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▀ ■
■ D-I-G-I-T-A-L-L-Y U-N-I-T-E-D
┌────────────────────────────────────────────────────────────────┐
│ Gilles Peterson - Worldwide-Live From the Artrium Leeds │
└────────────────────────────────────────────────────────────────│──┐
┌───────────────────────────────────────────────────────────────│──┘
│ ││
│ Artist........ Gilles Peterson ││
│ Title......... Worldwide-Live From the Artrium Leeds ││
│ Label......... none ││
│ Cat. Nr....... none ││
│ Year.......... 2003 ││
│ Genre......... Lo-Fi ││
│ Street Date... 03/04/2003 ││
│ Release Date.. 03/04/2003 ││
│ Size.......... 161,4 MB ││
│ Tracks........ 01 ││
│ Length........ 117:32 min ││
│ Ripper........ Cyclo ││
│ Source........ DAB [Pure Digital Capture via USB] ││
│ Grabber....... WinDAB ││
│ Encoder....... Lame 3.93.1 --alt-preset cbr 192 ││
│ Quality....... 192KBps / 44.1Khz / Joint-Stereo ││
│ ││
└──────────────────────────────────────────────────────────────│──────-·
││
┌─────────────────────────────────┐ ││
│ R E L E A S E C O M M E N T S │┐ ││
└─────────────────────────────────┘└─────────────────────────────│──┐
┌──────────────────────────────────────────────────────────────│───┘
│ ││
│ Wed Apr 3 :: Live from The Artrium, Leeds :: Midnight - 2am ││
│ ││
│──────────────────────────────────────────────────────────────││
│ Gilles Peterson Biography ││
│ ││
│ "Gilles has championed a truly global musical perspective by ││
│ for the past 20 years." ││
│ ││
│ Gilles joined Radio 1 in 1998. Not only does he 'join the ││
│ dots' between artists, producers and styles, but he's a DJ ││
│ who places equal legitimacy on a Max Roach album and a Jig ││
│ Master's 12-inch. With WorldWide now broadcast in 15 ││
│ countries from New Zealand to Croatia to Nigeria to the USA ││
│ to Cyprus, his popularity and message can only grow. ││
│ ││
│ Brought up among the South London suburban soul scene in the ││
│ early eighties, Gilles would avidly listen to listening to ││
│ Level 42, Earth Wind & Fire, Central Line and the heavier, ││
│ deeper pirate stations such as Radio Invicta. ││
│ ││
│ This inspired him to set up his own station - literally an ││
│ aerial suspended between a tree and a phone box - playing an ││
│ eclectic mix of jazz, funk, reggae, soul and early electro. ││
│ By a stroke of luck, Radio Invicta needed a new transmitter, ││
│ so Gilles swapped his for a regular show on the station. ││
│ ││
│ At the same time, Gilles was a regular shopper at DJ Paul ││
│ Murphy's Palladin Records. Murphy alsoDJ'd at Camden's ││
│ Electric Ballroom, and his knowledge of rare, killer power ││
│ jazz tunes and rare Afro-Cuban fusion was further ││
│ inspiration for Gilles, who took over the decks in a baptism ││
│ by fire when Paul left. ││
│ ││
│ Once ensconced upstairs in the Electric Ballroom, Gilles' ││
│ understanding and insight into jazz, funk and soul grew ││
│ exponentially. The music he played attracted an increasingly ││
│ loyal following from a friendly, mixed crowd and his ││
│ reputation grew. ││
│ ││
│ Gilles soon began to play at Nicky Holloway's Special Branch ││
│ night at The Royal Oak. He says 'the scene I was building ││
│ was a cross between the casual soul-boy scene and the London ││
│ trendy. I'd play upstairs with Chris Bangs and downstairs it ││
│ was Rampling, Oakenfold, Holloway. That lasted three, four ││
│ years, a very important weekly club that that scene would ││
│ all go to. Out of that scene came nearly everything that we ││
│ have today in the UK.' ││
│ ││
│ "1985 saw Gilles releasing the Jazz Juice compilation ││
│ series, collecting together many of the jazz tracks Gilles ││
│ had been playing over the past few years." ││
│ ││
│ EMI Records soon called on Gilles to put together a series ││
│ of inspired collections showcasing jazz label Blue Note's ││
│ best artists; Duke Pearson, Horace Parlan, Art Blakey, John ││
│ Patton and many others. The resulting albums 'Blue Bossa ││
│ Vols. 1 & 2' and 'Baptist Beat' became the motivation for ││
│ the hugely popular 'Blue' series of Jazz compilations. ││
│ ││
│ During this period, Gilles had also been working on new ││
│ pirate radio projects at KJAZZ (later taken off air by ││
│ gun-toting gangsters), Solar Radio and On Horizon, before ││
│ 'going legit' with the BBC. ││
│ ││
│ 'BBC Radio London was the first legal station I worked on. ││
│ There were only a few legal stations at that time. I had my ││
│ own show 'Mad On Jazz'. We'd do live percussion, spoken word ││
│ and we'd mix it all up.' ││
│ ││
│ After leaving Radio London in 1986, Gilles started his ││
│ Sunday sessions - 'Talkin' Loud' & 'Saying Something' - at ││
│ Camden's Dingwalls. Co-hosted by Patrick Forge, these ran ││
│ for five years. ││
│ ││
│ Coinciding with the emerging acid house scene, the sessions ││
│ became a natural magnet for post clubbing come-down kids. ││
│ 'Those five years were the best of my life as a DJ. ││
│ Musically I did exactly what I was into, the Real Gilles ││
│ Peterson trip'. ││
│ ││
│ 'We put on this old 7-inch at by Mickey and the Soul ││
│ Generation which was a rare groove record with a mad rock ││
│ guitar intro and no beat. I started vary speeding it so it ││
│ sounded all warped. Chris Bangs got on the microphone and ││
│ said, 'If that was acid house, this is acid jazz'. That's ││
│ how acid jazz started, just a joke!' ││
│ ││
│ Shortly afterwards, Gilles started the Acid Jazz label. 'It ││
│ was a great time, but after two years I was beginning to ││
│ feel the sound, the music and name was ghettoizing itself, ││
│ it was becoming a mod thing, a retro thing.' ││
│ ││
│ An approach to Gilles from Phonogram in 1989 to set up a new ││
│ label saw the birth of Talkin' Loud records, and releases ││
│ from the likes of Brand New Heavies, Jamiroquai, the ││
│ Galliano. ││
│ ││
│ Talkin' Loud echoed Gilles' own diverse tastes, and releases ││
│ have been nominated for five Mercury Music Awards - Roni ││
│ Size Reprazent (winning in 1997), 4 Hero, Courtney Pine, ││
│ Young Disciples and M J Cole. ││
│ ││
│ Back on air, Gilles' show on London's Jazz FM was axed in ││
│ 1990 after he played 'inappropriate' music and made ││
│ statements supporting peace during the Gulf War. Soon after, ││
│ he joined the newly-legalized Kiss FM. His Sunday evening ││
│ WorldWide slot proved one of the most popular on the station ││
│ and he stayed there for eight years until he joined Radio 1 ││
│ in 1998. ││
│ ││
│──────────────────────────────────────────────────────────────││
│ Related Links ││
│ www.bbc.co.uk/later - LSK on Later with Jools Holland ││
│ www.nightmaresonwax.co.uk - Nightmares on Wax's site ││
│ www.lowliferecords.freeserve.co.uk - Braintax info ││
│ www.digleeds.users6.donhost.co.uk - Dig! website ││
│ www.compost-records.com - Joseph Malik info ││
│ www.magicandaccident.com - Matthew Herbert's site ││
│ ││
│ ││
│ ││
└──────────────────────────────────────────────────────────────│──────-·
││
┌─────────────────────┐ ││
│ T R A C K L i S T │┐ ││
└─────────────────────┘└─────────────────────────────────────────│──┐
┌──────────────────────────────────────────────────────────────│───┘
│ ││
│ [01] Gilles Peterson - Live From the Artrium, Leeds [117:32] ││
│ ││
│ Total Playtime : [117:32] ││
│ ││
└───────────────────────────────────────────────────────────────│─────-·
││
┌─────────────────────┐ ││
│ G R O U P N E W S │┐ ││
└─────────────────────┘└────────────────────────────────────────│───┐
┌───────────────────────────────────────────────────────────────│──┘
│ ││
│ MS is looking for... ││
│ ││
│ > Vinyl/CD/Promo/Live etc.. Rippers (Electronic Genres) ││
│ > 45Mbit+ EU Shells (No bandwidth restrictions) ││
│ > Private EU Dump site 100mbit+ / 10GB+ ││
│ ││
└──────────────────────────────────────────────────────────────│──────-·
│
[NFO & LAYOUT by nmls^BAFH] [LAST UPDATE]: 21/03/2003 ││
└┘