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▓█▓▓█ Artist.....[ Subtle ▀████▄█▓
██▓▀ Album......[ Yell&Ice ▀▓██
▄ █▓█ █ Label......[ Lex Records █ █▓█ ▄
█▒█▓█▄▀ Catalog #..[ LEX050 ▀▄█▓█▒█
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▓█▀ ▀▀█▓█▒ Source.....[ CD ▒█▓█▀▀ ▀█▓
▓█▄ ▀▄ ██▓ Genre......[ Hip-Hop ▓██ ▄▀ ▄█▓
▓▓█▓▀ ██ Language...[ English ██ ▀▓█▓▓
▀ ▄████ Rip Date...[ 2007-12-07 ████▄ ▀
▄ ▀ ▓█▓ Store Date.[ 2007-10-23 ▓█▓ ▀ ▄
█▀▀ ▄▓█▀ Rip Tool...[ EAC ▀█▓▄ ▀▀█
▓█▄████▀ Encoder....[ LAME 3.97 -V2 --vbr-new ▀████▄█▓
▀█▓▀ Quality....[ 180 kbps AVG VBR 44.1/Joint Stereo ▀▓█▀
▄ █▓█▄▓█▓ Url........[ http://www.lexrecords.com ▓█▓▄█▓█ ▄
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█▓ 01 Falling 3:50 ▓█
█▓ 02 Middleclass Haunt 4:35 ▓█
█▓ 03 Deathful 3:21 ▓█
█▓ 04 Island Mind 3:29 ▓█
█▓ 05 The Pit Within Pits 5:13 ▓█
█▓ 06 Cut Yell 4:29 ▓█
█▓ 07 Not 3:19 ▓█
█▓ 08 Sinking Pinks 5:54 ▓█
█▓ 09 Requiem For A Dive 3:33 ▓█
█▓ ----- ▓█
█▓ 37:43 ▓█
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█░█ Artists have made great strides with remixes █░█
█░█ since Duran Duran began releasing `nite versions' █░█
█░█ on twelve-inch singles. Not that those extended █░█
█░█ dance tracks weren't laudable on their own █░█
█░█ merits, but remixes in the past couple decades █░█
█░█ have extended well beyond club beats and looped █░█
█░█ vocals, the possibilities of what you can do with █░█
█░█ a remix seemingly limitless. In some cases, like █░█
█░█ R. Kelly's "Ignition," the remix can earn more █░█
█░█ attention than the original. And bands like █░█
█░█ Grizzly Bear and Stars have given artists free █░█
█░█ reign over their work, resulting in remix albums █░█
█░█ that have resulted in drastic reworkings, in some █░█
█░█ cases finding artists merely covering the songs █░█
█░█ altogether. Then there are teams like The DFA, █░█
█░█ who are bound to turn any song into a dancefloor █░█
█░█ classic. Remixes are more than just party fodder █░█
█░█ these days, they're a sort of re-interpretation █░█
█░█ of someone's art, a reverse observation of █░█
█░█ something through different channels. It doesn't █░█
█░█ always work, of course, but sometimes it yields █░█
█░█ sheer genius. █░█
█░█ █░█
█░█ To refer to Subtle's yell&ice as a remix album █░█
█░█ doesn't quite do it justice. These aren't so much █░█
█░█ remixed songs as they are complete reworkings of █░█
█░█ them. As the band explains it, it's an extension █░█
█░█ of 2006's For Hero: For Fool, as it tells of the █░█
█░█ further adventures of the album's protagonist, █░█
█░█ Hour Hero Yes. Now, this narrative is somewhat █░█
█░█ difficult to follow in this context, as new █░█
█░█ sounds are piled upon one another, while faint █░█
█░█ glimmers of source material lingers, new guests █░█
█░█ step into the frame and each song launches █░█
█░█ full-speed into multiple directions at once. It's █░█
█░█ confusing and overwhelming, but damn, is it good. █░█
█░█ █░█
█░█ Joining Subtle is a large cast of collaborators, █░█
█░█ including Wolf Parade's Dan Boeckner, Why?'s Yoni █░█
█░█ Wolf, TV on the Radio's Tunde Adebimpe, Hood's █░█
█░█ Chris Adams, Markus Acher of The Notwist, Fog's █░█
█░█ Andrew Broeder and Martin Dosh, better known only █░█
█░█ by his surname. Over the course of nine songs, █░█
█░█ Subtle and their many talented guest musicians █░█
█░█ completely raze the source material from For █░█
█░█ Hero: For Fool, leaving only a handful of tracks █░█
█░█ that can be easily traceable to their prior █░█
█░█ incarnations. The titles have been changed, the █░█
█░█ melodies have been all but rewritten, and new █░█
█░█ creations emerge. Stunning, intense and █░█
█░█ thoroughly new creations. █░█
█░█ █░█
█░█ "Falling" attacks with frighteningly vicious █░█
█░█ synths, as Yoni Wolf delivers his trademark █░█
█░█ sing-speak, ascending gloriously into one of the █░█
█░█ catchiest tracks in Subtle's catalog, though █░█
█░█ still as peculiar and eerie as ever. "Middleclass █░█
█░█ Haunt" picks up where "Middleclass Stomp" left █░█
█░█ off, only recognizable due to the name and █░█
█░█ immensely pounding drum intro. Within its █░█
█░█ dizzying clash of sounds, Dan Boeckner's acoustic █░█
█░█ strums and earthy vocals provide a delicate █░█
█░█ juxtaposition against the distorted beats and █░█
█░█ synths erupting underneath. The tribal recreation █░█
█░█ of "Midas Gutz" in "Deathful" is ominous and █░█
█░█ mesmerizing, with Tunde Adebimpe's vocals █░█
█░█ sweetening the otherwise unsettling composition. █░█
█░█ █░█
█░█ "The Pit Within Pits" revisits the hospital-set █░█
█░█ terror of "Bed to the Bills," albeit with the █░█
█░█ serene vocals of The Notwist's Markus Acher, █░█
█░█ while "Not" is a makeshift set of commandments █░█
█░█ ranging from "thou shalt not sign with █░█
█░█ Astralwerks" (which they did) to "thou shalt not █░█
█░█ read Vice magazine." "Sinking Pinks," in spite of █░█
█░█ a name suggesting more raunch than one actually █░█
█░█ gets from the track, is the prettiest track here, █░█
█░█ all instrumental dreaminess and ambient █░█
█░█ dubscapes. Closer "Requiem for a Dive" is a close █░█
█░█ second though, billowing weightlessly above █░█
█░█ static-ridden drum machines. █░█
█░█ █░█
█░█ Always good for an artsy foray into complex, █░█
█░█ progressive hip-hop concept albums, yell&ice █░█
█░█ finds them diving farther into abstraction. By █░█
█░█ taking mere bits, pieces, samples and concepts █░█
█░█ from For Hero: For Fool, the Bay Area outfit has █░█
█░█ succeeded in piecing together an entirely new █░█
█░█ album that sounds suspiciously like a new studio █░█
█░█ album. As sublime as the initial art in question █░█
█░█ was, yell&ice merely reveals new and exciting █░█
█░█ aspects within the character of each song. █░█
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▄▀▀██ 1way AMOK BCC BUTT CMS EGO ██▀▀▄
▀▓█ ESC FNT FTD gF HiT2000 iTS █▓▀
▄▄ ▀▓█ JUST MTD NuHS pyt rH RNS SDR █▓▀ ▄▄
▓▓█████▓▄ SER soup SSR twee UKi WUS ▄▓█████▓▓
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▄ ░▒▓█████████▓▒░ ASCii By AyL!cRO 2oo5 ░▒▓█████████▓▒░ ▄
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