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▓█▓▓█ Artist.....[ Randall Of Nazareth ▀████▄█▓
██▓▀ Album......[ Randall Of Nazareth ▀▓██
▄ █▓█ █ Label......[ Drag City █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ DC347 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Folk ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-10-28 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-10-23 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 171 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.dragcity.com ▓█▓▄█▓█ ▄
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█▓ 01 Safety In The Sand 2:00 ▓█
█▓ 02 Climbing Trees 4:37 ▓█
█▓ 03 It's Nice To Know 4:28 ▓█
█▓ 04 Forever Left Turns 4:19 ▓█
█▓ 05 Living In Candles 2:21 ▓█
█▓ 06 The Way 4:13 ▓█
█▓ 07 Ballad Of A Sorry Lonely Breaking Man 4:21 ▓█
█▓ 08 Read Your Name 3:52 ▓█
█▓ ----- ▓█
█▓ 30:11 ▓█
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█░█ It takes a certain amount of confidence to call █░█
█░█ yourself Randall of Nazareth, even if your name █░█
█░█ really is Randall (Randall Huth to be exact) and █░█
█░█ you do come from Nazareth û Pennsylvania, anyway. █░█
█░█ Yet while Randall Huth may not quite pull off the █░█
█░█ walking-on-water, loaves-and-fishes type miracles █░█
█░█ his stage name implies, he does something fairly █░█
█░█ remarkable. He breathes eerie, perfectly natural █░█
█░█ life into the picked blues styles he inhabits, █░█
█░█ tracing ghostly sketches of rural Americana █░█
█░█ without sounding in the least bit weighted down █░█
█░█ by tradition. █░█
█░█ █░█
█░█ Huth is the guitar player from Pearls and Brass, █░█
█░█ a heavy, boogie blues rock trio most frequently █░█
█░█ compared to Blue Cheer and Cream. Here, in his █░█
█░█ first solo album, he unplugs and downshifts, █░█
█░█ trading the sludge and distortion of hard rock █░█
█░█ for delicate webs of acoustic picking, the howl █░█
█░█ of amplified arena anthems for spookily high █░█
█░█ pitched reveries. It's a move not unlike █░█
█░█ Zeppelin's transition from II to III, and yet far █░█
█░█ odder, more personal and less stage-y. There's an █░█
█░█ eccentricity to these cuts, especially rattling, █░█
█░█ percussive, Eastern-tinged "The Way", that █░█
█░█ bespeaks lots of time alone and wide remove from █░█
█░█ any commercial considerations. █░█
█░█ █░█
█░█ Huth's solo album is by no means a traditional █░█
█░█ blues album; listen to it side-by-side with Delta █░█
█░█ players like Robert Johnson or Son House and █░█
█░█ you'll notice that it lacks the swaggering rhythm █░█
█░█ of old-time blues. Nor is it really straight █░█
█░█ folk, despite the pristine flurries of six-string █░█
█░█ and aching modal melancholy. Indeed, highlight █░█
█░█ cut "Ballad of a Sorry Lonely Breaking Man" █░█
█░█ borrows a little from both traditions, employing █░█
█░█ the familiar blues progressions, the █░█
█░█ transparently simple song structures of █░█
█░█ Appalachian music. And still, the song is its own █░█
█░█ thing, as weirdly tranquil as it is mournfully █░█
█░█ intense, taking flights into high yodeling fancy. █░█
█░█ It's the sort of song that sounds, on the █░█
█░█ surface, like it might have come drifting off any █░█
█░█ porch in the hollows û and yet so strange that it █░█
█░█ never did and never will. █░█
█░█ █░█
█░█ The album takes a little while to get up to █░█
█░█ speed. The first two cuts û "Safety in the Sand" █░█
█░█ and "Climbing Trees" û are nothing remarkable. █░█
█░█ But the guitar figures that introduce "It's Nice █░█
█░█ to Know" are arresting, percussive low notes █░█
█░█ anchoring nervous, minor-key flurries. Huth's █░█
█░█ voice, modest, unassuming, a little wavery in the █░█
█░█ higher registers, flits and in and out of the web █░█
█░█ of guitar notes. There's an aching, undefined █░█
█░█ sadness to the whole thing, impressionistically █░█
█░█ delivered but there all the same. The song closes █░█
█░█ with Huth singing "We haven't seen the sun for █░█
█░█ seven months now / But it always sings us to █░█
█░█ sleep" over and over again, finally slowing to a █░█
█░█ stop. "Living Candles" comes right out of the █░█
█░█ Takoma school, full of rough-edged slides and █░█
█░█ vibrato-trills on the high strings. Vocals, █░█
█░█ unpolished and stream-of-consciousness, are █░█
█░█ something about being like a babysitter, an odd █░█
█░█ juxtaposition of the otherworldly and the █░█
█░█ mundane. "The Way" is the strangest, most █░█
█░█ compelling track on the disc, a droning haze of █░█
█░█ conflicting guitar threads, some metallic and █░█
█░█ percussive, others sustained like long piano █░█
█░█ notes over the dirge. █░█
█░█ █░█
█░█ Most hard rock guitarists who unplug like this █░█
█░█ end up playing the same thing as before, only █░█
█░█ quieter. Huth's solo album, by contrast, is █░█
█░█ entirely different from Pearls and Brass. It's a █░█
█░█ spectral, inward-looking forage through old blues █░█
█░█ and folk forms that ends not in tribute but in █░█
█░█ weirdly personal, skewed and beautiful songs. █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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