┌───┌┐───┐
│┌──┤└┬─+│
│││││││└┤│
││││││├┐││ ─────────────────────────────────────── music for body and soul
│└┴┴┴─┴─┘│
└────────┘ 03.01.2008
freshhh!
artist: Bones and Dee Present Looney Tunes
album: Volume One
label: Nu Groove Records
cat: NG 023
year: 1989
genre: House
sub-genre: acid break jammies
source: Vinyl
grabber: Eac
encoder: LAME 3.97 V2 --Vbr-New -V 2
quality: VBRkbps / 44.1kHz / Joint-Stereo
size: 46,2 MB
link: http://www.myspace.com/nugroove2
─┐└───────────────────────────────────────────────────────────────────────
│tracklist.
no. time track title
a1 04:45 Just As Long As I Got You
a2 05:41 Nothing Stays The Same
a3 05:45 Set Jah Off (Rhythm Master Mix)
a4 02:09 Jamming Breakdown 4 (Lunchroom Mix)
b1 04:39 Another Place Another Time
b2 04:30 Nobody Webboe
b3 03:40 They Stole Our Break (Boyee)
b4 02:49 Halfway To Seven
total time: 33:58 min
─┐└───────────────────────────────────────────────────────────────────────
│release notes.
What we're gonna do right now is go way back...
As impossible as it is to imagine in this era of microgenre,
rudderless dance journalism and poverty of imagination there was a
place on West 38th Street where for a period of time between 1988
and 1992 it all came together.
So many stories started here that we can't possibly list them all
but in the house of Mendez and Russell it was possible to find the
scenes not songs of the Burrell Bros, the dubby experimentation of
Konders, the jazzy excursions of Peter Daou and Smash, the deepest
garage of Musto, Simonelli and Bastone, the disco stylings of Joey
Negro, the breakbeat science of How & Little, Dee and Bones, the
techno roots of Beltram and the MAW blueprint under one roof and
often on one shelf of your local record shop (remember them).
Manifesto part two as Frankie and Lenny get a lil stoopid with
Musto, Nico and Vicsimone. Worth quoting the buchla penned discogs
info:
...This record inspired many people in Europe involved in making
techno music. Renaat Vandepapeliere, boss of R & S Records for
example...Renaat did not want to wait so he did release cover
versions of both records. The first was a cover version of "Call It
Techno" that was released under the artist name of Space Opera
(cat# RS 89014). The second was a cover of "Just As Long As I Got
You" that was released under the artist name of The Project (cat#
RS 89015) and had the funny track nam "Can Batman Escape?". The
belgian group 101 also covered "Just As Long As I Got You". It was
Nu Groove that bid the most and released the original versions on
this record.
The track "Another Place Another Time" also inspired Renaat and his
friends cause they used the same riff melody from this tune in
"Space Opera 3001 (Part 1)" released on R & S Records under the
cat# RS 911. Listen to both tracks and you'll see what I mean.
Listen also to the b-side of Jambo!'s Drumattack on Wonka Beats.
Koenie and Sven Van Hees used the same vocal but they changed the
words in "Another Day Another Time"!
The last track of this record "Halfway To Seven" has to be one of
the strangest techno tunes ever made. It begins with some TR-808
drumpatterns and suddenly a guitarsample comes in it. Bones and Dee
sampled the guitartune and cut it in pieces. So the guitarsample
begins short and as further the track goes as longer the sample.
Finally you hear a complete guitarsolo on a very techno drumpattern
base. Pure Rock techno!! Very weird.
(editors note: not so weird if you saw Lenny Dee perform
backinnaday :) )
──────────────────────────────────────────────────────────────────────────
mbs is a free music's lover association on the net.
we only share the music we love, with the people we like.
keep your mind, your body and your soul open...
peace.
──────────────────────────────────────────────────────────────────────────
nfobygucci! *feb2OO7