"Those who cannot remember the past are condemned to repeat it."
George Santayana (1863-1952)
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░ ░ ░░ ░░ ≥▓▓▓▓▓
░░░░ ░ ░ ▄▄▄2▄
░░░░ ░ ░▒ ░░ ▀██≥▓▄
░░░ ░ ▒▓░ ███≥▓
░░░ 2▓▒▒▄ ░░ ▐███≥▌
░░░░ ±▀▀1▒p░ ▐█████▌
░░░ ░▓≡ ≡▓░ ████≥
░▓1░≡▓▒▄ ░░ ░░ ░ ▄█████▀
░ ░ ▀≥▒▒▀▀▀▀≡░▀▀▀▀≡░ ░▓░░≡ ▄▄▄▄██████▀ ░
■▀≡░▀±▒▀±▓▓▒▒░ ░▓▓▌ ▄▄≥▓▓▓▓▓▓█▀▀ ░
░ ■▄▄▄ ░░▐▌▀0░░ ▄▄2▓▓▓▓▓▓▀▀▀ ░░
░░░░ ≥░ ░▀0▀▄ ░░░░░░ ▄2▓█≥▓▓▀▀≡░░░░░░░░░░░░░░░░
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░▒▓▓▓▓▄ ░░░░ ▄▀ ░░░▀▀≥▄2▒ ░░ ≥▒▒██████≥▒░░▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒░░░░░
░░▒▓▓▄ ▄≡▒≥■0░░░▒▓▀▀ ░░░ ▐███████≡░░▒▓▓▀≥▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▓▓
░░▒▒▓▓1 ▄≡2▀ ▀■░▄▀ ░░░░ ▄██████≡ ░░▒≡░░▒▒▒░░░░░░░░░░░▒▒▒▓▓▓▒▒▓▓█
░░▒▒▓▓▓▓▄▄▀ ▄▀ ░░░▄▄████████≡ ░░░▒▄▀ ░░▒▒░░▒▒▒▒▒█
░ ░░▒▒▒▓▓▓▓▄▄ ▄▀ ░░▄▄███≥▓█████± ░░░▒█ ░▒▒░░▒▒▓█
░ ░░░░▒▒▒▓▓▓▓▓▓▀ ░▄≥▓▓▓▓██≥█████± ░░░▒▓█ HRRRRRRRRRRRRR! ░▒░▒▒▓▓█
░ ░░░░░▒▒▒▓▓▀ ░▓▓▓▓▓▒▒▒▒▓█≥████± ░░▒▓█▄ ░░▒▓▓██
░░░▒▓▓▓▀ ░2▓▓▓▒▒░░░░▒▒▒▓█≥████ ░▒▓▓██▄▄ ░░▒▓▓███
░ ░▒▒▒▓▓≡2▓▒▒▒▒░░░░░░░░░░▒▓▓██████▄ ░▒▓▓█████▄▄ ░2▓██≥▓
░ ▒2▓▓≡2▓▒▒▒░░░░░░░░░░░░░░▒▒▓▓██≥█≥▄0▒▓▓████████▄▄▄▄▄▄▄2▓███≥▓▒
░░ ▒░ ▀▄▄2▒▒░▒░░░░░░░░░░░░░░░░░░▒▒▒▓▓▓▓███████≥████████████████≥▓▓▓▓▒▒
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░░ ▒▓▒░░░░░░░░░░▒▓▒▒░░░░░ ░ ░░░░ ▒ ▀≥▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▒▒▒░░░▒░
░░ ▒▒▒░ ░░░░▒▓█≥▒░ ░░ ░░ ░░░ ▀▀▀≥▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▓▓▒▒░ ░░░░
░░ ░▒▒▒░ ░░▒▓█ ±░ ░░ ▒▒ ░ ░░░▒▒▒▒ ▀▀▀▀▀≥▓▓▓▓▓▓▒▒░░ ░░
░░ ▒▓▒▒░ ░░▒██ ▒░ ░░ ░▓░ ░ ░░▒░▄ ▀ ▄▄▄▄▄▄ ░▒▒░░■▄▄ ░
░░ ░▓▓▓▒▒▒░░▒▓█ ░░ ░░ ░▓▒ ░░ ░▄▀ ▄1▓▓▓▓▓≥█≥▄0░░ ▀██0
░░ ░▓▓░≥▓▓▒▒▓█ ░ ░ ░▒± ░░ ░▓█ 1░▒▓▓▓█████████≥█▄0░ ▓▓▒░
░ ░▓▓▒░░ ░▓███ ░▒█≥ ░░ ▓▓█2▒▒▒▒▀≡░▄▄▄0░▀████≥±▒▓▓▓▒
░ ░▓▓▒░ ░░░▓██ ▄█≥▀▄ ▒▓█≥▌ ░░ ░ ▓▓≥▓▓▓▀ 2▓▀▀▀≥▓▓▒▒░▀▀▀≡░2≥░
░ ░▓±░ ░▒ ▓██ ▐█▌ ▒ ≥█≥▓ ░░ ░░ ▐▌ ▓▓ ▓▓▌ ▐≥░ ░░░ ≥▓▓░░1▒▓ ▒
░ ░▓≥░ ░▓ ▓██ ░ ██ ░ ▐█±▓p░░░░ ▓ ▒▓p▓ ▐█▌ ▓▓▄█±▒ ▒
░▓≥ ▒░▓ ▓██ ░▒░ ▓▌ ▄█≥░▓ ░░░░ ±░░▒▓▄ ▀▌ ▀█▄ 2▓▀
░≥▓ ▓ ▓ ██≡░░░▄██▄ ░ ▓█ ≥≡▐▌ ░░ ≥▓≡░▒██▄ ▀▄▄2▓▓▄ ░░░
▓▓█r▌▐▌▐██p░▄█≥ ▀█0 ▓ ▐██≡▐▌ █≥█≥░ ▒▓███▄0░▀▀≥▓▓▓▓▓▄▄▄
░±█ ▒▌ ▓▄▀██2▓≥▓░ ▀███≥▒█≥q▓▌ ≥█≡██≡ ▒▓≥▓████▄▄▄▄▄0░▀▀≥▓▄▄ ░
▒≡█ ░▓▄ ▀█▄█▄▀2r░░▀ ░▒▓≥▌█≥p░▌ ▓▓ ░███ ░▒▓██≥████████p░░▄ ▀▀██0░
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█≡░≥░░░░▒▒▒▓▓▓ ██ ░░░▄ ░▒▓█▐±▒ ░░ ░ ▀▄ 2██ ░▒▓████▀≡▄▄▄██▀▀ ░██ ▀██
██p░▀█▄▄0▒▓▓▓ ≥▓█ ░░░▀0▒▓░≡░▓░▒█1▒░░ ▀ ▀≡▓▌ ░░▀▀▄▄█▀▀▀▀▄▄▄▄ ░███▌ ██
▓█≡░ ▀▀▀≥▀2▒▒▒▓▓ ▒░░▓▓▒░█▌ ▓░▒▓≥▒▒░░░░▓▓█▌ ░≥▓▒░░▒ ██████▌ ░███≡ ▄██
▒▓██1░ ░▒▓2▒░▄0▒▓▓▄ ░▒▒▒▓░▐█ ▓▓▒░≥▓▄▄≡▒▐▄██ ░▓ ▒▓▓▄ ▀▀▀≡░▒██≡▒≥██
░▒▓▓███▄▄▄≥▓░▄████0▒▓▓0▒▒▒░▐██ ≥▓▓▒░░░▒▓▓██≡ ░▒▒▓≥▄ ░▒▓▓▓0░░▓▀≡░2▒███
░0░▒▓▓█≥▒░▄████▀▀▀█0▒▓██▄▄≥▒██▄ ▀▀▀▀▀▀▀▀ ░░░░▓▄≡▀████▄0░░░░░▄▄≥▓≡████
▒▒▓█▄▄▄▄▄▄████▀▀ ░░░░≥0░▒▒▓▓▒░≥▓▓▒▒░░░░░░░░░▒░▒▓▓≥██▄▀▀███████████▀▀▄██████
▄ ▒▓▓██≥▓≡ ▄± ▀█0▓▀█0░▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▒▒███≥▄▄▄▀▀▀▀▀▀▄2≥▓█▀▀██
░▒▄▄▀≡ ░░▄▄▀▄▄█▄■▀▄▀≥▓±▓▓▓▓▒▒░░░░░ ░░░░░ ░░░░▒▓▓▓2▒██≥▓▓▓▓▓▓▓▓▀▀ ▄▀ ▐█
▄▄▀▀▀▀▀▀▀███▄████±▄▄▌▐≥▓▓▓▒▒▒░░░░ ░░░░ ░░░ ░ ░░░▒▒▓▓2░ ▀▀▀▀▀▀▀ ▄2 ░ █
░▒▓▓▓▒░ ▐██████▀ ±▓▓▓▒▒▒░░░ ░░░░░░ ░░░ ░░░ ░░░░▓▓▒▓▓▄ ▄▄▄▄▄2▓▓▓▀ ░░░░ ▐
▒▓▓▓█▀ ▄▄███▀▀▀▄ ▄≥▓▓▒▒▒▒░░░ ░░░░░ ░░░░░░░ ░░▓▓▓▓▓█▓▓▓▓▓▀▀ ▀■▄ ▄▄2█
▓▓▀▄▄█▀▀▀ ▄▄██≥▓▓▒▒▒░░░░ ░░░░ ░░░ ░░▒ ▒▒▓≥▓▓██≥▓▄2▄███▀▀▀▀██
▓██▀ ░▀▄ ▄▄████▀▀▒▓▓▒▒▒▒░░░░ ░░░░ WASHED ░ ░░░▒▒▓▓█≥███████▀≡ █
██▀≥▄▄2████▀ ▄ ░≥▓▒▒▒▒▒░░░░ ░░░░ UP ░░ ▒▒▒▒▓▓█≥████≥░░ ░░ ▐
█ ▒ ▐████▌ ▓▒▓▓▒▓░▒▒▒░░░░ ░░░ SCENESTERS ░░ ▒▒▓▓▓▓█≥██████1▄ ▄█
▓ ░ █████▄2▓▒▓▓▓▓p▒▒▒▒░░░░░ ░░░ MMViii ░░░▒▒▓▓▓█≥▓█████≥▒▒▀▀≥▓
▌▄▄1▀▀▀▀▀▀███≥▓≡▒▓▒▓≡░▒▒▒▒▒░░░░░ ░░░ ░░ ░░▒▒▓▓≥▓▓███±░ ≥
▌ ▄▄≥▓▓▓▄▄ ▀▀±≡▒▓▓▓≥░░▓▓▒▒▒▒▒░░░░░ ░░░ ░ ░░░░░▒▓█±▒▓██q░░░ ░░░█
1▓▒░░░░░▓▓≥▓ ░≡▒▓▓██▌ ░░ ░░░±▒▒▒░░░░ ░░ ░░ ░░▒▓▓±▒░▒███▄0 ▄█
▓≡░≥▓█▄0░▒▓▓▓▒±▓▓██▀ ▄███▄▄▄▄▄ ≡▓▒▒▒0 ▄▄▄▄▄████▄ ░▒▓±▒░░██≥▓▀▀▀▀▀▀≥▓█
▄▀▀ ▀≥██1░▒▓░≥▓██▌ ▒▓██≥▓▓████▄ ≥▀ ▄██████≡▒▒██±█±▒░▄█████0░░░░░ ▒█
▄ ░≥▓█0▒▓▒▓█≡▐q▓████≥≥▓█▌ ▐████████±▒▒█≥±▒▒░█≥▀▀███0░░ ░█
2▀ ░░▒██p▒▓▒██p≡▒██████±▒██ ▒▓▐≥███████████r≥▒▒████0░░▀▀█▄ ░ █
▄≥▌ ░░▒▓█ ▒░▓▓▒█≡▐q▓▓▓███≥▓█≡░░▐≥█≥▓██≥███ ▒▓≥▒█████p ░░░ ▀ ░ █
▐≥█ ░░▒▓▓ ░░▓▓▓▓█p█0░▒░▒▒▓▄██ ≥ ≥ ±▒░▓▓███p▒▒▓±▓████ ░ ░░ ▀▄█
±▓█▌ ░░▒▒▓▓▓ ░▒▓▒▒█ ░░≥██≥▓▓▀▀ ███ ▄▀▀▄▄▄█████▀ ░░▒▒▓≥▓████0 ░ █
≡▓██0░▒▒▓▓▓█ ░▒▓▓▒▓p░░░░░░░░░░░ ▐████▄≥ ░▓▓█≥▓▓▒░▀▀ ▒ ▄≥▄█
▓▓░▓██≥▒▄▄▄0░▒▓▓░▓▓q░░░░ ░░▒▒▒░░ ██████▄≥▓▓▓▄▄▄▄▄▄0▒▒▓█±▓███▄▄▄ 2▀ ░▐██
▒█▀▄▄▄2█≥▓███▄▄1▒≥20░░░▒▒▒░░0▐██r████ ░▓▒▒░░░▒▒▒▒▒░▒▓█r▒▒░░░░ ▄▄▄ ▀▀
▄▀≡░▓█≥▒▒▒▒▒≥███▄2▓██±▒▄▄▄████▄▀█q██≥≥▓▄▄▄0░░▄▄▄▄▄█≡▒▄▄▄▄▀▀▀▀≥████▄
▓≥▒▒▓≥▓▓▒▒▒░░░░░▀≥▓2▓▓█████≥▓▓██1▒▒▓▓▓░░░░ ▀▀▀≥█≥▓▓▀▀▀▀ 1▒▓≥▓▒▓≥█
▓ ▓p▓▓█≥█≥▓▓▓▒▒▒░▒▒▒ ▀≥███≥▓▓▒r≥▒░ ▒░▓░░ ░2±▒▒░░ ▒▒▒▒▒▒▒▓▓▒▒≥░▓▒▐
█ ▀▄▄█▀ ░░░▀▀▀▀≥▓▓▓▓▓▓▒▒▒▓≥▓▒▌░p▒░▒q▌ ▒ ░█±▓▓▓1▒▒▓▓▓▓▓▓▀▀▀≥▓▄▄▀ ░▓
≥0▒▓▓p░░░░▒▒▒░░░░ ▀▀▀██≥█≥▓▒▒░p░░░░▒░▌ ░ ░≥▓▓▓▓▀▀▀▀≡ ≥▒░2▀
▀▀▀ ░░░░░░░▓▒ ░ ≥█▀█▀▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█≥≥▄▄▄0░░░▒ ░░ ▀▀▀
░░░░░░░░ ▒░ ▒▒ ▄▄▄2▓▓▓▓▄█▄▌▐▌▒░≡▐▌▒░▓▄██████≥▓▓▒▒▒▄▄▄▄0░░░
░ ▒▓▄▄▄▄▄2▓▓▓▓▓▓▓▓██≥████████▀▀▀▀██████≥▓▓███≥▓▓▓▓▒▒▒▒▒▒▓▓▓█▄▄▄▄0
▒▓▓▄▄▄1▒▒░░▒▒▓▓▓▓▓▓▓▓████████████▀▀±p▒▓▓▓▒░░▀≥▀▀██≥▓▓▓▓▓▓▓▒░░ ░░▒▒███≥▓▒▒
▓▓≥▒░░ ░▒▒▒▓▓▓▓▓█████████▀≥▓≥▒░░▒▓1░██▀▓▒░▒▓▓▓▓▄0░≥▀▀≥▓≥▓▒▒▒░ ░░░▒▓▓▓▒
▒░▓▓▒▒▓▓▓▓▓▓█████≥▀▀≥▓▓▒░░░ ≥▒▓▓▓▓▓▒▓▌ ▓▒░ ▓▓±▀≥▓▓▄▄0░▀▀≥▓▓▒▒░ ░▒▓▓
▒▒█≥▓▓▓▓████▀▀≥▒▒▓▒▒░░ ≥▒2▓▓▀▀≡░▓▓██ ≥▓▄▄2q ░ ▒▒▀≥▓▓▀▀±0░▒▀±▒░░▓
███▄▄▄1▓▓▓▓▓▒▄▄▄2██≥▓▓▓▒▓▓▓▓▓▓▓▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓▓▓▓▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▒▒
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▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░
▒▒ ▀▀▀▄▄ ≥▓▀ ▒▒
▒▒ ▀ ▄ ■ ▀ ▒▒
▒░ ▀ ░▒
▒░ Bert Kaempefert - Red Roses ░░
░░ ░░
░░ Artist ....: Bert Kaempefert ░░
░░ Album .....: Red Roses ░░
░░ Genre .....: Easy Listening ░░
░░ Label .....: Karussell/Polygram ░░
░░ Catalog # .: 550096-2 ░░
░░ Language ..: English ░░
░░ ░░
░░ Source ....: CDDA ░░
░░ Size ......: 55,9 MB ░░
░░ ░░
░░ Rel. date .: Mar-03-2008 ░░
░░ Str. date .: Jun-30-1998 ░░
░░ ░░
░░ http://www.cduniverse.com/productinfo.asp?pid=1270647 ░░
░░ ░░
░░ ----------------------------------------------------------------------- ░░
░░ ░░
░░ Bert Kaempfert had almost too much talent, ability, and good luck ░░
░░ rolled into one career to be fully appreciated, even by his own chosen ░░
░░ audience, the lovers of fine orchestral pop music. He was one of the ░░
░░ most successful conductors, arrangers, and recording artists in the ░░
░░ latter field, but was also a major producer and played a key (if ░░
░░ indirect) role in the roots of the British beat boom of the early '60s, ░░
░░ which evolved into the British Invasion of America in 1964. Berthold ░░
░░ Kaempfert was born in Barmbek, a working class section of Hamburg, ░░
░░ Germany, in 1923. He was musically inclined as a boy, and found that ░░
░░ interest indulged by an act of fate when he was six years old -- ░░
░░ Kaempfert was injured in a car accident and his mother used the money ░░
░░ from the settlement to buy him a piano. He became proficient at the ░░
░░ keyboard, and also on the clarinet and saxophone, among other ░░
░░ instruments. He studied at the Hamburg Conservatory and although he was ░░
░░ interested in all facets of music, Kaempfert was particularly taken ░░
░░ with American-style big band music of the late '30s and early '40s -- ░░
░░ his multi-instrumental skills made him a potentially valuable ░░
░░ commodity, and he was recruited into a pop orchestra run by Hans Bussch ░░
░░ while in his teens, but was later drafted and served as a bandsman in ░░
░░ the German navy, before being captured and interned as an Allied ░░
░░ prisoner. He founded a band of his own and later toured American ░░
░░ military installations in Germany, at last able to play his favorite ░░
░░ kind of music. Returning to his native Hamburg, he began performing on ░░
░░ the British Forces Network radio and writing compositions, initially ░░
░░ using the alias of Mark Bones. Kaempfert's reputation in Hamburg ░░
░░ attracted the attention of Polydor Records, which hired him as an ░░
░░ arranger, producer, and music director during the second half of the ░░
░░ 1950s. Among the talent that he brought to the company's roster was the ░░
░░ Yugoslav pop artist Ivo Robic, who chalked up an international hit (Top ░░
░░ 20 in America), and Viennese singer/guitarist/actor Freddy Quinn, who ░░
░░ had a German hit with "Die Gittarre Und Das Meer." His own orchestra ░░
░░ generated such hits as "Catalania," "Ducky," "Las Vegas," and ░░
░░ "Explorer," but he had bolder, more ambitious music in mind. He ░░
░░ arranged, produced, and recorded an instrumental entitled "Wonderland ░░
░░ by Night," which was pretty enough but couldn't seem to get a hearing ░░
░░ in Germany, even from his own company. Instead, Kaempfert and his wife ░░
░░ brought the track to Milt Gabler, the legendary producer at Decca ░░
░░ Records in New York, who arranged for its release in America in 1959; ░░
░░ with its haunting solo trumpet, muted brass, and lush strings, the ░░
░░ single topped the American pop charts and turned Bert Kaempfert and his ░░
░░ orchestra into international stars. Over the next few years, he revived ░░
░░ such pop tunes as "Tenderly," "Red Roses for a Blue Lady," "Three ░░
░░ O'Clock in the Morning," and "Bye Bye Blues," bringing them all high ░░
░░ onto the pop charts internationally, as well as composing pieces of his ░░
░░ own, including "Spanish Eyes (Moon Over Naples)," "Danke Schoen," and ░░
░░ "Wooden Heart," which were recorded by, respectively, Al Martino, Wayne ░░
░░ Newton, and Elvis Presley (with Joe Dowell charting the hit single of ░░
░░ "Wooden Heart"); for an old American jazz fan like Kaempfert, however, ░░
░░ little may have brought him more personal satisfaction than Nat King ░░
░░ Cole recording his "L-O-V-E." At the turn of the decade into the 1960s, ░░
░░ Kaempfert was still busily at work in his duties as a producer. He was ░░
░░ well aware that a new generation of listeners had come along, whose ░░
░░ interests lay far from the beautifully crafted instrumental music that ░░
░░ he favored, which were an outgrowth of the pop sides of such '40s ░░
░░ artists as Tommy Dorsey, Harry James, and Glenn Miller -- they ░░
░░ preferred music drawn from country and R&B sources. He had signed a ░░
░░ Liverpool-based singer named Tony Sheridan, who was performing in ░░
░░ Hamburg, and needed to recruit a band to play behind him on the ░░
░░ proposed sides -- he auditioned and signed a quartet from Liverpool ░░
░░ called the Beatles, and even cut a couple of interesting sides of ░░
░░ theirs, "Ain't She Sweet" and "Cry for a Shadow," during his sessions ░░
░░ for Sheridan; with its pounding beat and raw singing, the former wasn't ░░
░░ Kaempfert's kind of music, but "Cry for a Shadow," with its rich melody ░░
░░ and sonorous guitar, was perhaps as close as this new music ever came ░░
░░ to his own. The Beatles' own sides didn't emerge until a couple of ░░
░░ years later, when events made it economically feasible for do so, but ░░
░░ Kaempfert's recording of the Beatles, even as a backing band for ░░
░░ Sheridan, proved a vital catalyst to their entire subsequent success. ░░
░░ Stylistically, none of the Kaempfert-recorded sides closely resembled ░░
░░ the music for which they became famous, and had their path to being ░░
░░ signed by George Martin at Parlophone Records resulted from, say, their ░░
░░ being heard in a performance, those Hamburg-recorded sides would rate ░░
░░ nothing more than a footnote in their history -- but those Polydor ░░
░░ sides cut by Kaempfert played an essential role in their story. As ░░
░░ Beatles biographer Philip Norman recalled in his book, Shout!, on ░░
░░ October 28, 1961, an 18-year-old printer's apprentice named Raymond ░░
░░ Jones walked into the music store owned by Brian Epstein to ask for a ░░
░░ copy of "My Bonnie," recorded by the Beatles (though it was actually ░░
░░ credited to Tony Sheridan); the store didn't have it, but Epstein noted ░░
░░ the request and was so intrigued by the idea of a Liverpool band ░░
░░ getting a record of their own out that he followed up on it personally. ░░
░░ Thus began a chain of events that led to his discovery of the Beatles ░░
░░ and, through his effort, their signing by George Martin to Parlophone ░░
░░ Records (they first had to get clear of any contractual claim by ░░
░░ Polydor). It is possible, of course -- though unlikely, given the ░░
░░ rawness of their sound even as late as 1962 -- that the group could ░░
░░ have achieved success by some other means, but it is equally likely ░░
░░ they would have developed a very different sound. Ironically, by the ░░
░░ time that the Beatles were recording for Parlophone, Kaempfert had ░░
░░ become so successful as a recording artist that he was forced to give ░░
░░ up his duties as a producer -- his records were selling by the hundreds ░░
░░ of thousands, the album of Wonderland by Night even topping the ░░
░░ American charts for five weeks in 1961. By 1965, he'd joined the ranks ░░
░░ of film music composers with the soundtrack to a movie entitled A Man ░░
░░ Could Get Killed -- the title song from the movie became "Strangers in ░░
░░ the Night," which Frank Sinatra propelled to the top of the American ░░
░░ and British charts. He followed this up a year later with another hit ░░
░░ for Sinatra, "The World We Knew (Over and Over)." For Kaempfert, whose ░░
░░ admiration of American music began with the big band pop sound whence ░░
░░ Sinatra had begun his career, those hits must have represented a deep ░░
░░ personal triumph, transcending whatever money they earned -- indeed, he ░░
░░ was selling records during the early '60s in the kind of quantities ░░
░░ that rivaled Tommy Dorsey or Harry James' successes 20 years before, ░░
░░ and he'd proved himself a prodigiously talented composer as well, an ░░
░░ attribute that few of the big band leaders possessed. And speaking of ░░
░░ Dorsey and James, Kaempfert could also take pride in having been the ░░
░░ first music professional to notice and, in effect, have "discovered" ░░
░░ the Beatles, much as James and Dorsey had with Sinatra in an earlier ░░
░░ era, and much as Tommy Dorsey and Jimmy Dorsey had also been the first ░░
░░ television personalities to book Elvis Presley. Although Kaempfert's ░░
░░ chart placements faded by the end of the decade, there could be no ░░
░░ disputing his impact on the popular culture of the 1960s, which was so ░░
░░ widespread into so many different areas that few individuals ░░
░░ appreciated its scope; teenagers, had they known of his role, could be ░░
░░ grateful to him for giving the Beatles that all-important first break, ░░
░░ while their parents may well have danced to "Wonderland by Night" and ░░
░░ its follow-ups, their older siblings might well have orchestrated their ░░
░░ romantic endeavors to "Strangers in the Night," and television viewers ░░
░░ and casual radio listeners might well have heard and hummed the ░░
░░ Kaempfert tunes "That Happy Feeling," "Afrikaan Beat," or "A Swingin' ░░
░░ Safari" (which, in a recording by Billy Vaughn, became the theme for ░░
░░ the long-running game show The Match Game). His success as a composer ░░
░░ was reflected in the five awards that he received from BMI in 1968 for ░░
░░ "Lady," "Spanish Eyes," "Strangers in the Night," "The World We Knew," ░░
░░ and "Sweet Maria." Kaempfert's chart placements vanished in the 1970s ░░
░░ as the music marketplace (especially on radio) finally squeezed out the ░░
░░ adult and older dance music listenership he'd cultivated. His records ░░
░░ continued to sell, however, and his bookings remained healthy for ░░
░░ another decade, and Kaempfert piled up awards in Germany. As he had ░░
░░ with rock & roll, he also changed somewhat with the times -- when disco ░░
░░ became popular in the mid-'70s, Kaempfert recorded a disco version of ░░
░░ Isaac Hayes' "Theme From Shaft" that even impressed the composer. His ░░
░░ sales were always healthy, if not substantial, in America, but in ░░
░░ Europe he was still a top concert draw as well. Kaempfert died ░░
░░ suddenly, at the age of 56, of a heart seizure while at his home in ░░
░░ Mallorca, resting up after a triumphant British tour. In the years ░░
░░ since, he has finally been recognized for the breadth of his ░░
░░ achievements -- virtually his entire album catalog (and all of his ░░
░░ hits) from the late '50s through the end of the 1960s remains in print ░░
░░ on CD. Additionally, Kaempfert's recordings of the Beatles have at last ░░
░░ been given the recognition that they deserved, in the form of a Bear ░░
░░ Family Records box. Additionally, his own music has acquired a new fan ░░
░░ base in tandem with the late-'90s boom of interest in 1950s pop ░░
░░ instrumental (i.e., "bachelor's den" audio) music, and "Afrikaan Beat" ░░
░░ is arguably as popular as incidental music in 2003 as it was in 1965, ░░
░░ as well as closely associated with that past in American popular ░░
░░ culture, itself a great achievement for the bandleader from Hamburg. ░░
░░ ░░
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░░ ░▒▒░ ░░ ░░░
░░ ░░░
░░ ░░░
░░ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. ░░░
░░ --------------------------------------------------------------------- ░░░
░░ ░░░
░░ NB TRACKNAMES: LENGHT: ░░░
░░ ░░░
░░ 01. Red Roses For A Blue Lady 02:23 ░░░
░░ 02. Almost There 03:00 ░░░
░░ 03. Blue Midnight 03:13 ░░░
░░ 04. Sentimental Journey 02:51 ░░░
░░ 05. Stardust 03:35 ░░░
░░ 06. Dream 03:27 ░░░
░░ 07. Wonderland by Night 03:15 ░░░
░░ 08. Moonglow 03:59 ░░░
░░ 09. Three O'clock In The Morning 02:36 ░░░
░░ 10. Happy Trumpeter 02:39 ░░░
░░ 11. A Swinging Safari 03:10 ░░░
░░ 12. Wimoweh 02:43 ░░░
░░ 13. African Beat 02:27 ░░░
░░ 14. Zambesi 02:49 ░░░
░░ 42:07 min ░░░
░░ --------------------------------------------------------------------- ░░░
░░ TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE ░░░
░░ PROMOTION CAMPAIGN. TO THE END USER, SUPPORT THE ARTIST(S) OR DEL! ░░░
░░ ░░░
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░░ ▀▀█████≥▓▓▓█≥▒▒▒▒▒▓▓███████▀▀▀≥░ ░ ░░░
░░░ ░░▀▀≥████≥████████▀▀▀ ▒ ░ ░░░
▒▒░░░ ██▌ ≥ ░ ░░
░░ ░░ ▐≥ ░≥ ░░ ░░░
░░ ░ ░░░ ≥▒ ░≥ ░░░ ░░▒▒░ ░░
░░ ░ ░░░░░░░░░ ▐≥░ ░≥ ░░ ░░░
░░ ░▒ ░ ░░░▒▒▒▓▓▓±▒▒░░ ░≥ ░░
▒░ ░▒ ░ ░ ░░ ░ ▀▀▀≥▓▓▓▓▓▓±░▀▄ ░░ ░░
▒▒░░▓░ ░ ░ ▒░ ░░ ░░ ░░ ░ ▀▀▀▀▀≥▓▓▓▓▓▄▄▄▄▄ ▒░░
▓▒░▒▓▒░▒▒▒░░░░▒▒░░▒▒░░░░ ░░ ░▒░░░░░░░ ░ ▒▀▀▀≥▓▓▓▓██▄▄▄ ░▒░░
≥▒▒≥▒▒▓▒▒░░▒▒▒▒▒▓▒▒▒▒▒▒░░▒▒░▒▓▒▒▒▒▒▒▒░░░░▒░░░░ ░░▒▒▒▒▒▒ ▀▀≥▓▓▓▓▓▒▒ ▒▓░░
█≥▓█≥▓≥▓▓▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓▓▒▓≥▓▓▓▓▓▓▓▓▒▒▓▓▒▒▒▒▓▓▓▓▓▓▓▓▓▄▄▄▄▄▄▄▄2▓▓▓▓▓▓▒░
██████▀▀▀▀ ▀ ▀ ▒ ░▒▒░ ▓▓▒▒░ ▓≥▒ ▀▀▀▀▀▀≥██████≥▓▓▒▒░░
▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ≥▓▒▒▒░░░ ▀≥█≥▒▒░░
▓█▌ ░▒▒░░ ≥▓▓▒▒▒░░ ▀≥▓▓▓▒▒▒▒░░ ░▓≥▒░
▒≡▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░ ░░▒▒░░ ▀≥▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓0░░▓▓░░
▒█ ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀≥▓▓▄▄▀≥▓2▓░░
▒▓ ░ ▀≥▓0≥▓░░
░▓ ≥▓░░▓░░
░▓ ≥░▓░░
░▒ 4 HORSEMEN, ≥▓░░
░▒ 801, ≥░░
░▒ ADDiCTED TO MUSiC, APOCALYPSE PRODUCTiON CREW, AUDiO ARCHiVE FORCE, ▓░░
░░ BEAT MASTERS iNTERNATiONAL, BEATS iN CONTROL, ▒░░
░░ CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDIO, CRiSiS, ▒░░
░░ CSWCN, ░░░
░░ DA OLDSCHOOL CREW, DEAFNESS, DECiBEL, DiGiTAL SOUND PROPHETS, ░░
░░ DiSSiDENT, ░░
░░ EViGHET, ░░
░░ FRENCH SOUND PROViDER, ░░
░░ iMAGiNE, iMPULZ, iNDECENT XPOSURE, iNTERNET MUSiC PiRATE GUiLT, ░░
░░ JAZ, ░░
░░ KiLOHERTZ, ░░
░░ LOGOS, ░░
░░ MUSiC AND DECiBELS, MUSiC TO MASSES, ░░
░░ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, ░░
░░ NUTRiCiOUS HEARiNG SUPPLiES, ░░
░░ OTAKU, ░░
░░ PROViDERS OF SOUND, PSiLOCiBiN, ░░
░░ RABiD NEUROSiS, radial, RARE MUSiC FiNDER, REVOLUTiON, ░░
░░ ROCKERS' BREWiNG CORP, ROTATiON, RUDE BWOY KUTZ, ░░
░░ SCHOOL OF THE OLD, STRONGER THAN ALL, SYNTHESiS MEDiA, ░░
░░ THE FLAME ARROWS MP3, TOUCHDOWN, TWEE, ░░
░░ WALL OF SOUND, WE LOVE WAREZ MP3, ░░
░░ ░░
░░ FAITHMUSE, MCKENNA, MORGOTH, MISTAHWAX, SDL & ░░
░░ ░░
░░ *ALL* of our friends and family. ░░
░░ ░░
░░ ░░
░░ ░░
░░ ▄▄≥▀ ▄▄ - If you don't like our release(s): ░░
░░ ▄2██≥▓▓░░██≥▓▓▄▄▄ FUCKING ENCODE IT YOURSELF! ░░
░░ 2████≡░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ ░░
░ ▄▀▀0░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ - We shit on ALL scene-idiots: ░░
░ 0░▒▒▓▓▓▓█▀▀▀▀≥▓██≥▓▓▓▓▒▒▓█ h8ers, nukers, just to name a few... ░░
░ ≥▓▓▀█≥▀▀▀2▒░░▄██p░ ▓≥▓▓▓█ ░░
≥▓▀2≥▓░░░░████≥≥▄▄▄≥ ≥≥▓ - We only believe NOW is good music. ░░
█▀ ≥≥███▄▄▄██≥▓▓████≥█▀▄▐▌ █ ░░
█ ▐█████▀ ███≥▓█▌▀█≥▓ ▓ ░░
░ ███▀ ▐███≥≥ ▓▀ ▀ Furthermore, we want to affil 1+Gb/s- ░░
░░ ▓ ██≥██≥ ▀ 3+Tbs sites with 0sec attitude that manage ░░
░░ ▐██≥▓██▌ to remain up for <12 months! PLZ AFFIL US!!! ░░
░░ █≥▓▓▓█▌ ░░
░ ▓≥▒▒▓█ Lastly, to those who think they are in charge: ░░
░░ █±▒▒▓█▌ PLZ give us some RiAA2k8 encoding standards, as we ░░
░░ ▐█p▒▒▓██ rightfully need a _6th_ rule change ever! ░░
░░ ▐█p░▒▓█▌ ░░
░░░ █±░▒▓█▌ ▓ ▄■ PLZZZZZZZZZZZZZ!!!!!!! ░░
░▒░ ▐█r≥█▌ ▓2 · As usual, iCQ US. ░░
░▒▒ ░██q▒▓≥r▒█▀·▄■▄ ▄ ▓▓▄▄▄ ░░
░▒▒▌ ▒▒█±▒▓▓░≥▒▒▒±▒▄▄ ▄ █≥▓███▄▄▄▄▄ WUZZiES' iNK░░
░░▓▓▄ ░▒▓▓▓█≥▓▓▒▒░≥▒▒░1 ▄ ▀ 2▄▄▄█≥▒▒▒▒▒▒▒▒▓▓▓▓▄▄ ░░
░░░≥▒≥██≥▓▓▓▓█±▒▒▒░░▒≡▒░█▄2▓▄▄████████≥▓▒▒▒▒░░░░░░░▒▒▓▓▓▓▓▓▓▓▄▄ ░░
░▒▒▒ █▀████≥▓█±▒▒▒░░░▓▒▒▒░▀▀▀▀▀▀≡░░░░░░░░░░░░░░░░░░░░░░░▒▒▒▒▓▓▒▒▓▓▓▒▒▒░░
░░░░░ ░≡████≥█±▒▒░░░▒▒░▒▒░░░░░░░▒▒▒▒▒▒▒▒▒░░░░░░░░▒▒▒ ░░░░░░▒▒▓▓▓▒▒▒▒▒▒▒≡
±░░░░░▓≥██████±▒▒░░░▒▒▒▒▓▓▓▓▓▒░░▒▓█████≥▓▒▒▒▒▒▒▒▒▓▓▓░░░░▒▒░░░░▒▒▓▓▒▒▒▒▓≡░░
▓±▓▓▓▓███████≥▒▒░░▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒▓████████≥▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓░░░░░▒▓▓▓▓█≥▒▒░
▒▒▒▒▒▒▒▓▓▓▓███≥▒░░░░▒▒▒▒▒▓▓▓▓▒▒▒▒▓████████████████████≥▓▓▓▓▓▓▓▒░░▒▒▒▒░▒▓▓▓▓▒▒
▒░░░░░░▒▒▓▓▓█≥▓▒░░░░░░░▓▓▓▒▒▒░▒▒▓████████████████████████≥▓▓▓▓▓▒▒▒▒▒░░░▒▓▓▓▓▒
░░ ░░░░▒▓█≥▓▒▒▒░░░░░░▒▒▒▒░░░▓█████████████████████████████≥▓▓▓▒▒▒▒▒▒░▒▒▓▓▓▓
░ ░░▒▓█±▓▒▒▒▒▒░░░░░░░░░░2████████████████████████████████≥▓▓▓▓▒▒▒▒▒▓▓▓██
░░░▒▓▒▒▒▒▒▓▓▓▓▄2███████████████████████████████████████████≥▓▓▓▓▓▓▓▓▓███
░░░░▓▓░░░░▄▄████████████████████████████████████████████████████≥▓▓▓▓▓▓████
░░░░░░▄▄▄██████████████████████████████████████████████████████████████████████
▄▄██████████████████████████████████████████████████≥▒░░ ░▀███≥▒░░░
██████████████████████████ ▀▀▀██████████████≥▒░ ░▀█≥▒░░
████████▀▀ ▀▀▀█████ ████▀▀▀▀▀▀≥▓±░ ░░▓▓▒░
████████▌ ░░░▀██▌ ░░░░ ████▌ ▓▓▒ ░▓≥▒
▀████▌ ░ ░░ ██ ░░░░░░ ████▌ ▓▒░ ░▒▓≥▒
▐███▌ ░ ░░░░ ██ ░▒▒▒▒▒░ ████▌ ░░░░ ▓▒▒░░░ ░░░░▒▓≥▒░
▄████ ░░░░ ░░░░░▒▒░ ▄≥░▓▓▓▓▓▓▓▓▄█████ ▒▒▒▒▒▒░▓▓▓▒░░░ ░░░░▒▒▒≥▒░░░░░░
▓▄█████ ░▒▒▒▒▒▒▒▒░░░░ ▄████████████≥▓███ ░▓▓▓▒▒▓▓▒▓≥▓▒▒▒▒▒▒▒▒▒▒▒▒▓▒≥▒▒▒▒░░░░
███≥≥▓▓▓▓▓▓▓▓▒░▄▄2████≥▓▓▓▓█≥▓▓▓▓▓██≥▓▓▓▓▓▓▓▓▓█≥▓▓▓▓▓▓▓▓▓▓▓▓▓██≥▓▓▓▓▒▒▒
█≥▓████████████████████≥▓▓▓▒▒▓≥▒▓▓▓▓▓▓██████████████████████████≥▓▓████████
▓▓▒██≥▓███≥▒▒▓██≥▓▓▓█≥▓▓▒▒▒▓▓≥▒▒▓▓▓▓▓▓█≥▓███≥▓████≥▒▓████≥▓▓▓█████≥▓█
▓▒█≥▓▓███≥▓▒▒██≥▓▒▒▓▓≥▓▓▒▒▒▓▓▓≥ ▒▒▒▓▓▓▓█≥▓█±▓████≥▒▒████≥▓▓▓▒███≥▓▓▓▓
▒█≥▓▓▓▓██≥▓▒▒██≥▓▒▒▓▓█≥▓▓▒▒▒▓▓▓≥▒▒▒▒▒▓▓▓█≥▓±▓▓██≥▒▒█████≥▓▓▓▒██±▒▓▓▓▒
▓▒█≥▓▒▒▓█≥▓▒▒▓██≥▒▒▒▓▓█≥▓▓▓▒▒▓▓▓≥ ▒▒▒▒▒▓▓█≥▓±▓▓█≥▒▒█████±▓▓▓▒▒█±▒▒▓▒▒
▓▓▒█≥▓▒▒▓█≥▓▒▒▒▓██±▒▒▒▒▓█≥▓▓▒▒▓▓█≥ ▒▒▒▒▒▓▓≥▓█±▓▓█≥▒▒█≥██±▓▓▓▒█±▒▒▒▒▒
≥▓▒█≥▓▒▒▒▀█≥▓▒▒▒▓██≥▓▒▒░░▀≥▓▒▓▒█≥ ▒▒▒▒▒▓▓≥▓▓█±▓▓█≥▓▒█≥██≥▒▓▒▒█±▒▒▒█
▓▓▓▒░▓█≥▓▒░░██≥▓▒▒▓▓██≥▒▒▒░▐≥▓▓█≥ ▒▒▒▒▒▒▓▓≥▓▓██±▓▓≥▒▓▒█≥▓█≥▓▓▒██±▒▒▌
▓▓▓▒░±▒█≥▓▒▒░█≥▓▒▒▒▓▓█≥▒░▄≥▓▓≥▓▒▒▒▒▓▓▓▓▓█≥▓▓██±▓▓▓▓▓▒▓≥▒▓█≥▒▒▒▒≥▒░▀
▓▓▓▒░±░▓██≥▓▒▒█≥▓▒▒▒▒▓█±▓▓≥▓≥▒▒▒▓▓▓▓▓▓██≥▓▓▓█≥▓▓▓▓▓▓▓▓▓▒▓█≥▒▒▒▒▒▒░▓▀
▓▓▒░█±░▓███≥▓▒██≥▓▒░▒▓±▓▓≥≥▓▒▒▓▓▓▓▓▓██≥▓▓▓▓█≥███±▓▓▓≥▓▓≥▒▒▒░░░░█▀ ░░
▓▒░█±▓░▓███±▓▓█≥▓▒▒▒▓≥▓▓█≥▓▒▒▓▓▓███±▒▒▒▒▒▒▒▒▒▒▓▓▓█≥███≥▒█≥▒▒░░░▒▀ ░░▒░
▒░█±▓░▓≥▓█±▓▓≥▓▒▒▓█≥█≥≥▒▒▓▓██≥▓▓▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▒▒▓█≥▒▒░░ ░▒▓▓▒
░█±▓░▓≥▓▓±▓▓≥▒▓▓▓█≥███±▒▓▓▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▒▒▒▒▓▓█≥±░ ░░▓▓▓▒
█±▓░▓≥▓▓±▓▓≥▒▓▓▓≥▓███±▒▓▒▒▒░░░░░░░▒▒▒▒▒▒▓▓▓▓▓▓▓▓▒▒▒▒▒▒▒▒▓▓██≥▒± ░▒▓
±▓░▒█≥▓▓▓▓▓▓▓▓▓▓≥▓▓███±▓▓▒▒░░░░░░░░░░░░░░▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓██≥▒▓▓▒░▒██▄ ░▒
▒▓▓░▒█≥▓▓▓▓▓▓▓▓▓≥▓▓███±▓▓▒▒░░░░░░░░░░░░ ░░░░▒▒█████████≥▒▓▓▓▒▒▓▓█▀ ░▒
▒▓▒░▒█≥▓▓▓▓▓▓▓▒≥▓▓████±▓▓▒▒░░░░░░░░░░ ░░░▒█████≥▓▒▒▓▓▓▓▓▓▓▓▓ ░▒▓
▒▓▒ ▒█≥▓▓▓≥▓▒≥▓▓▓████±▓▓▒▒░░░░░░░░░ ░░▒▒▒▒▒▒▒▓▓▓██≥▓▒▓▒▒░▒▓▓
▒▓▒ ░▓█≥▓▓▓▓▒≥▓▓▓▓████±▓▓▒▒░░░░░░░░░ ░░▒▒▒▒▓▓▓███±█≥▒▒░░▓≥
░▒▓ ░▓≥▓▓▓▒▒≥▓▓≥█████±▒▓▒▒░░░░░░░░ ░░░░▒▓▓███≥▒█≥±░▒░▒▓▓
≡▒▓ ▓≥▓▓▒▒▓▓▓▓█≥██████±▒▒▒░░░░░░░░ ░░░▒██≥▓▒█≥█≡▒▒░░≥
█≡▒▓ ░░▓≥▓▒▒▒▓▓▓██≥███████≥▓▒▒▒▒░░░░░░ ░░░░░▓≥▒▒█≥██±▓░░░ ▐
██p▓░░▒▓█≥▓▒▒▒▓▓▓█≥██████████≥▓▓▒▒▒▒░░░░░ ▄▄2█████▄0░░░▒▒▒█≥▓▓▓≥▒▓▄▄2
█≡▓≡▒▓▓█≥▓▒▒▒▒▓▓█≥███████████████≥▒▒▒▒▒▄█████████████≥░░░█≥▒▓▓█≥▓▒▒▒░▒▓
░▒▒ ▒▓▓█≥▓▒▒▒▒▒▓▓█≥███████████≥▓▓▓█████████████████████≥0░▀p▒▓░ ▒▓▓▒▒▓▓
▓▒░ ▓█≥▓▒▒▒▒▒▒▓█≥███████████≥▓▓▓▒▒▒░░░░░≥██████████████≥ 1 ▓▌ ░ ▓▓▓██
░░▒░ ▒▓█≥▓▒▒▒▒▒▒▓█≥███████████≥▓▓▒▒▒▒░ █████████████≥▓█≥▓≥░░ ▓ ▓ ▀███
▓░░▒░▒██≥▓▓▒▒▒▒▓▓≥██≥█████████≥▓▓▒▒▒▒░ ≥▓████████≥▓▀▀≥▒▒░░ ▓▓▓░2▀▀
≥▒░▒░▓█≥▓▓▓▒▒▓▓▓▓▓██████████████≥▓▒▒▓▓▒░ ≥▓████≥▀≡░ ▒░ ░ 2▓▒ ▓▒░░
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THIS IS NOT PIRACY.