▓▄
▀ ▄▓▄ ▀▀▀▀ ▄ ▀
▀ ▄ ▄▀
▀ ▄ ▐▌ ▓▌
▐▓▀ ▀
▓▌
▀