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▓█▓▓█ Artist.....[ Tom Brosseau ▀████▄█▓
██▓▀ Album......[ Cavalier ▀▓██
▄ █▓█ █ Label......[ Fat Cat Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ FATCD62 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Folk ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-10-28 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-10-23 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 130 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.fat-cat.co.uk ▓█▓▄█▓█ ▄
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█▓ 01 Amory 3:56 ▓█
█▓ 02 Brass Ring Blues 4:30 ▓█
█▓ 03 Committed To Memory 3:06 ▓█
█▓ 04 My Heart Belongs To The Sea 5:27 ▓█
█▓ 05 Brand New Safe 2:46 ▓█
█▓ 06 My Peggy Dear 4:47 ▓█
█▓ 07 I Want To Make This Moment Last 2:52 ▓█
█▓ 08 Instructions To Meet The Devil 4:03 ▓█
█▓ 09 I'm Traveling The River On The Dakota 3:39 ▓█
█▓ Queen ▓█
█▓ 10 Kiss My Lips 4:57 ▓█
█▓ ----- ▓█
█▓ 40:03 ▓█
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█░█ 29th October 2007 sees the release of æCavalierÆ, █░█
█░█ Tom BrosseauÆs second LP for FatCat, and his most █░█
█░█ focused batch of songs to date. Following 2006Æs █░█
█░█ introductory æEmpty Houses Are LonelyÆ (which █░█
█░█ compiled highlights and hard to find recordings █░█
█░█ from TomÆs career to date), æCavalierÆ was █░█
█░█ produced by PJ Harvey collaborator and Producer █░█
█░█ John Parish at Toy Box studio in Bristol, UK over █░█
█░█ the space of a week in May 2007. A huge fan of █░█
█░█ TomÆs music after witnessing him play live, John █░█
█░█ augments TomÆs songs with an array of subtle, █░█
█░█ sympathetic instrumentation and / or recording █░█
█░█ technique but never allows himself to encroach on █░█
█░█ TomÆs songs. Providing deft flourishes, █░█
█░█ underlining or embellishing what is already █░█
█░█ there, he pulls off the neat trick of expanding █░█
█░█ or magnifying the songs while keeping the █░█
█░█ spotlight firmly on TomÆs voice and guitar. █░█
█░█ æCavalierÆ is TomÆs most personal record to date, █░█
█░█ and the recordings are referred to by Tom as an █░█
█░█ apocalypse of the self - yet they retain all the █░█
█░█ humility, tenderness and beauty of TomÆs best █░█
█░█ work. █░█
█░█ █░█
█░█ Though fitting in to some extent with the current █░█
█░█ folk renaissance, TomÆs music is devoid of █░█
█░█ posturing, and oblivious to passing trends. █░█
█░█ Plaintive, eloquent and timeless, his music █░█
█░█ displays an innate affinity or connection to the █░█
█░█ American blues / folk tradition, recalling the █░█
█░█ likes of Bob Dylan, through to Woody Guthrie, █░█
█░█ Mississippi John Hurt and beyond. His songs also █░█
█░█ clearly reference the musicality of rhythm and █░█
█░█ blues vocal groups such as The Inkspots. Limber █░█
█░█ and vibrato-tinged, TomÆs voice hovers between █░█
█░█ the masculine and feminine. Tom sings of lost █░█
█░█ love, eliciting literate tales of poetic █░█
█░█ observation, evoking classic American writers █░█
█░█ such as John Fante, F Scott Fitzgerald, and John █░█
█░█ Steinbeck. █░█
█░█ █░█
█░█ Now living in LA, Tom was born and raised in █░█
█░█ Grand Forks, North Dakota. He comes from a family █░█
█░█ steeped in music û he grew up in a house with █░█
█░█ instruments lining the walls, and learnt to play █░█
█░█ at an early age. He was taught guitar by his █░█
█░█ grandmother. His grandfather played in a band █░█
█░█ called Buck and the Buccaneers, that included █░█
█░█ fiddle and double bass (his grandfather also had █░█
█░█ a great collection of records). Following High █░█
█░█ School and graduation from college at the █░█
█░█ University of North Dakota, Tom started out in █░█
█░█ earnest at music school, but left after only a █░█
█░█ couple of weeks - the formal theory just took the █░█
█░█ fun out it for him. Soon after, he started █░█
█░█ playing out in his home town, doing his first █░█
█░█ shows in open mic sessions at a place called the █░█
█░█ Peanut Bar. Not long after he met a girl at █░█
█░█ Sundance in Utah who took him to California, and █░█
█░█ he was introduced to Gregory Page, a San Diego █░█
█░█ music staple, who subsequently recorded much of █░█
█░█ TomÆs work (as heard on the compilation æEmpty █░█
█░█ Houses Are LonelyÆ). Since then, TomÆs emergence █░█
█░█ as an artist into the public view has been █░█
█░█ steady, winning people over with honest, █░█
█░█ expressive performances and a simplicity and █░█
█░█ directness almost at odds with the modern era. █░█
█░█ █░█
█░█ The close-micÆd recordings on æCavalierÆ are █░█
█░█ perhaps the first to clearly articulate what Tom █░█
█░█ conveys live. Seemingly as comfortable on stage █░█
█░█ as off, Tom fully engages with the audience, █░█
█░█ invoking a hushed reverence from admiring █░█
█░█ listeners blessed with the intimacy and emotional █░█
█░█ immediacy of his live performances. His songs █░█
█░█ have the quality of an intimate conversation at █░█
█░█ the next table that you can't pull your ear away █░█
█░█ from. He can be hauntingly moody and atmospheric, █░█
█░█ or thoroughly heart-warming. Put simply, Tom █░█
█░█ Brosseau is among the most naturally talented █░█
█░█ performers we have ever come to know. █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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