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▓█▓▓█ Artist.....[ Castanets ▀████▄█▓
██▓▀ Album......[ In The Vines ▀▓██
▄ █▓█ █ Label......[ Asthmatic Kitty Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ AKR033 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Indie ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-10-19 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-10-23 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 163 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.asthmatickitty.com ▓█▓▄█▓█ ▄
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█▓ 01 Rain Will Come 5:20 ▓█
█▓ 02 This Is The Early Game 3:12 ▓█
█▓ 03 Westbound, Blue 2:00 ▓█
█▓ 04 Strong Animal 3:29 ▓█
█▓ 05 Sway 3:39 ▓█
█▓ 06 The Fields Crack 1:21 ▓█
█▓ 07 Three Months Paid 6:23 ▓█
█▓ 08 The Night Is When You Can Not See 4:30 ▓█
█▓ 09 Sounded Like A Train, Wasn't A Train 3:27 ▓█
█▓ 10 And The Swimming 4:31 ▓█
█▓ ----- ▓█
█▓ 37:52 ▓█
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█░█ THE STORY █░█
█░█ Ray Raposa of Castanets had almost finished his █░█
█░█ follow-up to First Light's Freeze (2005) when █░█
█░█ three men in strange masks mugged him at gunpoint █░█
█░█ in front of his home in Bedstuy, Brooklyn. █░█
█░█ Stealing Raposa's rent money, iPod and security, █░█
█░█ the three thieves climaxed a year of depression █░█
█░█ and nomadic, nocturnal dislocation. Not long █░█
█░█ after the mugging, Raposa completed In The Vines. █░█
█░█ █░█
█░█ If the Castanets' debut, Cathedral (2004) was a █░█
█░█ road narrative and First Light's Freeze a malaise █░█
█░█ of longing, In The Vines is an attempt to █░█
█░█ reconcile the fear of the spaces between the █░█
█░█ journeys. Says Raposa, "There is a definite █░█
█░█ rootlessness. Not so much pursuit as just waking █░█
█░█ up somewhere else, then somewhere else again. I █░█
█░█ have had to halt production and/or writing and/or █░█
█░█ thinking about this album repeatedly due to █░█
█░█ actual, incapacitating depressions. Totally █░█
█░█ crippling. The bad kind. Off of the road, it's █░█
█░█ been a pretty bad year." █░█
█░█ █░█
█░█ Appropriately, the album he was struggling to █░█
█░█ complete is based on a Hindu fable about being █░█
█░█ trapped in an inescapable fate, with death and █░█
█░█ the limitations of our physical lives closing in █░█
█░█ from all corners. The story is half of the █░█
█░█ inspiration for In The Vines. The other half is █░█
█░█ the wandering that's typified most of Raposa's █░█
█░█ life. From years on the road faking Greyhound █░█
█░█ passes, to moving to the Virgin Islands as a █░█
█░█ parentless teenaged professional surfer, to █░█
█░█ keeping tabs on expatriate journalist parents █░█
█░█ (father residing in Saudi Arabia and mother in █░█
█░█ Mexico), Raposa's life has been one of back seats █░█
█░█ and rest stops. In the fable story, "The Well of █░█
█░█ Life", a giant net stretched out by a giant woman █░█
█░█ surrounds a Brahman lost in the forest. The █░█
█░█ frantic Brahman runs in circles attempting to █░█
█░█ escape until he falls halfway down a pit and is █░█
█░█ entangled in vines. He discovers some bee hives █░█
█░█ halfway between the flesh-hungry six-faced █░█
█░█ elephant at the top of the pit and the waiting █░█
█░█ serpent at the bottom. As bees buzz around the █░█
█░█ Brahman and rats gnaw at the vines holding him █░█
█░█ up, all he can do is gorge on the sweet honey. █░█
█░█ █░█
█░█ Heavy stuff, yes, but it isn't all peril, and █░█
█░█ darkness. The songs are sung with such intimacy █░█
█░█ and earnestness that In The Vines "sways" █░█
█░█ somewhere between the serpent, elephant, bees and █░█
█░█ rats, the honey representing a strange sense of █░█
█░█ hope and delight in the brief moments of beauty █░█
█░█ that sustain our lives. █░█
█░█ █░█
█░█ THE SOUND █░█
█░█ There is community within the music of Castanets, █░█
█░█ one that keeps Raposa safe and sane while █░█
█░█ dangling in the pit. In this instance we have █░█
█░█ near-shipwreck-mate Jana Hunter, Nonhorse █░█
█░█ (Vanishing Voice), Rafter Roberts, Nathan Delffs █░█
█░█ (Shaky Hands), Viking Moses, and Matthew Houck █░█
█░█ (Phosphorescent). Recently the live Castanets' █░█
█░█ community has included such folks as good friend █░█
█░█ and labelmate Sufjan Stevens, Nick Delffs (Shaky █░█
█░█ Hands), Rob Lowe (Lichens) and Annie Clark (St. █░█
█░█ Vincent). █░█
█░█ █░█
█░█ This ever shifting cast makes it is necessary to █░█
█░█ drop preconceived notions about "bands" and █░█
█░█ "singer-songwriters" when approaching the █░█
█░█ Castanets. Castanets is always a "we," no matter █░█
█░█ if Raposa plays alone or with dozens. This █░█
█░█ collaborative effort spawns a paradoxical sound █░█
█░█ indebted to both AM Gold and the idiosyncratic █░█
█░█ fringes of music theory. He mines both to reveal █░█
█░█ treasures. The template may be country music, but █░█
█░█ the collective energy conjures up elements of █░█
█░█ noise, free jazz, black metal and electronic █░█
█░█ abstractions. "Following up a Kitty Wells █░█
█░█ cassette in the van with a Brotzmann disc or a █░█
█░█ Lichens disc or Hot 97ö says Raposa. █░█
█░█ █░█
█░█ The album is a snapshot of an extended period of █░█
█░█ intense work, devoid of live audience but blessed █░█
█░█ by the detritus of players, city, country, ghost █░█
█░█ audiences, and improvisations of water, smoke and █░█
█░█ night. Raposa is the curator of his own art, █░█
█░█ seeking out potential collaborations to infuse █░█
█░█ the situation with multiple colors, subdue his █░█
█░█ ego-rule, and unearth the song's own personality. █░█
█░█ Raposa plays music with folks as an extension of █░█
█░█ enjoying and eating the honey. █░█
█░█ █░█
█░█ http://www.asthmatickitty.com █░█
█░█ http://www.myspace.com/castanets █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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