ARTIST....: Carl Craig
TITLE.....: RTE Studio Session-SAT-05-31
GENRE.....: Techno
SUBGENRE..: n/a
SOURCE....: Radio
RELDATE...: Jun-01-2008
AiRDATE...: Jun-01-2008
TRACKS....: 01
LENGTH....: 56:47 min
SIZE......: 74,2 MB
QUALITY...: VBRkbps
NR. NAME. TiME:
..........................................................
01. RTE_Studio_Session-SAT-05-31-2008 56:47
TOTAL: 56:47 min
RELNOTES..:
Name: Carl Craig
Music Style: Techno
Website: http://www.planet-e.net/
Outlar-Listed Events: 3
Outlar Cross-references: Juan Atkins, Derrick May, Terrence Parker, Leo
Belchetz, Kevin Saunderson, Mark Forshaw, Jeff Mills, Melchior, Tristan Watkins,
TouchΘ, Jason Brunton, Adam Regan, Kirk Degiorgio, Unabombers, ┬me, Moodymann,
ChΓteau Flight, Octave One, Anthony Shake Shakir, Jerome Sydenham, Matt Jones,
Martin McNulty, The Glimmer Twins, Four Tet, Recloose, James Priestley
Carl Craig Intro: Carl Craig was a key player in Detroit techno's second wave,
following the futuristic lead of originators Derrick May and Juan Atkins, and
eventually collaborating with May. He began recording at the turn of the '90s,
using a number of aliases to release innovative ambient, techno, breakbeat and
future jazz sounds.
One such alias, Innerzone Orchestra, issued "Bug in a Bassbin" in 1992, the
track largely responsible for moving drum 'n' bass away from the sounds of
hardcore and ragga. Craig heads Planet E Communications, a peerless dance label
employing the same eclectic and futuristic ethos that informs his own music. He
reconvened Innerzone Orchestra as a jazz/techno combo, recruiting jazz
composer/keyboardist Craig Taborn, former Arkestra member Francisco Mora and
Planet E signed Matt Chicoine to help him record 1999's Programmed. With
releases under BFC, Psyche, Paper Clip People, 69, Designer Music and Innerzone
Orchestra, Carl Craig has more personalities than Sybil. As much as his
different guises can confuse though, his music is always easily recognized
because whatever he does, it retains that certain Craig-ness. A deep commitment
to soul and jazz has always been the watermark of his music. Even when Craig is
destroying dance floors with such songs as the classic 'Throw,' there is always
a subtleness and attention to detail that separates his music from that of the
typical Johnny-come-lately dance music producer.
GREETiNGS.:
To all the people who respect us and like what we produce,
no names needed here, you know who you are :)
CONTACT...:
You got something to say? E-mail us at: eyeforaneye@hush.com