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░ ░
-░░+ Rachmaninov Piano Concerto No.3 - Prince Rostislav (Naxos 55 +░░-
,▓░ ░▓,
▒░ Release Date:04-02-2007 ░▒
▒*░ ░░ Encoder:Lame v3.91 ░░ ░*▒
░░▓_ █▒ Company:Naxos ▒█ _▓░░
|▒ ▓▓ N▒▒ Genre:Classical ▒▒N ▓▓ ▒|
░░u▒▓ ░█▒ Year:1994 ▒█░ ▓▒u░░
▒▓▒ ▓░+▒ Ripper:Scherzo ▒+░▓ ▒▓▒
░▒░ ▓▓#▓▒ Supplier:Scherzo ▒▓#▓▓ ░▒░
░ ▓▒▒▒░ Songs:04 ░▒▒▒▓ ░
▒█▓░ Khz/Bitrate..44,1/ 192 ░▓█▒
▓██░ ░ ░ ░██▓
█▓▒ ▒, Track List: ,▒ ▒▓█
█ ▒▒ ▒▒ █
▓ ░▓ ▒▒░ 01 - rachmaninov - piano concerto no.3 in d min [17:33] ░▒▒ ▓░ ▓
▓ ░▓ ▒▒░ 02 - rachmaninov - piano concerto no.3 in d min [11:43] ░▒▒ ▓░ ▓
▓ ░▓ ▒▒░ 03 - rachmaninov - piano concerto no.3 in d min [14:35] ░▒▒ ▓░ ▓
▓ ░▓ ▒▒░ 04 - rachmaninov - prince rostislav - symphonic [16:22] ░▒▒ ▓░ ▓
░ ▒ _▒░ ░▒_ ▒ ░
▒▒ ▓▓ ▓▓ ▒▒
░▒█ ▓▒u░ Total Length : [60:13 min ░u▒▓ █▒░
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▒░░▒ ▓▓█ Description: █▓▓ ▒░░▒
▒░▒ # # ▒░▒
▒░ ▒ - Bernd Glemser, Piano ▒ ░▒
▒░ ▒ - National Symphony Orchestra of Ireland ▒ ░▒
▒░ ▒ - Jerzy Maksymiuk, Director ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ Sergey Vasilyevich Rachmaninov was born at Semyonovo ▒ ░▒
▒░ ▒ in 1873. His family, one of strong military ▒ ░▒
▒░ ▒ traditions on both his father's and mother's side, ▒ ░▒
▒░ ▒ was well-to-do, but the extravagance of his father ▒ ░▒
▒░ ▒ made it necessary to sell off much of their land. ▒ ░▒
▒░ ▒ Rachmaninov's childhood was spent largely at the one ▒ ░▒
▒░ ▒ remaining family estate at Oneg, near Novgorod. The ▒ ░▒
▒░ ▒ reduction in family circumstances had at least one ▒ ░▒
▒░ ▒ happier result. When it became necessary to sell the ▒ ░▒
▒░ ▒ estate at Oneg and to move to St. Petersburg, the ▒ ░▒
▒░ ▒ expense of education for the Imperial service proved ▒ ░▒
▒░ ▒ too great. Rachmaninov could make use, instead, of ▒ ░▒
▒░ ▒ his musical gifts, entering St. Petersburg, entering ▒ ░▒
▒░ ▒ St. Petersburg Conservatory at the age on nine as a ▒ ░▒
▒░ ▒ scholarship student. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ Not a particularly industrious student and lacking ▒ ░▒
▒░ ▒ the attention that he needed at home, in 1885 ▒ ░▒
▒░ ▒ Rachamninov failed his general subject examinations ▒ ░▒
▒░ ▒ at the Conservatory and there were threats that his ▒ ░▒
▒░ ▒ scholarship would be withdrawn. His mother, now ▒ ░▒
▒░ ▒ separated from his father and responsible for the ▒ ░▒
▒░ ▒ boy's welfare, arranged that he should move to ▒ ░▒
▒░ ▒ Moscow to study with Zverev, a teacher of known ▒ ░▒
▒░ ▒ strictness. In Zverev's house, however uncongenial ▒ ░▒
▒░ ▒ the strict routine, he acquired much of his ▒ ░▒
▒░ ▒ phenomenal technique as a pianist, while broadening ▒ ░▒
▒░ ▒ his musical understanding by attending concerts in ▒ ░▒
▒░ ▒ the city. At the age of fifteen he became a pupil of ▒ ░▒
▒░ ▒ Zverev's former pupil Ziloti at the Conservatory, ▒ ░▒
▒░ ▒ studying counterpoint and harmony with Sergey ▒ ░▒
▒░ ▒ Taneyev and Arensky. His growing interest in ▒ ░▒
▒░ ▒ composition led to a quarrel with Zverev and removal ▒ ░▒
▒░ ▒ to the house of his relations, the Satins. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ In 1891 Rachmaninov completed his piano studies at ▒ ░▒
▒░ ▒ the Conservatory and the composition of his first ▒ ░▒
▒░ ▒ piano concerto. The following year he graduated from ▒ ░▒
▒░ ▒ the composition class and composed his notorious ▒ ░▒
▒░ ▒ "Prelude in C Sharp minor", a piece that was to ▒ ░▒
▒░ ▒ haunt him by its excessive popularity. His early ▒ ░▒
▒░ ▒ career brought initial success as a composer, halted ▒ ░▒
▒░ ▒ by the failure of his first symphony, conducted ▒ ░▒
▒░ ▒ badly by Glazunov, apparently drunk at the time, and ▒ ░▒
▒░ ▒ reviewed in the cruellest terms by C'sar Cui who ▒ ░▒
▒░ ▒ described it as a student attemp to depict in music ▒ ░▒
▒░ ▒ the seven plagues of Egypt. Rachmaninov busied ▒ ░▒
▒░ ▒ himself as a conductor, signing a contract with the ▒ ░▒
▒░ ▒ Mamontov opera company. As a composer, however, he ▒ ░▒
▒░ ▒ suffered from the poor reception of his symphony and ▒ ░▒
▒░ ▒ was only enabled to continue after a course of ▒ ░▒
▒░ ▒ treatment with Dr. Nikolay Dahl, a believer in the ▒ ░▒
▒░ ▒ efficacy of hypnotism. The immediate result was the ▒ ░▒
▒░ ▒ second of his piano concertos. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ The years before the Russian revolution brought ▒ ░▒
▒░ ▒ continued successful activity as a composer and as a ▒ ░▒
▒░ ▒ conductor. In 1902 Rachmaninov married Natalya ▒ ░▒
▒░ ▒ Satina and went on to pursue a cereer, that brought ▒ ░▒
▒░ ▒ him increasing international frame. There were ▒ ░▒
▒░ ▒ journeys abroad and a busy professional life, from ▒ ░▒
▒░ ▒ which summer holidays at the estate of Ivanovka, ▒ ░▒
▒░ ▒ which he finally acquired from the Satins in 1910, ▒ ░▒
▒░ ▒ provided despite. All this was interrupted with the ▒ ░▒
▒░ ▒ abdication of the Tsar in 1917 and the beginning of ▒ ░▒
▒░ ▒ the revolution. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ Rachmaninov left Russia in 1917. From then until his ▒ ░▒
▒░ ▒ death in Beverley Hills in 1943, he was obliged to ▒ ░▒
▒░ ▒ rely largely on performance for a living. Now there ▒ ░▒
▒░ ▒ was very much less time for composition, as he ▒ ░▒
▒░ ▒ undertook demanding concert tours, during which he ▒ ░▒
▒░ ▒ dazzled audiences in Europe and America with his ▒ ░▒
▒░ ▒ remarkable powers as a pianist. His house at ▒ ░▒
▒░ ▒ Ivanovka was destroyed in the Russian civil war, and ▒ ░▒
▒░ ▒ in 1931, the year of the Corelli Variations, his ▒ ░▒
▒░ ▒ music was banned in Russia, to be permitted once ▒ ░▒
▒░ ▒ more two years later. He spent much time in America, ▒ ░▒
▒░ ▒ where there were lucrative concert tours, but ▒ ░▒
▒░ ▒ stablished a music puslishing house in Paris and ▒ ░▒
▒░ ▒ built for himself a villa near Lucerne, where he ▒ ░▒
▒░ ▒ completed his Paganini Rhapsody in 1934 and his ▒ ░▒
▒░ ▒ Third Symphony a year later. In 1939 he left Europe ▒ ░▒
▒░ ▒ to spend his final years in the United States. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ Rachmaninov gave the first performance of his ▒ ░▒
▒░ ▒ technically demanding Third Piano Concerto in New ▒ ░▒
▒░ ▒ York on 28th November, 1909. Towards the end of his ▒ ░▒
▒░ ▒ life he was to refuse to play the work, which he ▒ ░▒
▒░ ▒ preferred to entrust to the younger pianists ▒ ░▒
▒░ ▒ Vladimir Horowitz and Walter Gieseking, surprising ▒ ░▒
▒░ ▒ diffidence in a player of his calibre. The first ▒ ░▒
▒░ ▒ performance under Damrosch was followed by a ▒ ░▒
▒░ ▒ Carnegie Hall performance in January, 1910, under ▒ ░▒
▒░ ▒ Gustav Mahler, to be greeted with critical ▒ ░▒
▒░ ▒ reservations abouts its length and excessive ▒ ░▒
▒░ ▒ difficulties. Rachmaninov had written the concerto ▒ ░▒
▒░ ▒ during the course of the previous summer at ▒ ░▒
▒░ ▒ Ivanovka, an estate that his uncle had given him and ▒ ░▒
▒░ ▒ where he was to find a respite from concert ▒ ░▒
▒░ ▒ activities until deprived of it by the Revolution of ▒ ░▒
▒░ ▒ 1917. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ The principal theme of the first movement is ▒ ░▒
▒░ ▒ announced at the beginning of the concerto by the ▒ ░▒
▒░ ▒ soloist, a melody which one writer has traced to the ▒ ░▒
▒░ ▒ Russian Orthodox liturgy. This opening theme is of ▒ ░▒
▒░ ▒ considerable importance since much that follows is ▒ ░▒
▒░ ▒ derived from it, in one way or another. There is an ▒ ░▒
▒░ ▒ expressive second subject and a central development ▒ ░▒
▒░ ▒ that is heart of the whole movement, followed by an ▒ ░▒
▒░ ▒ extended cadenza and a much abbreviated ▒ ░▒
▒░ ▒ recapitulation. The second movement Intermezzo ▒ ░▒
▒░ ▒ contains a central section in the mood of a Scherzo ▒ ░▒
▒░ ▒ based on the principal theme of the first movement. ▒ ░▒
▒░ ▒ The Finale follows at once, its opening theme a ▒ ░▒
▒░ ▒ rhythmic derivative of the opening subject, followed ▒ ░▒
▒░ ▒ by the gradual appearance of the theme that is to ▒ ░▒
▒░ ▒ dominate the movement. It should be added that ▒ ░▒
▒░ ▒ however familiar the concerto may now seem to us, it ▒ ░▒
▒░ ▒ is in its way a work of remarkable harmonic and ▒ ░▒
▒░ ▒ structural originality, vastly superior to the ▒ ░▒
▒░ ▒ feeble and empty popular imitations that have ▒ ░▒
▒░ ▒ followed it. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ Rachmaninov wrote his symphonic poem Prince ▒ ░▒
▒░ ▒ Rostislav in 1891 and dedicated the work to his ▒ ░▒
▒░ ▒ teacher Arensky. Prince Rostislav based on a poem by ▒ ░▒
▒░ ▒ Alexei Konstantinovich Tolstoy. The prince of the ▒ ░▒
▒░ ▒ title, killed in battle, lies forgotten on the bed ▒ ░▒
▒░ ▒ of the River Dnieper, its depths suggested in the ▒ ░▒
▒░ ▒ opening motif for lower strings. Rostislav, ▒ ░▒
▒░ ▒ represented by the string section, is heard, and ▒ ░▒
▒░ ▒ water nymphs, with another appropiate theme, comb ▒ ░▒
▒░ ▒ his yellow hair. There are three cries of despair, ▒ ░▒
▒░ ▒ heard from trombone and tuba, as Rostislav calls on ▒ ░▒
▒░ ▒ his wife, who is now to marry another, on his ▒ ░▒
▒░ ▒ brother, who has forgotten him, and the priests of ▒ ░▒
▒░ ▒ Kiev, whose thoughts have turned to other things. In ▒ ░▒
▒░ ▒ despair he sinks back into oblivion, forgotten by ▒ ░▒
▒░ ▒ those dear to him, but now comforted again by the ▒ ░▒
▒░ ▒ water nymphs of the great river. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ - Bernd Glemser ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ A prize-winner on no less than seventeen occasions ▒ ░▒
▒░ ▒ in international competitions, the young German ▒ ░▒
▒░ ▒ pianist Bernd Glemser was born in Dürbheim and was ▒ ░▒
▒░ ▒ still a pupil of Vitalij Margulis when he was ▒ ░▒
▒░ ▒ appointed professor at the Saarbrücken ▒ ░▒
▒░ ▒ Musikhochschule, in succession to Andor Foldes, ▒ ░▒
▒░ ▒ himself the successor of Walter Gieseking. In 1992 ▒ ░▒
▒░ ▒ he won the Andor Foldes Prize and in 1993 the first ▒ ░▒
▒░ ▒ European Pianist's Prize. With a wide repertoire ▒ ░▒
▒░ ▒ ranging from the Baroque to the contemporary, Bernd ▒ ░▒
▒░ ▒ Glemser has a particular affection for the virtuoso ▒ ░▒
▒░ ▒ music of the later nineteenth and earlier twentieth ▒ ░▒
▒░ ▒ centuries, the work of Liszt, Tausig, Godowski, ▒ ░▒
▒░ ▒ Busoni, and especially that of Rachmaninov. His ▒ ░▒
▒░ ▒ career has brough appearances at major music ▒ ░▒
▒░ ▒ festivals and leading concert halls throughout ▒ ░▒
▒░ ▒ Europe and further afield. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ - National Symphony Orchesta of Ireland ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ The RTE Symphony Orchestra was founded in 1947 as ▒ ░▒
▒░ ▒ part of the Radio and Television service in Ireland. ▒ ░▒
▒░ ▒ With its membership coming from France, Germany, ▒ ░▒
▒░ ▒ Britain, Italy, Hungary, Poland and Russia, it drew ▒ ░▒
▒░ ▒ together a rich blend of European culture. Apart ▒ ░▒
▒░ ▒ from its many symphony concerts, the orchestra came ▒ ░▒
▒░ ▒ to world-wide attention with its participation in ▒ ░▒
▒░ ▒ the famous Wexford Opera Festival, an event ▒ ░▒
▒░ ▒ broadcast in many parts of the world. The orchestra ▒ ░▒
▒░ ▒ now enjoys the facilities of a fine new concert hall ▒ ░▒
▒░ ▒ in central Dublin where it performs with the world's ▒ ░▒
▒░ ▒ leading conductors and soloists. In 1990 the RTE ▒ ░▒
▒░ ▒ Symphony Orchestra was augmented and renamed the ▒ ░▒
▒░ ▒ National Symphony Orchestra of Ireland, quickly ▒ ░▒
▒░ ▒ establishing itself as one of Europe's most ▒ ░▒
▒░ ▒ adventurous orchestras with programmes featuring ▒ ░▒
▒░ ▒ many twentieth century compositions. ▒ ░▒
▒░ ▒ The orchestra has now embarked upon an extensive ▒ ░▒
▒░ ▒ recording project for the Naxos and Marco Polo ▒ ░▒
▒░ ▒ labels and will record music by Nielsen, ▒ ░▒
▒░ ▒ Tchaikovsky, Goldmark, Rachmaninov, Brian and ▒ ░▒
▒░ ▒ Scriabin. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ - Jerzy Maksymiuk ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ Jerzy Maksymiuk was born in Grodno and studied ▒ ░▒
▒░ ▒ violin, piano, conducting and composition at the ▒ ░▒
▒░ ▒ Warsaw Conservatory. In 1964 won first prize in the ▒ ░▒
▒░ ▒ Paderewski Piano Competition but soon turned his ▒ ░▒
▒░ ▒ attention principally to conducting, in particular ▒ ░▒
▒░ ▒ in the establishment and extensive touring ▒ ░▒
▒░ ▒ throughout Europe of the Polish Chamber Orchestra. ▒ ░▒
▒░ ▒ From 1975 to 1977 he was also Principal Conductor of ▒ ░▒
▒░ ▒ the Polish National Radio Orchestra and in 1984 was ▒ ░▒
▒░ ▒ appointed Chief Conductor of the BBC Scottish ▒ ░▒
▒░ ▒ Symphony Orchestra with which he has toured ▒ ░▒
▒░ ▒ extensively and made a number of commercial ▒ ░▒
▒░ ▒ recordings. Jerzy Maksymiuk has worked with many of ▒ ░▒
▒░ ▒ the major orchestras in Europe, the United Stated of ▒ ░▒
▒░ ▒ America and Japan, and in 1990 made his début at the ▒ ░▒
▒░ ▒ English National Opera with performances of Mozart's ▒ ░▒
▒░ ▒ Don Giovanni. ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ ▒ ░▒
▒░ ▒ Recorded at the National Concert Hall, Dublin, on ▒ ░▒
▒░ ▒ 17th and 18th December, 1992. ▒ ░▒
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