Carl_Perkins--Go_Cat_Go-Retail-1996-WUS

Section
MP3/FLAC
Group
WUS
Size
71,43 MB
Files
17
Date
2008-04-25

NFO

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▒░  ▄2▓▓▓██▀                                                              ▒░
▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░   Release notes    ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░
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▒░                           ▀                                             ░▒
▒░                                                                         ░░
░░ Rel. date .: Mar-13-2008                                                ░░
░░                                                                         ░░
░░ Artist ....: Carl Perkins                                               ░░
░░ Album .....: Go Cat Go!                                                 ░░
░░ Genre .....: Rock                                                       ░░
░░                                                                         ░░
░░ Label .....: Dinosaur                                                   ░░
░░ Catalog # .: 77002                                                      ░░
░░ Language ..: English                                                    ░░
░░                                                                         ░░
░░ Source ....: CDDA                                                       ░░
░░ Size ......: 71,4 MB                                                    ░░
░░                                                                         ░░
░░                        Carl Perkins - Go Cat Go!                        ░░
░░                                                                         ░░
░░ http://www.amazon.com/Go-Cat-Carl-Perkins/dp/B000005CGO/ref=sr_1_1?ie=U ░░
░░ TF8&s=music&qid=1205369716&sr=1-1                                       ░░
░░                                                                         ░░
░░ ----------------------------------------------------------------------- ░░
░░                                                                         ░░
░░ While some ill-informed revisionist writers of rock history would like  ░░
░░ to dismiss Carl Perkins as a rockabilly artist who became a one-hit     ░░
░░ wonder at the dawn of rock & roll's early years, a deeper look at his   ░░
░░ music and career reveals much more. A quick look at his songwriting     ░░
░░ portfolio shows that he composed "Daddy Sang Bass" for Johnny Cash, "I  ░░
░░ Was So Wrong" for Patsy Cline, and "Let Me Tell You About Love" for the ░░
░░ Judds, big hits and classics all. His influence as the quintessential   ░░
░░ rockabilly artist has played a big part in the development of every     ░░
░░ generation of rockers to come down the pike since, from the Beatles'    ░░
░░ George Harrison to the Stray Cats' Brian Setzer to a myriad of others   ░░
░░ in the country field as well. His guitar style is the other twin peak   ░░
░░ -- along with that of Elvis' lead man Scotty Moore -- of rockabilly's   ░░
░░ instrumental center, so pervasive that modern-day players automatically ░░
░░ gravitate toward it when called upon to deliver the style, not even     ░░
░░ realizing that they're playing Perkins licks, sometimes note for note.  ░░
░░ As a singer, his interpretation of country ballads is every bit as fine ░░
░░ as his better-known rockers. And within the framework of the best of    ░░
░░ his music is a strong sense of family and roots, all of which trace     ░░
░░ straight back to his humble beginnings.                                 ░░
░░                                                                         ░░
░░ He was born to sharecroppers Buck and Louise Perkins (misspelled on his ░░
░░ birth certificate as "Perkings") and was soon out in the fields picking ░░
░░ cotton and living in a shack with his parents, older brother Jay, and   ░░
░░ his younger brother Clayton. Working alongside blacks in the field      ░░
░░ every day, it's not at all surprising that when Carl was gifted with a  ░░
░░ secondhand guitar, he went to a local sharecropper for lessons,         ░░
░░ learning firsthand the boogie rhythm that he would later build a career ░░
░░ on. By his teens, Carl was playing electric guitar and had recruited    ░░
░░ his brothers Jay on rhythm guitar and Clayton on string bass to become  ░░
░░ his first band. The Perkins Brothers Band, featuring both Carl and Jay  ░░
░░ on lead vocals, quickly established itself as the hottest band in the   ░░
░░ get-hot-or-go-home cutthroat Jackson, TN, honky tonk circuit. It was    ░░
░░ here that Carl started composing his first songs with an eye toward the ░░
░░ future. Watching the dancefloor at all times for a reaction, Perkins    ░░
░░ kept reshaping these loosely structured songs until he had a completed  ░░
░░ composition, which would then be finally put to paper. Perkins was      ░░
░░ already sending demos to New York record companies, who kept rejecting  ░░
░░ him, sometimes explaining that this strange new hybrid of country with  ░░
░░ a black rhythm fit no current commercial trend. But once Perkins heard  ░░
░░ Elvis on the radio, he not only knew what to call it, but knew that     ░░
░░ there was a record company person who finally understood it and was     ░░
░░ also willing to gamble in promoting it. That man was Sam Phillips and   ░░
░░ the record company was Sun Records, and that's exactly where Perkins    ░░
░░ headed in 1954 to get an audition.                                      ░░
░░                                                                         ░░
░░ It was here at his first Sun audition that the structure of the Perkins ░░
░░ Brothers Band changed forever. Phillips didn't show the least bit of    ░░
░░ interest in Jay's Ernest Tubb-styled vocals but flipped over Carl's     ░░
░░ singing and guitar playing. A scant four months later, he had issued    ░░
░░ the first Carl Perkins record, "Movie Magg"/"Turn Around," both sides   ░░
░░ written by the artist. By his second session, he had added W.S. Holland ░░
░░ -- a friend of Clayton's -- to the band playing drums, a relatively new ░░
░░ innovation to country music at the time. Phillips was still channeling  ░░
░░ Perkins in a strictly hillbilly vein, feeling that two artists doing    ░░
░░ the same type of music (in this case, Elvis and rockabilly) would       ░░
░░ cancel each other out. But after selling Elvis' contract to RCA Victor  ░░
░░ in December, Perkins was encouraged to finally let his rocking soul     ░░
░░ come up for air at his next Sun session. And rock he did with a double  ░░
░░ whammy blast that proved to be his ticket to the bigs. The chance       ░░
░░ overhearing of a conversation at a dance one night between two          ░░
░░ teenagers coupled with a song idea suggestion from labelmate Johnny     ░░
░░ Cash inspired Perkins to approach Phillips with a new song he had       ░░
░░ written called "Blue Suede Shoes." After cutting two sides that         ░░
░░ Phillips planned on releasing as a single by the Perkins Brothers Band, ░░
░░ Perkins laid down three takes each of "Blue Suede Shoes" and another    ░░
░░ rocker, "Honey Don't." A month later, Phillips decides to shelve the    ░░
░░ two country sides and go with the rockers as Perkins' next single.      ░░
░░ Three months later, "Blue Suede Shoes," a tune that borrowed            ░░
░░ stylistically from pop, country, and R&B music, sat at the top of all   ░░
░░ charts, the first record to accomplish such a feat while becoming Sun's ░░
░░ first million-seller in the bargain.                                    ░░
░░                                                                         ░░
░░ Ready to cash in on a national basis, Carl and the boys headed up to    ░░
░░ New York for the first time to appear on The Perry Como Show. While en  ░░
░░ route their car rammed the back of a poultry truck, putting Carl and    ░░
░░ his brother Jay in the hospital with a cracked skull and broken neck,   ░░
░░ respectively. While in traction, Perkins saw Presley performing his     ░░
░░ song on The Dorsey Brother Stage Show, his moment of fame and           ░░
░░ recognition snatched away from him. Perkins shrugged his shoulders and  ░░
░░ went back to the road and the Sun studios, trying to pick up where he   ░░
░░ left off.                                                               ░░
░░                                                                         ░░
░░ The follow-ups to "Shoes" were, in many ways, superior to his initial   ░░
░░ hit, but each succeeding Sun single held diminishing sales, and it      ░░
░░ wasn't until the British Invasion and the subsequent rockabilly revival ░░
░░ of the early '70s that the general public got to truly savor classics   ░░
░░ like "Boppin' the Blues," "Matchbox," "Everybody's Trying to Be My      ░░
░░ Baby," "Your True Love," "Dixie Fried," "Put Your Cat Clothes On," and  ░░
░░ "All Mama's Children." While labelmates Cash and Jerry Lee Lewis (who   ░░
░░ played piano on "Matchbox") were scoring hit after hit, Perkins was     ░░
░░ becoming disillusioned with his fate, fueled by his increasing          ░░
░░ dependence on alcohol and the death of his brother Jay to cancer. He    ░░
░░ kept plugging along, and when Cash left Sun to go to Columbia in 1958,  ░░
░░ Perkins followed him over. The royalty rate was better, and Perkins had ░░
░░ no shortage of great songs to record, but Columbia's Nashville          ░░
░░ watch-the-clock production methods killed any of the spontaneity that   ░░
░░ was the charm of the Sun records. By the early '60s, after being        ░░
░░ dropped by Columbia and moving over to Decca with little success,       ░░
░░ Perkins was back playing the honky tonks and contemplating getting out  ░░
░░ of the business altogether. A call from a booking agent in 1964         ░░
░░ offering a tour of England changed all of that. Temporarily swearing    ░░
░░ off the bottle, Perkins was greeted in Britain as a conquering hero,    ░░
░░ playing to sold-out audiences and being particularly lauded by a young  ░░
░░ beat group on the top of the charts named the Beatles. George Harrison  ░░
░░ had cut his musical teeth on Perkins' Sun recordings (as had most       ░░
░░ British guitarists) and the Fab Four ended up recording more tunes by   ░░
░░ him than any other artist except themselves. The British tour not only  ░░
░░ rejuvenated his outlook, but suddenly made him realize that he had gone ░░
░░ -- through no maneuvering of his own -- from has-been to legend in a    ░░
░░ country he had never played in before. Upon his return to the States,   ░░
░░ he hooked up with old friend and former labelmate Cash and was a        ░░
░░ regular fixture of his road show for the next ten years, bringing his   ░░
░░ battle with alcohol to an end. The '80s dawned with Perkins going on    ░░
░░ his own with a new band consisting of his sons backing him. His         ░░
░░ election to the Rock and Roll Hall of Fame in the mid-'80s was no less  ░░
░░ than his due. After a long battle with throat cancer, Perkins died in   ░░
░░ early 1998, his place in the history books assured.                     ░░
░░                                                                         ░░
░░ ----------------------------------------------------------------------- ░░
░░                                                                         ░░
░░ Well, well, well, look at what we have here:  it seems one of the 2nd   ░░
░░ grade group using cdtag and plain nfos has finally bought up some balls ░░
░░ at shitmart and is now trying to build some much needed credibility on  ░░
░░ a group who already achieved iconic status:  WUS.                       ░░
░░                                                                         ░░
░░ In regards of The_Doors--Live_In_Pittsburgh_1970-2008-WUS:              ░░
░░ Yes, we'll admit it, there were some screwing ups on it.  And yes, we   ░░
░░ do apologize for it. We did had a proper coming up but you guys got     ░░
░░ there first, congrats for that!  We actually have movement going on in  ░░
░░ our machinas (and lives).  As with women, configs also change.  Shit    ░░
░░ happens, we are men admitting our mistakes and we move on with our      ░░
░░ lives.                                                                  ░░
░░                                                                         ░░
░░ But hey, why are we even bothering saying that to a group of leftovers  ░░
░░ who's achivements are barely good enough to be used as verbal           ░░
░░ sanitization paper then to be used for filling up ppl's nfos herein     ░░
░░ giving the robot couriers a few more Kbs of credits never to be used,   ░░
░░ UH?                                                                     ░░
░░                                                                         ░░
░░ If it wasn't enough with the fact that an humongous 4 out of 16 sites   ░░
░░ (25%) actually joined the rejects' "fight" to expose WUS, the miserable ░░
░░ failure that is known as EON also sees pussy pics as "rough".  Now we   ░░
░░ don't really know which really you found the roughest:                  ░░
░░                                                                         ░░
░░ - The picture of Mrs WUS' shaved pussy w/ written promo and/or          ░░
░░ - The one with a shaved pussy and the very illicit cannabis durg and/or ░░
░░ - The pic with the pose of a naked woman, tied up and freshly fucked?   ░░
░░                                                                         ░░
░░ To be honest, we don't really care.                                     ░░
░░                                                                         ░░
░░ You need to learn that naked (who might also be shaved) women ARE a     ░░
░░ part of a straight male's culture.  That's just how it goes!            ░░
░░                                                                         ░░
░░ Your "fight" is futile, sissies.  You are hopeless and have nothing.    ░░
░░ STFU and keep sucking the cock, you do well at that.                    ░░
░░                                                                         ░░
░░ To the world:  Rest assure that we will be continuing on dis-servicing, ░░
░░ and hard!  May it be either by pushing 10+k more of all years + all     ░░
░░ genres + all languages + all sources releases or simply by making EON   ░░
░░ remember who REALLY runs the show, WASHED UP SCENESTERS ain't never     ░░
░░ going away, especially not when there is a group of loosers running     ░░
░░ around freely just asking to get destroyed!  Let's face it, every       ░░
░░ society as it's share of idiots and EON is part of that.                ░░
░░                                                                         ░░
░░ WUS was here (way) before, and will stand FULLY erected (way) after the ░░
░░ inferior standing creatures will be gone.                               ░░
░░                                                                         ░░
░░ Let it be known:  WUS >> EON.  And congrats for getting added to our    ░░
░░ nfo now!                                                                ░░
░░                                                                         ░░
░░ Love, love and MORE LOVE to our friends, family and supporters.  <3<3<3 ░░
░░                                                                         ░░
░░                        WASHED UP SCENESTERS 2008+                       ░░
░░                                                                         ░░
░░ P.S.:  Anybody greeting XXL in their nfo should get shot multiple       ░░
░░ times.                                                                  ░░
░░                                                                         ░░
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 ░░            ▀ ▀±▓≥▓▒▓▒░░ ░ ░                              ░          ▒▒▒
 ░░                 ░▒▒░ ░░                                               ░░░
 ░░                                                                       ░░░
 ░░                                                                       ░░░
 ░░              THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL.              ░░░
 ░░ --------------------------------------------------------------------- ░░░
 ░░                                                                       ░░░
 ░░ NB   TRACKNAMES:                                          LENGHT:     ░░░
 ░░                                                                       ░░░
 ░░ 01.  Carl Perkins & John Fogerty--All Mama's Children     02:10       ░░░
 ░░ 02.  Carl Perkins & Tom Petty and The Heartbreakers--One  02:50       ░░░
 ░░      More Shot                                                        ░░░
 ░░ 03.  Carl Perkins & Paul Simon--Rockabilly Music          03:22       ░░░
 ░░ 04.  Carl Perkins & George Harrison--Distance Makes No    04:13       ░░░
 ░░      Difference with Love                                             ░░░
 ░░ 05.  Carl Perkins, Bono, Johnny Cash, Willie Nelson &     04:05       ░░░
 ░░      Tom Petty--Give Me Back My Job                                   ░░░
 ░░ 06.  Jimi Hendrix Experience--Blue Suede Shoes            04:05       ░░░
 ░░ 07.  Carl Perkins--Quarter Horse                          02:25       ░░░
 ░░ 08.  Carl Perkins--Don't Stop The Music                   03:14       ░░░
 ░░ 09.  Carl Perkins & Willie Nelson--Matchbox               02:22       ░░░
 ░░ 10.  Carl Perkins--Go Cat Go                              03:01       ░░░
 ░░ 11.  Carl Perkins & Johnny Cash--Two Old Army Pals        02:50       ░░░
 ░░ 12.  Carl Perkins & Ringo Starr--Honey Don't              02:44       ░░░
 ░░ 13.  Carl Perkins & Willie Nelson--Wild Texas Wind        04:18       ░░░
 ░░ 14.  Carl Perkins & Tom Petty and The                     04:26       ░░░
 ░░      Heartbreakers--Restless                                          ░░░
 ░░ 15.  Carl Perkins & Paul Simon--A Mile Out Of Memphis     03:06       ░░░
 ░░ 16.  Carl Perkins & Paul Mccartney--My Old Friend         03:23       ░░░
 ░░ 17.  John Lennon--Blue Suede Shoes                        02:26       ░░░
 ░░                                                           55:00 min   ░░░
 ░░ --------------------------------------------------------------------- ░░░
 ░░    TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE       ░░░
 ░░ PROMOTION CAMPAIGN.  TO THE END USER, SUPPORT THE ARTIST(S) OR DEL!   ░░░
 ░░                                                                       ░░░
 ░░                ▄▄▄▄▄▄▄                                                ░░░
 ░░              2▓▒▒░░  ≥▄                                             ░░░
 ░░           ░2▓▒▒░░ 2▀▄ ▒▓                                            ░░░
 ░░           ▓▓▓0▒▒▒▄▀▀▀▀ ░▒▓                                           ░░░
 ░░          ▓≡░░░░▒▒▀0░░▒▓▓▓▓▄                                        ░░░
░▒▒░▒░░░░░  ▄≡░  ▄▄▄▄≥░▒▒▒▒▒▒▒▒▒▒▒▓▄    ░░░░░░░░░░░░░░░ ░░░░  ░░░░░░░░░░▒▒▒░░
 ░░        ▓░ 2██████≥▒▒▓≡░░   ░░░▒▒▒▓▄                                ░░░
 ░░        ▓2▀▀▀≥▄▄▄██████≡░░░      ░░░▒▓▄▄                            ░░▒
 ░░          ▒      ▀≥█≥▓▓█▄ ░░░░░░      ░░░▒▓▄▄                        ░▒▓
 ░░          ░         ▀██≥▒▓██▄0░░░░░░░░░░░░░░░▀█▄             ▄▄2█    ▓
 ░░                     ░▀█≥▓▒▒▓▓███▄2░░░░░░░▄▄▄████▄       ▄▄█≥▓▒▒▓   ░▒▒
 ░░                       ▀██≥▓▓▒▒▒▒▓█████████≥±▓▓███▄▄▄▄█≥▓▓▒▒▒▓▓█   ░▒
 ░░                         ▀██≥▓▓▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓██████████≥▓▓█▀   ░░░
 ░░                           ▀▀█████≥▓▓▓█≥▒▒▒▒▒▓▓███████▀▀▀≥░ ░       ░░░
 ░░░                            ░░▀▀≥████≥████████▀▀▀        ▒      ░   ░░░
 ▒▒░░░                                ██▌   ≥                 ░          ░░
 ░░       ░░                         ▐≥    ░≥                      ░░   ░░░
 ░░  ░          ░░░                  ≥▒     ░≥          ░░░      ░░▒▒░   ░░
 ░░  ░                ░░░░░░░░░     ▐≥░      ░≥                    ░░   ░░░
 ░░ ░▒         ░             ░░░▒▒▒▓▓▓±▒▒░░   ░≥                        ░░
 ▒░ ░▒  ░ ░    ░░  ░                ▀▀▀≥▓▓▓▓▓▓±░▀▄                 ░░   ░░
 ▒▒░░▓░ ░ ░    ▒░  ░░ ░░    ░░  ░           ▀▀▀▀▀≥▓▓▓▓▓▄▄▄▄▄             ▒░░
 ▓▒░▒▓▒░▒▒▒░░░░▒▒░░▒▒░░░░   ░░ ░▒░░░░░░░    ░       ▒▀▀▀≥▓▓▓▓██▄▄▄      ░▒░░
 ≥▒▒≥▒▒▓▒▒░░▒▒▒▒▒▓▒▒▒▒▒▒░░▒▒░▒▓▒▒▒▒▒▒▒░░░░▒░░░░ ░░▒▒▒▒▒▒  ▀▀≥▓▓▓▓▓▒▒  ▒▓░░
 █≥▓█≥▓≥▓▓▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓▓▒▓≥▓▓▓▓▓▓▓▓▒▒▓▓▒▒▒▒▓▓▓▓▓▓▓▓▓▄▄▄▄▄▄▄▄2▓▓▓▓▓▓▒░
 ██████▀▀▀▀ ▀  ▀        ▒            ░▒▒░   ▓▓▒▒░   ▓≥▒ ▀▀▀▀▀▀≥██████≥▓▓▒▒░░
 ▓██▀           "Oi" to:             ░▒▒░ ░  ▓▓▒▒░░   ≥▓▒▒▒░░░      ▀≥█≥▒▒░░
 ▓█▌                                 ░▒▒░░   ≥▓▓▒▒▒░░ ▀≥▓▓▓▒▒▒▒░░   ░▓≥▒░
 ▒≡▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░     ░░▒▒░░  ▀≥▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓0░░▓▓░░
 ▒█                                        ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀≥▓▓▄▄▀≥▓2▓░░
 ▒▓                                          ░                    ▀≥▓0≥▓░░
 ░▓                                                                  ≥▓░░▓░░
 ░▓                                                                    ≥░▓░░
 ░▒  4 HORSEMEN,                                                        ≥▓░░
 ░▒  801,                                                                ≥░░
 ░▒  ADDiCTED TO MUSiC, APOCALYPSE PRODUCTiON CREW, AUDiO ARCHiVE FORCE,  ▓░░
 ░░  BEAT MASTERS iNTERNATiONAL, BEATS iN CONTROL,                        ▒░░
 ░░  CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDIO, CRiSiS,     ▒░░
 ░░   CSWCN,                                                              ░░░
 ░░  DA OLDSCHOOL CREW, DEAFNESS, DECiBEL, DiGiTAL SOUND PROPHETS,         ░░
 ░░   DiSSiDENT,                                                           ░░
 ░░  EVERY DAY MP3Z, EViGHET,                                              ░░
 ░░  FRENCH SOUND PROViDER,                                                ░░
 ░░  HiGH iNTELLiGENCE TROLLS,                                             ░░
 ░░  iMAGiNE, iMPULZ, iNDECENT XPOSURE, iNTERNET MUSiC PiRATE GUiLT,       ░░
 ░░  JAZ,                                                                  ░░
 ░░  KiLOHERTZ,                                                            ░░
 ░░  LOGOS,                                                                ░░
 ░░  MiLLENNiUM GENERATiON MUSiC, MUSiC AND DECiBELS, MUSiC TO MASSES,     ░░
 ░░  NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE,                           ░░
 ░░   NUTRiCiOUS HEARiNG SUPPLiES,                                         ░░
 ░░  OTAKU,                                                                ░░
 ░░  PROViDERS OF SOUND, PSiLOCiBiN,                                       ░░
 ░░  RABiD NEUROSiS, RADiAL, RARE MUSiC FiNDER, REVOLUTiON,                ░░
 ░░   ROCKERS' BREWiNG CORP, ROTATiON, RUDE BWOY KUTZ,                     ░░
 ░░  SCHOOL OF THE OLD, SMOKE WEED EVERYDAY, STRONGER THAN ALL,            ░░
 ░░   SYNTHESiS MEDiA,                                                     ░░
 ░░  THE FLAME ARROWS MP3, TOUCHDOWN, TWEE,                                ░░
 ░░  WALL OF SOUND, WE LOVE WAREZ MP3,                                     ░░
 ░░                                                                        ░░
 ░░  FAITHMUSE, MCKENNA, MORGOTH, MISTAHWAX, SDL &                         ░░
 ░░                                                                        ░░
 ░░            *ALL* OF OUR FRIENDS AND FAMILY HERE AND GONE...            ░░
 ░░                                                                        ░░
 ░░                                                                        ░░
 ░░ ---------------------------------------------------------------------- ░░
 ░░                                                                        ░░
 ░░    "Those who do not remember the past are condemned to repeat it."    ░░
 ░░                                                                        ░░
 ░░                                                  George Santayana      ░░
 ░░                                                                        ░░
 ░░ ---------------------------------------------------------------------- ░░
 ░░                                                                        ░░
 ░░                                                                        ░░
 ░░           ▄▄≥▀ ▄▄             - IF YOU DON'T LIKE OUR RELEASES,       ░░
 ░░   ▄2██≥▓▓░░██≥▓▓▄▄▄           ENFUCKINGCODE IT YOURSELF!            ░░
 ░░ 2████≡░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄                                             ░░
 ░ ▄▀▀0░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄   - WE SHIT ON *ALL* SCENE-IDIOTS:        ░░
 ░  0░▒▒▓▓▓▓█▀▀▀▀≥▓██≥▓▓▓▓▒▒▓█    "H8ERS", NUKERS, PUBBERS, -EON,       ░░
 ░ ≥▓▓▀█≥▀▀▀2▒░░▄██p░  ▓≥▓▓▓█   MAYBE ON YOU TOO?!                    ░░
  ≥▓▀2≥▓░░░░████≥≥▄▄▄≥ ≥≥▓                                         ░░
  █▀ ≥≥███▄▄▄██≥▓▓████≥█▀▄▐▌ █ - WE ONLY BELIEVE CURRENT YEAR CDDAS    ░░
     █ ▐█████▀ ███≥▓█▌▀█≥▓ ▓      IS TEH GOOD MUSIC!                    ░░
  ░     ███▀   ▐███≥≥ ▓▀  ▀                                             ░░
 ░░      ▓     ██≥██≥ ▀      - WE CONSTANTLY LOOKING FOR 10Gs, 50Ts WITH ░░
 ░░           ▐██≥▓██▌   0SEC ATTITUDE THAT CAN'T ACHIEVE MORE THAN SIX   ░░
 ░░            █≥▓▓▓█▌ MONTHS OF UPTIME.  WHQ SPOT AVAILABLE!!!!!!!!!!!!! ░░
  ░            ▓≥▒▒▓█                                                     ░░
 ░░            █±▒▒▓█▌ - ICQ US!                                          ░░
 ░░           ▐█p▒▒▓██                                                    ░░
 ░░           ▐█p░▒▓█▌                       Your *TRUE* pseudo-friends,  ░░
░░░            █±░▒▓█▌ ▓  ▄■                                              ░░
░▒░            ▐█r≥█▌ ▓2 ·                         WASHED UP SCENESTERS ░░
░▒▒           ░██q▒▓≥r▒█▀·▄■▄             ▄ ▓▓▄▄▄                       ░░
░▒▒▌         ▒▒█±▒▓▓░≥▒▒▒±▒▄▄          ▄     █≥▓███▄▄▄▄▄               ░░
░░▓▓▄     ░▒▓▓▓█≥▓▓▒▒░≥▒▒░1 ▄ ▀        2▄▄▄█≥▒▒▒▒▒▒▒▒▓▓▓▓▄▄           ░░
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    ▐███▌ ░         ░░░░ ██  ░▒▒▒▒▒░  ████▌  ░░░░  ▓▒▒░░░       ░░░░▒▓≥▒░
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          ░                         ░░░   ░░░            ░              ░

                                        ░

			        THIS IS NOT PIRACY.

Files

PathSize
01-carl_perkins--carl_perkins_and_john_fogerty__all_mamas_children-wus2,67 MB
02-carl_perkins--carl_perkins_and_tom_petty_and_the_heartbreakers__one3,56 MB
03-carl_perkins--carl_perkins_and_paul_simon__rockabilly_music-wus.mp34,56 MB
04-carl_perkins--carl_perkins_and_george_harrison__distance_makes_no_d5,58 MB
05-carl_perkins--carl_perkins_bono_johnny_cash_willie_nelson_and_tom_p5,62 MB
06-carl_perkins--jimi_hendrix_experience__blue_suede_shoes-wus.mp35,79 MB
07-carl_perkins--carl_perkins__quarter_horse-wus.mp33,17 MB
08-carl_perkins--carl_perkins__dont_stop_the_music-wus.mp34,68 MB
09-carl_perkins--carl_perkins_and_willie_nelson__matchbox-wus.mp33,18 MB
10-carl_perkins--carl_perkins__go_cat_go-wus.mp33,81 MB
11-carl_perkins--carl_perkins_and_johnny_cash__two_old_army_pals-wus.m3,44 MB
12-carl_perkins--carl_perkins_and_ringo_starr__honey_dont-wus.mp33,87 MB
13-carl_perkins--carl_perkins_and_willie_nelson__wild_texas_wind-wus.m5,73 MB
14-carl_perkins--carl_perkins_and_tom_petty_and_the_heartbreakers__res5,46 MB
15-carl_perkins--carl_perkins_and_paul_simon__a_mile_out_of_memphis-wu3,57 MB
16-carl_perkins--carl_perkins_and_paul_mccartney__my_old_friend-wus.mp3,97 MB
17-carl_perkins--john_lennon__blue_suede_shoes-wus.mp32,78 MB