___ _ __ __
___/ (_)_________(_)___/ /__ ____ / /_
/ __ / / ___/ ___/ / __ / _ \/ __ \/ __/
/ /_/ / (__ |__ ) / /_/ / __/ / / / /_
\__,_/_/____/____/_/\__,_/\___/_/ /_/\__/
d i s s i d e n t
_______________________________________________________________________
a r t i s t : belchior
t i t l e : coracao selvagem
d a t e : 1977
l a b e l : warner
g e n r e : mpb
r l s. d a t e : jul/2003
t r a c k s : 09
b i t r a t e : 192kbps
s i z e : 45,2 MB
_______________________________________________________________________
Belchior is a composer/singer with a successful career in
Brazil. With more than 300 recorded compositions by himself on
15 solo albums, and artists such as Roberto Carlos, Elis
Regina, Erasmo Carlos, Vanusa, Jair Rodrigues, Ney Matogrosso,
Fagner, Ednardo, and JessΘ, among others, his lyrics deal with
social and existential problems while his music has very little
of his northeast origins, being based mostly on pop/rock
grooves.
His father was a flutist and his mother, who taught his first
musical lessons, sang at the church's choir. His home was also
frequented by his uncles, who were very fond of Brazilian
poetry. Since an early age, he was a "poeta repentista" (poets
who create improvised verses, in the region of the northeast)
and a "cantador de feira" (a singer of the popular fairs of the
northeast). He studied choral music and piano with Acacy
Halley, and was a radio programmer in his hometown. At 16, he
moved to Fortaleza CE, where he completed college studies of
philosophy and the humanities. In that period, he began to
present himself on amateur TV, theater, and radio shows,
becoming friends with Fagner and Ednardo, two other amateur
artists who would become pop stars. Enrolling in medical
school, in his fourth year (1971) he departed for Rio,
abandoning the course. He became acquainted with SΘrgio Ricardo
and had his composition "Mucuripe" (with Raimundo Fagner)
recorded by Fagner for the Disco de Bolso series, idealized and
realized by SΘrgio in the fundamental tabloid O Pasquim. The
song brought them to the attention of important artists and
would be re-recorded in the next year by Elis Regina (together
with Fagner). Still in 1971, Belchior won the IV Festival
Universitßrio de MPB with "Na Hora do Almoτo," interpreted by
Jorge Teles and Jorge Neri, which granted him the recording of
the single through the label Copacabana. In 1974, he recorded
the LP A Palo Seco (Continental). The consecration came with
the second album, Alucinaτπo (1976), which presented "Como
Nossos Pais," "Velha Roupa Colorida" (later recorded by Elis
Regina), and "Apenas Um Rapaz Latino Americano." In 1977, he
moved to Sπo Paulo to write the soundtrack for an ecological
movie against the killing of whales, and released a third LP,
Coraτπo Selvagem, which had the hits "Paralelas" (re-recorded
by WanderlΘa) and "Galos, Noites e Quintais" (re-recorded by
Jair Rodrigues). Still in the '70s, his show together with
Simone brought 100,000 people to the Teatro Joπo Caetano. In
1982, his album Paraφso (Warner) supported several rising stars
like Guilherme Arantes, Jorge Mautner, Ednardo, and Arnaldo
Antunes. In 1983, he founded his own label, Paradiso Discos,
becoming partner with the label Camerati in 1997. His 1984 show
Cenas do Pr≤ximo Capφtulo broke new records of attendance while
touring Brazil. In 1999, he released the double album Auto-
Retrato (BMG), a retrospective of his career with 25 of his
hits arranged by RogΘrio Duprat, among others.
_______________________________________________________________________
01-coracao selvagem [04:39]
02-paralelas [04:18]
03-todo sujo de batom [04:19]
04-caso comum de transito [02:57]
05-pequeno mapa do tempo [04:53]
06-galos, noites e quintais [03:09]
07-clamor no deserto [03:44]
08-populus [03:33]
09-carisma [01:18]
-------
32:50 min
_______________________________________________________________________
e m a i l: diss@subdimension.com
inventas vitam iuvat excoluisse per artes