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: : _\ rippers /____.
: : release no ( 9450 ) \ rating |
: : \_____. |
: : artist (Evol Intent ) | .---. |
: : title (Era Of Diversion ) | 0 | | |
: : record label (Evol Intent (EICD01) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2008/03/26) | 7 |%%%| |
: : street date (2008/??/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (19 tracks) (1:11:09 h) (103.3 mb) | `---' |
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nr times track titles
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| 01 2:32 Evol Intent - The Foreword (Feat J Messinian) |
| 02 4:19 Evol Intent - Era Of Diversion |
| 03 4:40 Evol Intent - The Curtain Falls (Feat The Sound Of Animals Fig |
| 04 3:19 Evol Intent - South London |
| 05 3:24 Evol Intent - Death Lies & Videotape (Feat Cypher Linguistics) |
| 06 4:39 Evol Intent - Odd Number (Feat Ewun & Vicious Circle) |
| 07 1:29 Evol Intent - Awkward Rhythm Of The Dance |
| 08 4:10 Evol Intent - 8 Bit Bitch (Spor Remix) |
| 09 5:51 Evol Intent - Im Happy Your Grave Is Next To Mine |
| 10 2:45 Evol Intent - 5 30 PM |
| 11 3:52 Evol Intent - Reality Check (Feat Ewun) |
| 12 4:02 Evol Intent - Smoke & Mirrors (Feat Aaron Bedard Of Bane) |
| 13 4:05 Evol Intent - Mutiny |
| 14 1:04 Evol Intent - Double Glock |
| 15 4:02 Evol Intent - Dead On Arrival |
| 16 3:03 Evol Intent - Gunpowder Plot |
| 17 5:17 Evol Intent - Middle Of The Night |
| 18 4:15 Evol Intent - The Oscines Lament |
| 19 4:21 Evol Intent - Maybe Well Dance Tomorrow |
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| | | |
| | STH: | |
| | | |
| | Sounds like: Radiohead mutilating SlayerÆs | |
| | greatest hits through heavy sidechained | |
| | beats. ôThe sound is larger than life and | |
| | edited at the sub-atomic level, while the | |
| | idea is bigger than one genre, person or | |
| | ethos.ö Evol Intent is proving to be a mover | |
| | and shaker of the incendiary, modern ôjungleö | |
| | sound that is drum n bass. Touring everywhere | |
| | from Atlanta to Australia has allowed Evol | |
| | Intent to be among the greats to break down, | |
| | recast, and revolutionize the world of drum n | |
| | bass into one of the most aggressive genres | |
| | of music today. Knick, Gigantor and The | |
| | EnemyÆs hardcore punk inspired movement is | |
| | leaving an undeniable mark on both the U.S. | |
| | drum n bass scene not to mention the music | |
| | world at large. In just a short period of | |
| | time, the trio has managed to put together an | |
| | impressive discography while recording for | |
| | their label, Evol Intent Recordings, as well | |
| | as numerous prestigious imprints such as | |
| | Renegade Hardware, Lifted, and Human. | |
| | Enlisting the help of established artists | |
| | such as J. Messinian, The Sounds of Animals | |
| | Fighting, Cypher Linguistics, Ewun, Vicious | |
| | Cycle, and Aaron Bedard of BANE, the | |
| | Atlanta-based trio creates a sound for their | |
| | latest LP that is clear and unmistakable. | |
| | Combining defiant lyrics with forceful drum | |
| | mechanics, razor sharp edits, and an element | |
| | of dissonance stemming from their punk youth, | |
| | ôEra of Diversionö is a politically motivated | |
| | LP like none other. Featuring much of the | |
| | trioÆs signature hardcore soundàwhile at the | |
| | same time departing from it, the album holds | |
| | endless surprises in store. Evol Intent | |
| | continues to break the mold, foray into other | |
| | genres, and transcend all expectations with | |
| | unexpected turns and different styles. | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2008 ]