Artist.......: Bazbaz
Album........: Live at Acoustic
Label........: n/a
Genre........: Pop
Catnr........: n/a
Source.......: DVBS
Rip.date.....: Mar-30-2008
Str.date.....: Mar-00-2008
Quality......: VBR/44,1Hz/Joint-Stereo
Url..........: http://bazbaz.noziris.net/
track title time
Live at Acoustic
01. S?stien Folin - Intro
02. Bazbaz - Tout ce que tu veux
03. Bazbaz & S?stien Folin - Interview
04. Bazbaz - Ma maison
05. Bazbaz - Docteur Jekyll et Mister Hyde
06. Bazbaz & S?stien Folin - Interview
07. Bazbaz & Adrienne Pauly - Exc?d'abus
08. Bazbaz - L'?rie
Runtime 25:23 min
Size 32,6 MB
Release Notes:
Performed / Recorded : March 2008 (France)
French pop-reggae-soul artist Camille Bazbaz's career
began during his college years as a member of the
politically charged, rebellious punk rock group Cri de la
Mouche (Cry of the Fly). Bazbaz stayed with the group
throughout the '80s, serving as the group's organist.
Influenced by the punk and rock sounds of the '70s, Cri de
la Mouche stayed active until their split in 1990. Bazbaz
took the opportunity to explore new stylistic directions,
including reggae, soul, and the blues, but most
importantly hip-hop. Bazbaz dove headfirst into the rap
and hip-hop idioms in the early '90s, collaborating with
French hip-hop musicians like JoeyStarr, who ultimately
appeared on his debut record, Dubadelik, released in 1996.
Colored with gentle reggae inflections and characterized
by Bazbaz's typically humorous and seductive lyrics, the
record was well-received by the emerging French urban
music community. Dubadelik earned Bazbaz a reputation as
an underground up-and-comer, opening doors into other
creative circles. Filmmaker Pierre Savadori commissioned
Bazbaz to compose the soundtracks for four of his films,
Comme Elle Respire (1997), Les Marchands de Sable (2000),
Apres Vous (2003), and Hors de Prix (2006). As he gained
recognition as a film composer, Bazbaz's solo discography
continued to grow with the releases of Une Envie de Chien
(2000) and Sur le Bout de la Langue (2004). A pilgrimage
to Kingstown, Jamaica, produced the artist's fourth solo
record, La Bonheur Fantome. Recorded with a mixture of
local musicians and Bazbaz's regular collaborators, the
album became the artist's most West Indies-centric project
to date. The album's release in May of 2007 was followed
by a busy touring schedule that would take Bazbaz and his
bandmates to every corner of the French world music
circuit.