Full_Force-Mayhem_and_Phace_vs_State_Of_Mind-FF010-VINYL-2007-sour
NFO
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: : _\ rippers /____.
: : release no ( 9221 ) \ rating |
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: : artist (Mayhem and Phace vs State Of Mind ) | .---. |
: : title (Love Sex Pain / Quantum Leap ) | 0 | | |
: : record label (Full Force (FF010) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2007/10/30) | 7 |%%%| |
: : street date (2007/11/26) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (02 tracks) (12:32 min) ( 19.9 mb) | `---' |
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nr times track titles
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| A 6:24 Mayhem and Phace - Love Sex Pain |
| B 6:08 State Of Mind - Quantum Leap |
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| | STH info: | |
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| | Mayhem & Phace - Love Sex Pain A space age | |
| | intro with an aggressively uncomfortable | |
| | atmosphere starts things off, setting the | |
| | stage for what will become a bad trip to the | |
| | moon. When that skin crawling mid line drops, | |
| | the descent into the filth begins. Hard, | |
| | relentless pressure, face grinding beats and | |
| | twisted ideas, rock the speaker box til only | |
| | splinters and cones are left. As the grime | |
| | chugs along, knock off warped notes concuss | |
| | reality and remind you of your twisted | |
| | journey (just in case you might have | |
| | forgotten) Take it down to the break, the | |
| | pause, the melt. The brain is on overload and | |
| | the sludge begins to drain. But not for long, | |
| | as you're forcefully thrust head first into | |
| | the descent again. Like a scum tunnel that | |
| | gets deeper and darker, straight to the core | |
| | of the gutter, this is one punishing filth | |
| | cleansing you'll wish to take again! State Of | |
| | Mind - Quantum Leap Twisted horns lay the | |
| | foundation with a dream to enter into | |
| | madness. Over time and creation, a steady | |
| | influx in basslines, punchy stabs and funky | |
| | midlines band together as the mighty machine | |
| | assembles. The drop is almost concealed | |
| | within the build, a careful constructive | |
| | design, making the mix ride smooth and | |
| | effortlessly into the break, which is a | |
| | "break down" in itself. Seems the machine | |
| | malfunctioned and deconstructed it's own | |
| | circuitry. With time ticking and the unknown | |
| | lurking, your attention is then surprisingly | |
| | commanded. The horns revive, summoning life | |
| | to the beast as the Resurrection initiates. | |
| | Ultimately setting the stage for jump to | |
| | begin again, as the drums key the lift, the | |
| | the funk snaps back and rolls on. Forward, | |
| | into the future. | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
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| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
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[ sour productions(c) 1999-2007 ]
Files
| Path | Size |
|---|---|
| a-mayhem_and_phace-love_sex_pain-sour.mp3 | 10,36 MB |
| b-state_of_mind-quantum_leap-sour.mp3 | 9,57 MB |