Muslimgauze - Chapter Of Purity -Limited Edition- (c) 2003 Tantric Ha
Artist....: Muslimgauze
Album.....: Chapter Of Purity
Type......: Limited Edition
Source....: CDDA
Tracks....: 10
Genre.....: Electronic
Label.....: Tantric Harmonies
Catalogue#: TANTRA X9
Encoder...: LAME 3.97
Quality...: VBR kbps / 44.1KHz / Joint-Stereo
URL.......: http://www.discogs.com/release/207356
Tracklist:
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01 Arms Of The Koran 06:14
02 Palestine 08:17
03 Death Of Saint Jarnaii Singh Bindranwale 08:45
04 Sjamboks 05:31
05 Hezbollah 04:31
06 Under Black Light 06:42
07 Mujahideen 05:49
08 Political Asylum 09:23
09 Bourj-El-Barajneh 08:22
10 Chatila 03:04
Total:58,9 MB / 66:38 min
Release Notes:
--------------
Note: This is from the Limited Edition of 300 released in 2003 by
Tantric Harmonies
Notes: First edition: limited edition of 900 in a jewel case version
with a gatefold insert (September 2002).
Second edition: limited edition of 300 in a gatefold paper cover (200
silver colour and 100 gold colour),
with a hand numbered business card size insert (August 2003).
The tracks on this compilation CD were selected from the very early
Muslimgauze vinyl releases once out on his own Limited Editions label.
On the first release (09/2002) track 10 "Chatila" is misspelled
"Chatilav", but is correct on the other releases.
Dedicated to the Land of Palestine.
Bryn Jones was not a practicing Muslim and never went to the Middle
East. His recordings as Muslimgauze, however, qualified him as one of
the Western artists most explicitly slanted in his favor of the
Palestinian liberation movement. Since the Manchester-native's works
were instrumental, most of the political statement was inherent in the
packaging: Witness titles such as Fatah Guerrilla, Return of Black
September, Hebron Massacre, Vote Hezbollah, United States of Islam and
The Rape of Palestine. Jones could have been a potentially
controversial figure if his releases were available in anything except
severely limited editions -- usually less than one thousand copies of
each. Despite their lack of prominence, Jones' blend of found-sound
Middle Eastern atmospheres with heavily phased drones and colliding
rhythm programs were among the most startling and unique in the noise
underground.
Formed in 1982 to protest the Israeli invasion of Lebanon,
Muslimgauze's first release was the Hammer & Sickle EP, which appeared
in 1983 as a response to the Soviet invasion of Afghanistan. During the
1980s, Jones averaged almost two Muslimgauze albums per year, plus
additional EPs and limited releases (of 500 copies each). With 1990's
Intifaxa he earned his first release on Extreme Records, an American
label with releases by Robert Rich and Paul Schⁿtze. Five albums
followed for Extreme in the next four years, while a half-dozen were
released on the Dutch Staalplaat, distributed in the States as well
through Soleilmoon. As the decade progressed, Muslimgauze's output
became even more concentrated -- five albums in 1994, six a year later,
and an unbelievable eight LPs in 1996. The experimental/noise
underground increased in visibility during the late '90s, with
Muslimgauze productions gradually encompassing heavier beats and a
style close in execution to post-industrial beat-heads Techno Animal,
Download and Scorn. The Muslimgauze project ended tragically in 1999
when Jones died suddenly of a rare blood disease. A number of
posthumous releases including Lo-Fi India Abuse (partially a
collaboration with dub collective Systemwide) and the nine-disc Box of
Silk and Dogs soon followed.