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_/»» \_ // _ \___/ _/__\ _\_____ __/ \ _________:::::
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TR.TechnoRulez / \ \ _____/_\___/ \___/ / \\____/_ / /::::::
»»»»»»»»»»»»»»»»//___/ \____\ _ /_____/ /____/_____/ /______/:::::::
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l____\ :::::::::
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... two years of domination :::::::::
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: :::::::::
::::::::::::::........: RELEASE .NFO ::::...... :::::::::
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__\ \/ /___\ \______ _\ _/ / /:: ,: :::::::::
\ \ \ / _\ \ /____\__ \______/::: .:. .::. :::::::::
/__/ /_____/ // / ___ / _\ :::..╖?' '╖ ╖' ╖ :::::::::
\___/ \________/____\ /\___\ ╖ : ╖ :::::::::
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artist...: VA : ':::::::::
title....: Potlatch EP :::::::::
label....: Bruchstuecke :::::::::
cat.nr...: BRUCHSTUECKE010 :::::::::
style....: Electronic :::::::::
quality...: 192kbps@44,kHz :::::::::
chan-mode.: Full Stereo :::::::::
rls.size.: 35,1 MB source....: Vinyl :::::::::
rls.date.: Mar-23-2003 encoder...: Lame :::::::::
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ripper...: TR url/nfo...: www.bruchstuecke.com :::::::::
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____________ _______ /»»» »//_________ :::::::::
____/ / /____/ _ / \ \::::::\____/ /»»»»»/::
::::::::..: NOTES :../ / / / / /_ /__/___\ \::::::: ___/_____/:::
____________________/____\ /____ / /______/ \ \ :::::::::
\___\ / _/ / // \_ :::::::::
\____/ \__________/ :::::::::
:::::::::
5 track compilation with exclusive tracks from Brinkmann, :::::::::
Andy Vaz, Move D, Miguel Navas, Janovsky vs. Scheben. "The :::::::::
10th release of Bruchstuecke doesn't feature its own story :::::::::
and its 'home-producers' mostly from Switzerland. :::::::::
Bruchstuecke 10 immerses into soundscapes of people, who :::::::::
have supported and shown interest for the label in the :::::::::
last three years. Janovsky vs Scheben cut 360 bassdrums :::::::::
together, never repeating a single one and break with the :::::::::
soundlayout of Treibstoff. Move D discovered in his :::::::::
Source-Records archive a forgotten piece of melodic swing. :::::::::
Andy Vaz releases its minimum sound variations around a :::::::::
draft, which he resumes on Sound_Variation 4. Thomas :::::::::
Brinkmann alienates Nina Simone's cover version of a :::::::::
Jacques Brel classic into a painful version by destroying :::::::::
the original and creating an arena for a new :::::::::
interpretation of an old feeling. Miguel Navas, a young :::::::::
producer from Bogota/Columbia, publishes finally on this :::::::::
Potlatch EP his first track ever. Potlatch is 'a :::::::::
pre-Columbian market system without money, in which gifts :::::::::
were answered with gifts'. Without this principle -- the :::::::::
exchange of tendencies and confidenceness, interests and :::::::::
contacts far away from financial interests -? a small :::::::::
independent label like Bruchstuecke could hardly exist." :::::::::
:::::::::
- forcedexposure.com :::::::::
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:::___:::
:___ ____ _ ___::/ /_::_
_____ ___ ___ | | / _/// / //__//_///
_/ /__\ \______\ \_____ | |/ /_____\_ \::::::╖:
.....:: TRACKLIST :\ / \ \ _ / _/___| / /\ / / \\»»»:'
:╖╖╖╖╖╖╖╖╖╖╖╖╖/ _/ / /___ \ / \ \ \_____/ \\ \»»»╖
no : track title ____//___|\ \ \____\___/_____\__| ti:me\________/::::
╖╖╖╖╖╖:╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖\______\╖╖ ╖ ╖ ╖ ╖╖ ╖╖╖╖╖╖╖╖╖╖╖ ╖╖..╖╖:::::::
:::::::
A1 : Max E. - N.M.Q.P. 07:12 :::::::
A2 : Andy Vaz - White X Variation 05:58 :::::::
B1 : Move D - Breakin' The Tree 03:14 :::::::
B2 : Miguel Navas - Crucero 05:33 :::::::
B3 : Janovsky Vs. Scheben - 360bd 03:34 :::::::
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total length: 25:31 min :::::::
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. ____ _\ \ / /_\ \ _____ ________/ :::::::
:: __/ _/__ / \ \ / / / / /_\ \______ \ _/ / /:::::::
:::.\ \_ / / /________/ / / _/ \ /____\__ \______/ :::::::
::::/_____/ \__|\ \ \ \______/ \\_____// / / _\ :::::::
:::::::::/_____/╖╖\_______\....:::: \____\ /____\ /\___\ :::::::
:::: \_____\ ::::::
:::: GROUP NFO :::....................::::::.
:::::..
Some say we have grown to a mature group now that we are 2 years :::::.
old. We will keep pumpin out nice electronic music releases like ::::::
we have done for the past 2 years :) So we guess there is nothing ::::::
more to say than this: ::::::
::::::
The artists we deal with are not rock stars. They don't pretend ::::::
to be 'the man'. They're not part of the establishment, the multi- ::::::
million dollar music business. So the only way our scene can stay ::::::
alive is through undying support for the artists and labels. *THIS* ::::::
is the sole reason we release music... ::::::
::::::
So for fuck's sake, if you like what your hear, go to your local ::::::
record shop and purchase a copy of your own. It's your duty! Only ::::::
through this process we can all continue to enjoy techno music to ::::::
the fullest. As far as our releases go, if you can get hold of them, ::::::
be happy and treasure them. Don't start posting to public domains ::::::
or sources!! This will eventually result in a more restricted ::::::
distribution of our releases, possibly even only internal... ::::::
The choice is yours... ::::::
::::::
Thanks guys and gals -- Cheers from TechnoRulez (MENS only CLUB) :::::..
:::::.
.........................::::: GREETINGS :::::........................::::::.
:::::..
kW, SOUR, SB, MS, gEm, EMP, 313, radial, CMC, TWCMP3 :::::.
DPS, SMC, PDJ, CAPO, MGC, NS, AMOK, KTMP3, SQ, CFL ::::.
& :::.
all underground electronic music lovers ;) ::.
::.
::.
_____________________________________________________________________ __ _____
> TR.oldschool.nfo.Build.0.63 | Updated 22/07/2002 | ⌐ eskoner(t^) // /// /
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