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▓█▓▓█ Artist.....[ Small Sins ▀████▄█▓
██▓▀ Album......[ Mood Swings ▀▓██
▄ █▓█ █ Label......[ Boompa Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ BPA020 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Indie ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-10-09 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-09-25 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 189 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.boompa.ca ▓█▓▄█▓█ ▄
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█▓ 01 I Need A Friend 3:38 ▓█
█▓ 02 Morning Face 3:31 ▓█
█▓ 03 What Your Baby's Been Doing 3:41 ▓█
█▓ 04 On The Line 4:10 ▓█
█▓ 05 Prove Me Wrong 4:00 ▓█
█▓ 06 Drunk E-Mails 3:32 ▓█
█▓ 07 On The Run 3:49 ▓█
█▓ 08 It Keeps Me On My Toes 3:42 ▓█
█▓ 09 Airport 3:19 ▓█
█▓ 10 On A Mission 3:29 ▓█
█▓ 11 We Will Break Our Own Hearts 3:46 ▓█
█▓ 12 Holiday 3:51 ▓█
█▓ 13 Bullet 4:17 ▓█
█▓ ----- ▓█
█▓ 48:45 ▓█
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█░█ Mood Swings, the new album from Small Sins, █░█
█░█ starts with a bang--literally. "If you give me █░█
█░█ the gun, well, I'll shoot myself in the foot" are █░█
█░█ the first words on the album sung by Small Sins █░█
█░█ frontman/mastermind Thomas D'Arcy. He doesn't █░█
█░█ stop there. Nearly every song on Mood Swings █░█
█░█ ricochets with gun imagery--a stunning contrast █░█
█░█ to the album's hypnotic tapestry of shimmering █░█
█░█ electronics, organic instrumentation, and █░█
█░█ D'Arcy's ongoing quest for the most shameless pop █░█
█░█ hooks possible. "It wasn't on purpose," D'Arcy █░█
█░█ explains, claiming that, other than a short stint █░█
█░█ in his university gun club, he's no firearms █░█
█░█ enthusiast. "It's a good metaphor for what I was █░█
█░█ trying to say this time. A loaded weapon is █░█
█░█ something anxious: there's always the underlying █░█
█░█ potential to explode." █░█
█░█ █░█
█░█ Don't be surprised, then, if Mood Swings, █░█
█░█ D'Arcy's second album under the Small Sins █░█
█░█ moniker, blows up: he's aiming at newer, higher █░█
█░█ targets following the success of Small Sins' █░█
█░█ self-titled Boompa debut. Small Sins proved a █░█
█░█ masterpiece of wistful chamber-pop, its hushed, █░█
█░█ electro-tinged narratives of love lost and found █░█
█░█ finding wide acclaim. Blender called it a "lovely █░█
█░█ piece of campfire synth-pop", while Spin opined █░█
█░█ memorably, "Imagine if Jack White had a crush on █░█
█░█ Kraftwerk." But after touring relentlessly with █░█
█░█ the likes of Scissor Sisters and Sloan, D'Arcy's █░█
█░█ modus operandi for Small Sins began to change. █░█
█░█ For one, it started to resemble an actual rock █░█
█░█ band. Well, sort of, anyway... █░█
█░█ █░█
█░█ D'Arcy had been puzzled by Small Sins' initial █░█
█░█ comparisons to the likes of Postal Service and █░█
█░█ Grandaddy. Once people started seeing the band █░█
█░█ live, however, critical assessments flew all over █░█
█░█ the place. Some heard Talking Heads, or the █░█
█░█ Buzzcocks, or Neil Young--indicating that Small █░█
█░█ Sins was coming into its own sound. D'Arcy found █░█
█░█ performing live actually transformed Mood Swings' █░█
█░█ material, too. "The first record's low, whispery █░█
█░█ stuff was hard to project, so I put everything up █░█
█░█ an octave to sing it live," he explains. "Once I █░█
█░█ started singing more, I got more creative with █░█
█░█ the melodies I was coming up with. I really found █░█
█░█ my range, and it made the new songs so much more █░█
█░█ vivid." █░█
█░█ █░█
█░█ Off the road, the touring ensemble found █░█
█░█ themselves occasionally writing together, making █░█
█░█ it inevitable that D'Arcy would involve the band █░█
█░█ members in the making of Mood Swings. Typically, █░█
█░█ the players rarely worked together at the same █░█
█░█ time. Instead, D'Arcy brought in individual █░█
█░█ members to add unique flavour to the songs, █░█
█░█ moving them between his basement, traditional █░█
█░█ studios, and other unexpected spaces (K-OS even █░█
█░█ loaned D'Arcy his personal digital playground for █░█
█░█ a year). Mood Swings' experimental but █░█
█░█ collaborative approach extended even to the █░█
█░█ album's mix process, for which D'Arcy traveled to █░█
█░█ Chicago to work with legendary studio guru John █░█
█░█ McEntire (Tortoise, Stereolab, Sea and Cake, Mary █░█
█░█ Timony). █░█
█░█ █░█
█░█ Mood Swings proves even richer and more assured █░█
█░█ than what D'Arcy himself felt he was ever capable █░█
█░█ of. Each song provides a major stepping stone in █░█
█░█ D'Arcy's mission to create the ideal pop artifact █░█
█░█ with Mood Swings: a cycle that works █░█
█░█ track-by-track for the iPod generation, but █░█
█░█ ultimately stands on its own. "I made Mood Swings █░█
█░█ for those music fans who still actually listen to █░█
█░█ albums--it should be experienced as a whole," █░█
█░█ D'Arcy explains. "At the same time, when I was █░█
█░█ kid, I mostly listened to oldies radio hits, like █░█
█░█ Elvis and Chubby Checker, so I'm obsessed with █░█
█░█ the idea of the simple, perfect pop song. That's █░█
█░█ the most important thing: whatever the █░█
█░█ instrumentation, I want everything to be quick, █░█
█░█ catchy, and always pop." █░█
█░█ █░█
█░█ http://www.boompa.ca █░█
█░█ http://www.smallsinsmusic.com █░█
█░█ http://www.myspace.com/smallsins █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
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▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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