Artist : Yaporigami
Title : Saryu Sarva
Genre : Electronic
Year : 2007
Date : 03/2008
Bitrate : VBR kbps
Tracks : 30
Label : Symbolic Interaction SiC004
Source : CDDA
Encoder : Lame 3.97
Length : cd1: 49:57 cd2: 71:14
Size : 142,8 MB
Tracklist:
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cd1
01.thirteen 03:55
02.ame 03:22
03.nomad 05:19
04.hull 02:37
05.seasalas 03:59
06.citroen 03:48
07.lie 05:27
08.lebirth 04:50
09.thirty one 02:44
10.velvet 01:57
11.womb 01:59
12.additive rhythm 01:45
13.ars 02:49
14.coque 01:41
15.amadeus 03:45
cd2
01.thirteen (yee-king) 03:59
02.ame (anatomica) 05:45
03.nomad (reteric) 04:24
04.hull (quench) 04:44
05.seasalas (himuro) 04:03
06.citroen (machinedrum) 04:17
07.lie (jimmy edgar) 06:19
08.lebirth (trs-80) 04:29
09.thirty one (yu miyahsita) 02:51
10.velvet (jemapur) 03:38
11.womb (oba masahiro) 04:38
12.additive rhythm (coh) 04:37
13.ars (weave) 04:19
14.coque (kenji fujita) 05:56
15.amadeus (con brio) 07:15
-------
121:11 min
There are moments of fury (the crushing breakcore of "Citroen")
but, more often than not, Yaporigami opts for a more refined and
accessible approach where he offsets alternately uplifting, even
child-like, and melancholy melodies with ferocious breakbeat patterns.
In "thirteen," "thirty one," and "Amadeus," for instance, chiming music
box-like melodies collide with hyperactive jungle spatter. In the
atmospheric "Nomad," gentle streams of synth tones are undercut
by a muffled bass roar, and in "lebirth," harmless melodies are poisoned
by the emergence of a violent squall.
The first half also includes a dark mini-symphony ("HulL"), beatific
IDM ("lie"), and a galaxial synth meditation ("Ars"). Quench (aka Funckarma)
gives "HulL" a convulsive hip-hop makeover, Machinedrum turns
"Citroen" into slinky boom-bap, and Himuro transforms "Seasalas" into
slippery electro-funk.
Anatomica turns "Ame" into a frenetic throbber while, surprisingly, Jimmy
Edgar renders "lie" a beatless, tranquil dreamscape. Reteric's "Nomad"
becomes dark techno, and rapid-fire beats in Yu Miyahsita's "thirty one"
rattle even more agitatedly than in the original; by contrast, pieces by
COH ("additive rhythm") and weave ("Ars") slow the pace to a catatonic
crawl.
In short, Saryu Sarva, which offers up two hours of varying moods and
styles, is clearly the most complete presentation of Yaporigami's
music-making to date.
http://www.symbolicinteraction.net/