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▓ █ ▀▓▀[ snakkelfatz ]▀▓▀ ▐████▌▀▓▀ ▐█████▓ ▄ ▄▄█
▒ █ ░ [ Entertainment ] ░ ▓████ ░ ▄█████▓▀ ▀▓▀ █ █
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░ ▒ █ Ennio Morricone - Chi L'ha Vista Morire (1972) █ █ ░
▒ ░ █ █ ▓ ░
▓ ▒ █ Supplier : sfE Date : Sep-26-2004 █ ▒ ▓
█ ░ █ Ripper : Team sfE Style : Soundtrack █ ░ █
█ ▓ w/ help of : Soundforge/lame Trax : 10 ▓ █
█▄▄ ▒ Bitrate : VBRkbps / 44,1kHz / full stereo ▒ ▄▄█
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▓ ▄ █ █ ▄ ▓
▒ █ █ [ informations ] █ █ ▒
░ █ █ █ █ ░
█ █ label : CEM Edizioni Musicali █ █
█ █ code : CMT 1003/11 █ █
█ █ █ █
█ █ comments : Italian director Aldo Lado is probably █ █
█ █ best known stateside for the tacky 1979 █ █
█ █ sci-fi B-movie Humanoid, but what a lot █ █
█ █ of casual fans of that film might not █ █
█ █ realize is that during the early part of █ █
█ █ that decade he helmed a number of █ █
█ █ so-called giallo projects. Giallo █ █
█ █ (Italian for yellow) came to represent a █ █
█ █ lurid style of Italian filmmaking █ █
█ █ prevalent in the late 1960s and early █ █
█ █ 1970s, known for being full of nudity, █ █
█ █ sex, violence, and which generally █ █
█ █ featured a weirdly twisted climax. █ █
█ █ Anchor Bay has just released four █ █
█ █ superbly restored, rarely seen, examples █ █
█ █ of the genre (available separately or as █ █
█ █ part of a four-disc Giallo Collection █ █
█ █ boxset), and Lado's Who Saw Her Die? █ █
█ █ (1972) is probably the best of the █ █
█ █ bunch.s █ █
█ █ █ █
█ █ This was only Lado's second directorial █ █
█ █ gig, which came on the heels of his 1971 █ █
█ █ debut with another giallo film, Short █ █
█ █ Night of the Glass Dolls. While this one █ █
█ █ lacks the usual slam-bang ending of most █ █
█ █ films in the genre, the storyline is █ █
█ █ certainly much more dark and disturbing, █ █
█ █ as it centers largely on pedophilia. The █ █
█ █ film opens with an unsettling murder of █ █
█ █ a young girl on a snow-covered field in █ █
█ █ France, and we see much of it through █ █
█ █ the black-veiled point of view of the █ █
█ █ killer. The vicious swiftness, and █ █
█ █ apparent randomness of the act is █ █
█ █ accentuated by a marvelously eerie Ennio █ █
█ █ Morricone score; imagine a perversely █ █
█ █ creepier version of Jerry Goldsmith's █ █
█ █ work on The Omen, and you'll get the █ █
█ █ idea. █ █
█ █ █ █
█ █ The story then jumps forward to 1972 █ █
█ █ Venice, where struggling sculptor Franco █ █
█ █ (George Lazenby) eagerly welcomes the █ █
█ █ arrival of his young daughter Roberta █ █
█ █ (Nicoletta Elmi of Deep Red, Flesh For █ █
█ █ Frankenstein and Twitch of the Dead █ █
█ █ Nerve). The Venice in Who Saw Her Die? █ █
█ █ (Lado's home) is not painted as the █ █
█ █ romantic tourist city, but rather as a █ █
█ █ dark, dirty place full of narrow, hidden █ █
█ █ streets and shadowy quarters. Roberta █ █
█ █ soon becomes the target of the same █ █
█ █ black-veiled killer from the opening, █ █
█ █ and Lado stages a number of chilling █ █
█ █ near misses as she is unknowingly █ █
█ █ stalked. Putting a child in danger can █ █
█ █ often be a hollow, manipulative suspense █ █
█ █ building gimmick for some directors, but █ █
█ █ Lado proceeds with the unthinkable when █ █
█ █ Roberta's tiny body is soon shown █ █
█ █ floating facedown in one of the Venice █ █
█ █ canals. It's a chilling sequence, and is █ █
█ █ one of the darkest moments in the entire █ █
█ █ film. █ █
█ █ █ █
█ █ What follows is Franco's desperate █ █
█ █ search for the killer of his daughter, █ █
█ █ and this introduces a number of █ █
█ █ potentially guilty characters █ █
█ █ (ironically, primarily friends of his) █ █
█ █ all of whom have exhibited some sort of █ █
█ █ seemingly pedophilia-related actions at █ █
█ █ one point or another. True to the giallo █ █
█ █ genre, we know there will be a surprise █ █
█ █ ending, so there are many red herrings █ █
█ █ to be found and the cadaverous Jose █ █
█ █ Quaglio's bird-loving attorney, a man █ █
█ █ with a questionable past, is one of the █ █
█ █ slimiest. Franco's sexy estranged wife █ █
█ █ Elizabeth (Anita Strindberg) joins the █ █
█ █ hunt, too, as well as his highly suspect █ █
█ █ chubby newspaper reporter buddy (Peter █ █
█ █ Chatel in a role that today would be █ █
█ █ played by the likes of Oliver Platt). █ █
█ █ █ █
█ █ Lado had some obvious difficulty with █ █
█ █ Italian censors when the film was █ █
█ █ released in 1972, due in no small part █ █
█ █ to the often subtle elements of █ █
█ █ pedophilia that permeate Who Saw Her █ █
█ █ Die? Even if the final revelation of the █ █
█ █ killer is fairly predictable, there is █ █
█ █ an uneasy vibe throughout that still █ █
█ █ works today, and when combined with the █ █
█ █ outstanding job Anchor Bay has done on █ █
█ █ the image transfer, makes this one at █ █
█ █ least worthy of a rental for fans of █ █
█ █ dark thrillers. █ █
░ ▓ █ █ ▓ ░
▓ ▒ █ greets : sb - amrc - kw - ftd - ube - hbz █ ▒ ▓
█ ░ ▓ iMPG - HiT - dps - rac - diss ▓ ░ █
█▄▄ ▒ DGN - OOZE - CMG ▒ ▄▄█
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▓ ▄ █ █ ▄ ▓
▒ █ █ [ tracklist ] █ █ ▒
░ █ █ █ █ ░
█ █ A1.Chi L'ha Vista Morire [02:53] █ █
█ █ A2.No GhΦ Pi∙ Ble Cantar Della Sera [03:53] █ █
█ █ A3.La Bela Riposava [01:50] █ █
█ █ A4.Il Girotondo Delle Note [02:33] █ █
█ █ A5.La Mia Mama [01:40] █ █
█ █ B1.Il Gioco Delle Vocali [02:12] █ █
█ █ B2.Din Don Campanon [03:05] █ █
█ █ B3.El Primo Baso [03:40] █ █
█ █ B4.Canto Della Campana Stonata [01:34] █ █
█ █ B5.Solo Grida [06:30] █ █
█ █ ------- █ █
█ █ 29:50 min █ █
█ █ 40,80 MB █ █
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▒ █ █ [ group notes ] █ █ ▒
█ █ We love Music! █ █ ▒
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▒ ▓ █ We need an archive... █ ▓ ▒
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█ ░ ▓ Friends : Yes, and thx to all of them :) ▓ ░ █
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