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: : release no. (1761 ) _\ rippers /____.
: : artist (Afro Kid vs Trinity ) \ rating |
: : title (Chronic 18 ) \_______. .---. |
: : | 0 | | |
: : record label (Chronic (CHR 018) ) | 9 | | |
: : genre (Drum'n'Bass ) | 8 |%%%| |
: : release date (01/03/19) | 7 |%%%| |
: : street date (-future-) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) | 4 |%%%| |
: : covers sfv m3u cover ( ) sfv (x) m3u ( ) | 3 |%%%| |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| A : Afro Kid - What's Going On .....................................|
| B : Afro Kid - Warriors ............................................|
| C : Trinity - Rage .................................................|
| D : Trinity - Techno Dub ...........................................|
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.-------+ -+-------.
| +-------------------------------------------------------------+-. |
| | C O M M E N T S . . . . . . . . . . . . | |
| '-+-------------------------------------------------------------+ |
| | | |
| | On the first plate Lemon D steals samples from a computer | |
| | game and on the second Dillinja makes some heavy bass | |
| | destruction in his usual rolling style. All in all a good | |
| | release on Bryan G's label | |
| | | |
| | | |
| +-------------------------------------------------------------+-. |
| | . . . . . D I S C L A I M E R . . . . . | |
| '-+-------------------------------------------------------------+ |
| | | |
| | This release may contain copyrighted material, however SOUR | |
| | guarantees that this material was at least available to one | |
| | person "on the street" and that the possession of this | |
| | material is in no way privileged. | |
| | | |
| | SOUR has been releasing good quality drum'n'bass, jungle & | |
| | oldskool rips to the internet drum'n'bass public since | |
| | summer 1999. Originally a small operation, we have now | |
| | reached levels of international acclaim. | |
| | | |
| | SOUR is dedicated to both the availability and promotion of | |
| | music to the public, and our rips are intended to reflect | |
| | these ideals. Specifically: | |
| | | |
| | . SOUR is dedicated to the promotion of new music that is | |
| | currently available to buy. If you like something you | |
| | hear, you are obliged to attempt to purchase an original | |
| | copy. | |
| | | |
| | . SOUR is dedicated to the promotion of old music that may | |
| | no longer be available to buy. | |
| | | |
| | . SOUR is dedicated to the expansion and infiltration of | |
| | drum'n'bass worldwide! We provide a service where none is | |
| | available, specifically in many remote countries where | |
| | traditional distributors can not afford to target. Also, | |
| | the availability of drum'n'bass in an easily accessible | |
| | form expands the potential for real world sales to people | |
| | who may not otherwise have considered buying drum'n'bass. | |
| | | |
| | . SOUR is dedicated to the expansion of the online and | |
| | offline real world scenes. With more listeners enjoying | |
| | what they hear, clubs and venues can only expect MORE | |
| | people to attend events; DJ's can only expect MORE people | |
| | to pay to see THEM. | |
| | | |
| | By accident of today's current real world distribution | |
| | arrangements, many artists will find that SOUR releases | |
| | IMPROVE their real world sales; especially for items only | |
| | on vinyl. This is the basis upon which SOUR operates. | |
| | | |
| | Enjoy. | |
| | | |
| +-------------------------------------------------------------+-. |
| | . . . . . . . . . . . . . . . . . E O F | |
| '-+-------------------------------------------------------------+ |
`-------+- +-------`
: :
[ sour productions(c) 2001 ]