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▓█▓▓█ Artist.....[ Feu Therese ▀████▄█▓
██▓▀ Album......[ ╟a Va Cogner ▀▓██
▄ █▓█ █ Label......[ Constellation Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ CST049 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Indie ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-10-19 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-10-08 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 198 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.cstrecords.com ▓█▓▄█▓█ ▄
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█▓ 01 A Nos Amours 2:55 ▓█
█▓ 02 Visage Sous Nylon 4:56 ▓█
█▓ 03 Les DΘserts Des Azurs 3:32 ▓█
█▓ 04 Le Bruit De Pollen La Nuit 3:25 ▓█
█▓ 05 Nada 2:39 ▓█
█▓ 06 ╟a Va Cogner 5:12 ▓█
█▓ 07 Les Enfants 2:43 ▓█
█▓ 08 Ferrari En Feu (Pt. 2) 3:45 ▓█
█▓ 09 La Nuit Est Une Femme 5:30 ▓█
█▓ 10 Laisse Briller Tes Yeux Dans Le Soleil 2:42 ▓█
█▓ ----- ▓█
█▓ 37:19 ▓█
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█░█ Feu Therese caught spark from the embers of Fly █░█
█░█ Pan Am's break-up in 2005, when FPA guitarist █░█
█░█ Jonathan Parant joined forces with longtime █░█
█░█ collaborators Alex St-Onge (bass, electronics) █░█
█░█ and Stephen de Oliveira (synths, voice) to form █░█
█░█ the new group. Painter turned drummer Luc Paradis █░█
█░█ completed the new line-up. Their debut █░█
█░█ self-titled album, released on Constellation in █░█
█░█ spring 2006, expanded on FPA's sonic agenda, █░█
█░█ while relying more on instumental juxtapositions █░█
█░█ - rather than electronic interventions or █░█
█░█ intentional sabotage at the mixing desk - to █░█
█░█ hijack the music. The Feu Therese mandate of █░█
█░█ knitting critical and non-conformist elements █░█
█░█ right into their song structures, instead of █░█
█░█ having these 'collide' with the music as if from █░█
█░█ outside, has reached a new level of bizarre █░█
█░█ sublimation on their new record. █░█
█░█ █░█
█░█ ╟a Va Cogner sticks to these conceptual guns, as █░█
█░█ Feu Therese aims to recuperate and re-cast a █░█
█░█ 'synthetic' music that intentionally eschews the █░█
█░█ codified elements of 21st-century electro █░█
█░█ nostalgia: the 'cool' analogue keys, the heavy █░█
█░█ bass & drum mix, the overwrought █░█
█░█ faux-primitivism. Feu Therese embrace █░█
█░█ unfashionable synth stabs and arpeggiators, █░█
█░█ riding them high in the mix, along with the █░█
█░█ vocals, delivered with unapologetically forward, █░█
█░█ spoken-sung deliberateness by de Oliveira (in a █░█
█░█ clear nod to the poetics and production values of █░█
█░█ 1970s/80s French chansonniers). The overt █░█
█░█ suppression of 'rockist' production values - █░█
█░█ values that the band would maintain now condition █░█
█░█ every corner of DIY popular music - places this █░█
█░█ record strangely outside its times. With lyrics █░█
█░█ entirely in french, some will no doubt find the █░█
█░█ whole package impenetrable, while others will █░█
█░█ wonder what brilliant alternative reality (Cannes █░█
█░█ ca. 1985 in a parallel universe?) they somehow █░█
█░█ missed. █░█
█░█ █░█
█░█ St-Onge writes: "La musique sur ╟a va cogner ne █░█
█░█ cogne pas mais tente plutot d'adoucir les moeurs. █░█
█░█ Cet ensemble de chansons et de pieces ambigues █░█
█░█ est, tel le cri d'une sirene, une invitation au █░█
█░█ voyage. D'Haiti a Palerme en passant par le █░█
█░█ triangle des Bermudes ce periple initiatique █░█
█░█ trace le cheminement de quatre entites (et █░█
█░█ peut-etre meme plus) qui cherchent l'ouverture █░█
█░█ qui leur permettra de sortir d'eux-memes pour █░█
█░█ affronter le dehors insaisissable. Visage (s) █░█
█░█ sous nylons, les monstres affrontent la nuit qui █░█
█░█ est une femme sans trop savoir pourquoi. █░█
█░█ Toutefois, une chose est certaine : s'ils ne █░█
█░█ savent pas ou ils vont, ils y vont tout de meme." █░█
█░█ █░█
█░█ Our literal translation: "The music on ╟a Va █░█
█░█ Cogner ("It's Gonna Hit") does not 'hit' but █░█
█░█ hopes rather to soften prevailing values. This █░█
█░█ collection of songs and ambiguous pieces is, like █░█
█░█ the siren's cry, an invitation to a voyage. From █░█
█░█ Haiti to Palermo by way of the Bermuda Triangle, █░█
█░█ this initiation trip traces the development of █░█
█░█ four entities (and maybe more) who seek the █░█
█░█ opening that will permit an escape from █░█
█░█ themselves, to confront the elusive outdoors. █░█
█░█ Faces masked by nylon, monsters confront the █░█
█░█ night that is woman, without quite knowing why. █░█
█░█ One thing is certain: even if they don't know █░█
█░█ where they're going, they go all the same." █░█
█░█ █░█
█░█ Our non-literal translation: Music de-natured, █░█
█░█ the face of desire disguised and distorted, love █░█
█░█ gendered and engendered; a little crisis of █░█
█░█ modernity in this all-too-modern age, where █░█
█░█ creating true aberrations, actual detournements, █░█
█░█ is perhaps fated to be - forever more - but a █░█
█░█ matter of style. We no longer have any idea what █░█
█░█ Feu Therese are about, but their controlled █░█
█░█ (repressed?) psychotics/erotics make for an █░█
█░█ utterly stange, disturbingly 'normal' sound. We █░█
█░█ invite you to hear this paradox for yourself. One █░█
█░█ thing is certain: these are, without a doubt, █░█
█░█ songs. █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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