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[dmc]
Doom Generation Noises
────[rlsnfo]────────────────────────────────────────────────────────────────────
Artist : Vera Lynn
Title : Yours
Year : 2005
Label : n/a
Genre : Jazz
Type : Album
────[ripnfo]────────────────────────────────────────────────────────────────────
Ripped on: 01.27.2008
Ripper : DGN
Quality : avgkbps / 44,1kHz / Joint-Stereo
Size : 34,0 MB
Playtime : 40:35 min
Grabber : Eac
Encoder : Lame 3.97 V2 New
────[trax]──────────────────────────────────────────────────────────────────────
01. Yours 03:28
02. Harbour Lights 03:10
03. Jealousy 03:02
04. Be Like The Kettle And Sing 02:43
05. When Swallows Say Goodbye 02:19
06. Faraway Places 02:45
07. We'll Meet Again 03:05
08. The Windsor Waltz 02:40
09. As Time Goes By 03:03
10. If You Love Me 03:01
11. A Nightingale Sang In Berkeley Square 03:16
12. Who's Taking You Home Tonight 02:50
13. When You Hear Big Ben (You're Home Again) 02:34
14. Auf Wiederseh'n Sweetheart 02:39
────[Release Note]──────────────────────────────────────────────────────────────
http://www.amazon.com/gp/product/B0006U8DOO/ref=dm_dp_cdp?
ie=UTF8&s=music&qid=1201427965&sr=8-1
The mere mention of Vera Lynn's name evokes images of London
skies filled with barrage balloons, and Britons riding out the
German blitz in shelters and subway stations. England's
sweetheart during the trying times of World War II, Lynn was
still in her twenties when she took on that role. She was born
Vera Margaret Welch in London's East Ham, to Bertram and Annie
Welch, one year before the close of the First World War. She
began singing as a girl of seven, also studying dance as a
child. She later took her maternal grandmother's maiden name as
her stage name, and her natural, unaffected vocal style and
charm brought Lynn early success on the radio. At age 18, she
was singing with Joe Loss' orchestra, and she'd also begun
recording. By the end of the 1930s, after stints working for
Charlie Kunz's and Bert Ambrose's bands, Lynn got her own radio
series. This event coincided with the end of what was known as
the "Phony War," that period in which men were being
conscripted and sent overseas, rearmament rushed, and nightly
blackouts imposed, but no shots fired or bombs dropped. The
shooting war started in 1940, and it was around that same time
that Lynn became the host of the BBC radio program Sincerely
Yours; the show became incredibly popular with overseas
servicemen who missed their girlfriends, and her regular songs
included such hopeful/heartsick ballads as "White Cliffs of
Dover," "We'll Meet Again," "Wishing," and "Yours," which were
taken to heart by the British public. Her recordings -- now
done for Decca Records, which had absorbed the Crown label some
years before -- all sold well, and Lynn also made several films
during the war years, appeared in a stage revue, and sang for
troops in Asia. Her sentimental brand of pop music was regarded
as a huge help to morale, and Lynn herself virtually a national
treasure.
Within just a few months of the end of the Second World War,
Lynn surprised and shocked the public by announcing her
retirement. As early as Christmas of 1946 she'd begun a limited
return to recording, however, and by the end of 1947 she was
working again, touring the variety circuit and gaining another
BBC radio program. Decca seized a golden opportunity in 1948 by
releasing Vera Lynn material in America during a musicians
strike that had crippled the stateside music industry, and Lynn
gained a Top Ten hit that year with "You Can't Be True, Dear."
And in 1952, she became the first British artist to hit number
one on the American charts when "Auf Wiederseh'n Sweetheart"
spent nine weeks at the top spot. That same year, Lynn managed
an astonishing hat trick back home with the advent of the first
singles chart for England -- unveiled in New Musical Express in
November of that year -- when her records occupied three of the
top 12 positions. Her first (and only) British number one came
two years later, with "My Son My Son," and she gradually moved
from radio/variety work to television spots during the '50s in
order to round out her schedule, recording increasingly
contemporary material during the 1960s -- when she left Decca
for EMI -- and '70s. She received an OBE from the British crown
in 1969, and in 1975 was made a Dame Commander of the British
Empire. Though she performed sparingly during the 1980s, she
did appear at commemorations for the 40th anniversary of D-Day
and the 50th anniversary of the beginning of World War II, and
continued to do charity work. In 2005, she also spoke on behalf
of veterans of World War II on the occasion of the 60th
anniversary of VE Day.
────[Group Notes]───────────────────────────────────────────────────────────────
Dgn is around since 1998...
After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.
There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.
We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.
Remember to support the artists.
DGN Crew, 2003
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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools