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: : release no ( 2837 ) \ rating |
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: : artist (Various Artists - Mixed By Ice Minus) | .---. |
: : title (Knowledge Cover CD: Ice Minus Recs. ) | 0 | | |
: : record label (Vision Publishing - KNOW021 ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2001/09/18) | 7 |%%%| |
: : street date (2001/09/??) | 6 |%%%| |
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: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
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: : :.: ( 1 tracks) (55:32 min) ( 76.2 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| 01 0:00 Impact (feat. MC Trip) - Release The Weapon (Hip Hop Mix) |
| 02 1:48 Technical Itch - Mindkilla |
| 03 4:16 Ice Minus & Decoder - Drowning |
| 04 8:07 Decoder - Deadfall |
| 05 12:40 Cause 4 Concern - Antidote |
| 06 16:24 Ice Minus & Decoder - Angel |
| 07 19:48 Decoder - Static |
| 08 23:06 J-Raq - Take Me Away |
| 09 24:24 Eden - Your Mind |
| 10 28:22 Cause 4 Concern - Sensor |
| 11 31:08 Wildchild & Floyd Dice - Hitchhiker |
| 12 35:04 DJ XS - Down |
| 13 37:27 Ice Minus - Break The Ice |
| 14 41:55 Technical Itch - Heaven |
| 15 48:14 Technical Itch & Ice Minus - Altered Beast |
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| | | |
| | Ice Minus Recordings (IMR) comprises Bart | |
| | Icus, Keiren Lomax and Julian Ayton of all | |
| | whom have been involved in the music industry | |
| | in one form or another for a long time. Bart | |
| | Icus, now 31, developed his interest in music | |
| | from going to UK raves in the early 90s. | |
| | Buying a set of decks and a lot of records | |
| | led Bart to meet Chris Maxey who worked in | |
| | Replay Records in Bath. | |
| | Chris himself was writing music and it wasn't | |
| | long before Bart got involved and the two | |
| | were producing sounds on a basic studio set | |
| | up. The two continued writing together, | |
| | eventually building a better studio, hooking | |
| | up with more friends - Joe Pblick and Marc | |
| | Smith - and sending demos' to labels. | |
| | Eventually their demo landed in the hands of | |
| | Carl Collins of Hardleaders, and in 1997 they | |
| | signed to it as Serve Chilled. This deal also | |
| | opened doors for them to release tracks on | |
| | other labels like Tech Itch and Moving Shadow | |
| | and the surfacing of their 'alter ego' | |
| | Ice Minus. | |
| | | |
| | However, in 1999 Chris and Marc left to | |
| | pursue other careers and Joe took time out to | |
| | spend more time with his baby. Keiren Lomax | |
| | and Julian Ayton met in 1994, going out to | |
| | all the early jungle parties, they too formed | |
| | contacts in the music industry, one of whom | |
| | was Bart. It was Bart that encouraged them to | |
| | take courses in MIDI sequencing and a course | |
| | in sound engineering and recording. They also | |
| | spent time concentrating on their DJing | |
| | careers, and under the name of Ayton & Kire-1,| |
| | their reputation grew and they found | |
| | themselves getting bookings from the likes of | |
| | One Nation and Moving Shadow. However they | |
| | have eased off the DJing for some time being | |
| | to fully concentrate on production and IMR. | |
| | Bart always wanted to set up a label, and it | |
| | seems the time is now right with the | |
| | production at its tightest. | |
| | | |
| | http://www.iceminus.co.uk | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum & bass, jungle & oldskool rips |
| to the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically |
| in many remote countries where traditional distributors can not afford |
| to target. Also, the availability of drum & bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum & bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues |
| can only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, |
| many artists will find that SOUR releases IMPROVE their real world |
| sales; especially for items only on vinyl. This is the basis upon |
| which SOUR operates. |
| |
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[ sour productions(c) 2001 ]