Bob_Marley_-_1945_-_1981_Spiritual_Journey_(The_Lion_of_Reggae)-Ltd.Ed.-CD-2008-USZ

Section
MP3/FLAC
Group
USZ
Size
73,09 MB
Files
15
Date
2008-03-03

NFO

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█▓▓█ ▒   PROUDLY PRESENTS:    ▀▀▀▀▀            █ ▀▀ ▄▄▄█▀▀▀▀▀▀▀          ▒ █▓▓█
█▓▓█ ▓                                         ▀▀▀▀▀▀                    ▓ █▓▓█
██▓█ █   > Bob Marley - 1945 - 1981 Spiritual Journey (The Lion of Reggae) █▓██
█▓██ █                                                                   █ ██▓█
██▓█ █ Artist...[ Bob Marley                                             █ █▓██
████ █ Title....[ 1945 - 1981 Spiritual Journey (The Lion of Reggae)     █ ████
 ▀██ █ Genre....[ Reggae                                                 █ ██▀
   █ █ Year.....[ 2008                                                   █ █
   █ █ Encoder..[ LAME3.97 (-V2 --vbr-new)                               █ █
   █ █ Bitrate..[ VBRkbps                                                █ █
   █ █ Quality..[ Joint-Stereo                                           █ █
 ▄██ █ kHz......[ 44.1kHz                                                █ ██▄
 █░█ █ Source...[ CDDA                                                   █ █░█
 █▒█ █ Date.....[ Mar-04-2008                                            █ █▒█
 █▓█ █ Type.....[ Album                                                  █ █▓█
 █▒█ █ Size.....[ 73,0 MB                                                █ █▒█
 █▓█ █ Lable....[ WHE International                                      █ █▓█
 █▓█ █ Cat.Nr...[ n/a                                                    █ █▓█
 ███ █ URL......[ www.bobmarley.com                                      █ ███
  ▀█ ▀▄                                                                 ▄▀ █▀
   ██▄ ▀▄                                                             ▄▀ ▄██
   ▓███▄ ▀▄                                                         ▄▀ ▄███▓
   ▓▀▓███▄ ▀▄                                                     ▄▀ ▄███▓▀▓
   ▒  █▓███▄  ▄                                                 ▄  ▄███▓█  ▒
   ░  ▄ ▀▓███▄ ▀                                               ▀ ▄███▓▀ ▄  ░
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████▀ ▄▀▀▀▀▀▀▀                                                   ▀▀▀▀▀▀▀▄ ▀████
█░██ █  Nr. ARTIST/TRACK.                                         Time.  █ ██░█
█░░█ █  ---------------------------------------------------------------  █ █░░█
█░▒█ █  01  lively up yourself                                    02:53  █ █▒░█
█░▒█ █  02  soul rebel                                            03:46  █ █▒░█
█░▒█ █  03  treat yourself right                                  02:14  █ █▒░█
█░▒█ █  04  rebel's hop                                           02:39  █ █▒░█
█░▒█ █  05  soul almighty                                         02:41  █ █▒░█
█░▒█ █  06  kaya                                                  02:31  █ █▒░█
█░▒█ █  07  trenchtown rock                                       02:58  █ █▒░█
█░▒█ █  08  soul shakedown party                                  03:11  █ █▒░█
█░▒█ █  09  natural mystic                                        05:44  █ █▒░█
█░▒█ █  10  fussing and fighting                                  02:29  █ █▒░█
█░▒█ █  11  african herbsman                                      02:24  █ █▒░█
█░▒█ █  12  keep on moving                                        03:06  █ █▒░█
█░▒█ █  13  go tell it on the mountain                            03:16  █ █▒░█
█░▒█ █  14  how many times                                        02:26  █ █▒░█
█░▒█ █  15  bonus track                                           29:15  █ █▒░█
█▓▓█ █                                                            -----  █ █▓▓█
██▓█ █                                                    TOTAL:  71:33 min█▓██
▀███ █                                 ▓                                 █ ███▀
  ▀█ ▀▄                               ▓██                               ▄▀ █▀
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██░█▀ ▄▀▀▀▀▀▀▀                                                   ▀▀▀▀▀▀▀▄ ▀█░██
█░▒█ █                                                                   █ █▒░█
█░▓█ █  Reggae's most transcendent and iconic figure, Bob Marley was     █ █▓░█
█░▓█ █  the first Jamaican artist to achieve international               █ █▓░█
█░▓█ █  superstardom, in the process introducing the music of his        █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █  native island nation to the far-flung corners of the globe.      █ █▓░█
█░▓█ █  Marley's music gave voice to the day-to-day struggles of the     █ █▓░█
█░▓█ █  Jamaican experience, vividly capturing not only the plight of    █ █▓░█
█░▓█ █  the country's impoverished and oppressed but also the devout     █ █▓░█
█░▓█ █  spirituality that remains their source of strength. His songs    █ █▓░█
█░▓█ █  of faith, devotion, and revolution created a legacy that         █ █▓░█
█░▓█ █  continues to live on not only through the music of his extended  █ █▓░█
█░▓█ █  family but also through generations of artists the world over    █ █▓░█
█░▓█ █  touched by his genius.                                           █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █  Robert Nesta Marley was born February 6, 1945, in rural St.      █ █▓░█
█░▓█ █  Ann's Parish, Jamaica; the son of a middle-aged white father     █ █▓░█
█░▓█ █  and teenaged black mother, he left home at 14 to pursue a music  █ █▓░█
█░▓█ █  career in Kingston, becoming a pupil of local singer and devout  █ █▓░█
█░▓█ █  Rastafarian Joe Higgs. He cut his first single, "Judge Not," in  █ █▓░█
█░▓█ █  1962 for Leslie Kong, severing ties with the famed producer      █ █▓░█
█░▓█ █  soon after over a monetary dispute. In 1963 Marley teamed with   █ █▓░█
█░▓█ █  fellow singers Peter Tosh, Bunny Livingston, Junior              █ █▓░█
█░▓█ █  Braithwaite, Beverly Kelso, and Cherry Smith to form the vocal   █ █▓░█
█░▓█ █  group the Teenagers; later rechristened the Wailing Rudeboys     █ █▓░█
█░▓█ █  and later simply the Wailers, they signed on with producer       █ █▓░█
█░▓█ █  Coxsone Dodd's legendary Studio One and recorded their debut,    █ █▓░█
█░▓█ █  "I'm Still Waiting." When Braithwaite and Smith exited the       █ █▓░█
█░▓█ █  Wailers, Marley assumed lead vocal duties, and in early 1964     █ █▓░█
█░▓█ █  the group's follow-up, "Simmer Down," topped the Jamaican        █ █▓░█
█░▓█ █  charts. A series of singles including "Let Him Go (Rude Boy Get  █ █▓░█
█░▓█ █  Gail)," "Dancing Shoes," "Jerk in Time," "Who Feels It Knows     █ █▓░█
█░▓█ █  It," and "What Am I to Do" followed, and in all, the Wailers     █ █▓░█
█░▓█ █  recorded some 70 tracks for Dodd before disbanding in 1966. On   █ █▓░█
█░▓█ █  February 10 of that year, Marley married Rita Anderson, a        █ █▓░█
█░▓█ █  singer in the group the Soulettes; she later enjoyed success as  █ █▓░█
█░▓█ █  a member of the vocal trio the I-Threes. Marley then spent the   █ █▓░█
█░▓█ █  better part of the year working in a factory in Newark, DE, the  █ █▓░█
█░▓█ █  home of his mother since 1963.                                   █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █  Upon returning to Jamaica that October, Marley re-formed the     █ █▓░█
█░▓█ █  Wailers with Livingston and Tosh, releasing "Bend Down Low" on   █ █▓░█
█░▓█ █  their own short-lived Wail 'N' Soul 'M label; at this time all   █ █▓░█
█░▓█ █  three members began devoting themselves to the teachings of the  █ █▓░█
█░▓█ █  Rastafari faith, a cornerstone of Marley's life and music until  █ █▓░█
█░▓█ █  his death. Beginning in 1968, the Wailers recorded a wealth of   █ █▓░█
█░▓█ █  new material for producer Danny Sims before teaming the          █ █▓░█
█░▓█ █  following year with producer Lee "Scratch" Perry; backed by      █ █▓░█
█░▓█ █  Perry's house band, the Upsetters, the trio cut a number of      █ █▓░█
█░▓█ █  classics, including "My Cup," "Duppy Conqueror," "Soul           █ █▓░█
█░▓█ █  Almighty," and "Small Axe," which fused powerful vocals,         █ █▓░█
█░▓█ █  ingenious rhythms, and visionary production to lay the           █ █▓░█
█░▓█ █  groundwork for much of the Jamaican music in their wake.         █ █▓░█
█░▓█ █  Upsetters bassist Aston "Family Man" Barrett and his drummer     █ █▓░█
█░▓█ █  brother Carlton soon joined the Wailers full-time, and in 1971   █ █▓░█
█░▓█ █  the group founded another independent label, Tuff Gong,          █ █▓░█
█░▓█ █  releasing a handful of singles before signing to Chris           █ █▓░█
█░▓█ █  Blackwell's Island Records a year later.                         █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █  1973's Catch a Fire, the Wailers' Island debut, was the first    █ █▓░█
█░▓█ █  of their albums released outside of Jamaica, and immediately     █ █▓░█
█░▓█ █  earned worldwide acclaim; the follow-up, Burnin', launched the   █ █▓░█
█░▓█ █  track "I Shot the Sheriff," a Top Ten hit for Eric Clapton in    █ █▓░█
█░▓█ █  1974. With the Wailers poised for stardom, however, both         █ █▓░█
█░▓█ █  Livingston and Tosh quit the group to pursue solo careers;       █ █▓░█
█░▓█ █  Marley then brought in the I-Threes, which in addition to Rita   █ █▓░█
█░▓█ █  Marley consisted of singers Marcia Griffiths and Judy Mowatt.    █ █▓░█
█░▓█ █  The new lineup proceeded to tour the world prior to releasing    █ █▓░█
█░▓█ █  their 1975 breakthrough album Natty Dread, scoring their first   █ █▓░█
█░▓█ █  U.K. Top 40 hit with the classic "No Woman, No Cry." Sellout     █ █▓░█
█░▓█ █  shows at the London Lyceum, where Marley played to racially      █ █▓░█
█░▓█ █  mixed crowds, yielded the superb Live! later that year, and      █ █▓░█
█░▓█ █  with the success of 1976's Rastaman Vibration, which hit the     █ █▓░█
█░▓█ █  Top Ten in the U.S., it became increasingly clear that his       █ █▓░█
█░▓█ █  music had carved its own niche within the pop mainstream.        █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █  As great as Marley's fame had grown outside of Jamaica, at home  █ █▓░█
█░▓█ █  he was viewed as a figure of almost mystical proportions, a      █ █▓░█
█░▓█ █  poet and prophet whose every word had the nation's collective    █ █▓░█
█░▓█ █  ear. His power was perceived as a threat in some quarters, and   █ █▓░█
█░▓█ █  on December 3, 1976, he was wounded in an assassination          █ █▓░█
█░▓█ █  attempt; the ordeal forced Marley to leave Jamaica for over a    █ █▓░█
█░▓█ █  year. 1977's Exodus was his biggest record to date, generating   █ █▓░█
█░▓█ █  the hits "Jamming," "Waiting in Vain," and "One Love/People Get  █ █▓░█
█░▓█ █  Ready"; Kaya was another smash, highlighted by the gorgeous "Is  █ █▓░█
█░▓█ █  This Love" and "Satisfy My Soul." Another classic live date,     █ █▓░█
█░▓█ █  Babylon by Bus, preceded the release of 1979's Survival. 1980    █ █▓░█
█░▓█ █  loomed as Marley's biggest year yet, kicked off by a concert in  █ █▓░█
█░▓█ █  the newly liberated Zimbabwe; a tour of the U.S. was announced,  █ █▓░█
█░▓█ █  but while jogging in New York's Central Park he collapsed, and   █ █▓░█
█░▓█ █  it was discovered he suffered from cancer that had spread to     █ █▓░█
█░▓█ █  his brain, lungs, and liver. Uprising was the final album        █ █▓░█
█░▓█ █  released in Marley's lifetime -- he died May 11, 1981, at age    █ █▓░█
█░▓█ █  36.                                                              █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █                                                                   █ █▓░█
█░▓█ █  Posthumous efforts including 1983's Confrontation and the        █ █▓░█
█░▓█ █  best-selling 1984 retrospective Legend kept Marley's music       █ █▓░█
█░▓█ █  alive, and his renown continued growing in the years following   █ █▓░█
█░▓█ █  his death -- even decades after the fact, he remains synonymous  █ █▓░█
█░▓█ █  with reggae's worldwide popularity. In the wake of her           █ █▓░█
█░▓█ █  husband's passing, Rita Marley scored a solo hit with "One       █ █▓░█
█░▓█ █  Draw," but despite the subsequent success of the singles "Many   █ █▓░█
█░▓█ █  Are Called" and "Play Play," by the mid-'80s she largely         █ █▓░█
█░▓█ █  withdrew from performing to focus on raising her children.       █ █▓░█
█░▓█ █  Oldest son David, better known as Ziggy, went on to score        █ █▓░█
█░▓█ █  considerable pop success as the leader of the Melody Makers, a   █ █▓░█
█░▓█ █  Marley family group comprised of siblings Cedella, Stephen, and  █ █▓░█
█░▓█ █  Sharon; their 1988 single "Tomorrow People" was a Top 40 U.S.    █ █▓░█
█░▓█ █  hit, a feat even Bob himself never accomplished. Three other     █ █▓░█
█░▓█ █  Marley children -- Damian, Julian, and Ky-Mani -- pursued        █ █▓░█
█░▓█ █  careers in music as well.                                        █ █▓░█
█▓██ █                                                                   █ ██▓█
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█░░█ █                                                                   █ █░░█
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█░░█ █                                                                   █ █░░█
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█░▒█ █                                                                   █ █░▒█
█▒▓█ █                                                                   █ █▒░█
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█▒▓█ █                                                                   █ █▒▓█
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█▓▓█ █                                                                   █ █▓▓█
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Files

PathSize
01-bob_marley_-_lively_up_yourself.mp32,49 MB
02-bob_marley_-_soul_rebel.mp33,28 MB
03-bob_marley_-_treat_yourself_right.mp32,01 MB
04-bob_marley_-_rebels_hop.mp32,09 MB
05-bob_marley_-_soul_almighty.mp32,12 MB
06-bob_marley_-_kaya.mp32,22 MB
07-bob_marley_-_trenchtown_rock.mp32,51 MB
08-bob_marley_-_soul_shakedown_party.mp32,82 MB
09-bob_marley_-_natural_mystic.mp35,52 MB
10-bob_marley_-_fussing_and_fighting.mp32,22 MB
11-bob_marley_-_african_herbsman.mp32,05 MB
12-bob_marley_-_keep_on_moving.mp32,46 MB
13-bob_marley_-_go_tell_it_on_the_mountain.mp33,39 MB
14-bob_marley_-_how_many_times.mp32,16 MB
15-bob_marley_-_bonus_track.mp335,75 MB