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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 05-08-2007
Release date : 06-25-2007
Album name : The Boy With No Name
Artist : Travis
Ripped by : Team EOS
Genre : Britpop
Label : Sony
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 12
Size of Files : 68,8 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 04:15 3 Times And You Lose
02 04:01 Selfish Jean
03 04:01 Closer
04 04:08 Big Chair
05 04:12 Battleships
06 02:59 Eyes Wide Open
07 04:09 My Eyes
08 04:00 One Night
09 04:01 Under The Moonlight
10 03:36 Out In Space
11 04:07 Colder
12 09:27 New Amsterdam
Total time: 52:56 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Early in their career, Travis sounded like Oasis
crossed with U2, and as the years rolled steadily on,
they gradually replaced Oasis with Radiohead, without
ditching that devotion U2. Travis may have cut out any
of their overt rock influences, yet they retained the
everyday, boys-next-door image that was so common in
all the post-Britpop guitar bands, and that humility
served them well on their 1999 sophomore effort, The
Man Who, a commercial breakthrough that also
established the soft, shimmering sound that was their
signature. Unfortunately for them, not long after that
album, they were eclipsed by Coldplay, another
Radiohead-U2 fusion that managed to keep some sense of
majesty to their music, something that Travis, sensible
lads that they are, seemed to studiously avoid. In the
wake of that simultaneous success and eclipse, the
group survived some professional and personal
struggles, taking four years to record their fifth
album, 2007's The Boy with No Name. Far from being a
long-gestating leap forward, The Boy with No Name
offers a comfortable, familiar Travis, but there is a
slight, subtle difference: the band has truly embraced
their modesty, settling into their gentleness. There's
a mild, untroubling weariness to their performances
here that suits them quite well; it deepens the music,
makes their deliberate tempos resonate, it makes the
quietness feel contemplative, it even makes the
cleanliness of the production feel right, a reflection
of their maturity. If the melodies don't really dig in,
they nevertheless float sweetly, meshing into the
overall fabric and feel of the album. If the music
never quite soars, it never seems as if the band is
struggling in vain to achieve take-off, either. For the
first time since The Man Who, Travis doesn't seem to
strive to achieve something, they just exist, and their
music is better for it. They're still ordinary, almost
painfully so, but they don't seem pedestrian, they seem
to have weathered some ups and downs, channeling that
experience into an album that has a slight, yet
palpable, emotional resonance that their predecessors
often lacked.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀