The_Charlatans_UK-The_Only_One_I_Know-US-CDS-1990-AMOK

Section
MP3/FLAC
Group
AMOK
Size
21,79 MB
Files
4
Date
2003-04-07

NFO

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      The Charlatans UK-The Only One I Know- US       Beggers Banquet
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    Supplier: 5-8-6                Encoder...: FHG 1.263
    Ripper..: 5-8-6                Quality...: 192 kbps / 44.1Hz / Full
    Scans...: None                 Catalogue#: 2690-2-HS
    Tracks..: 04                   Type......: Single
    Rel.Date: Feb-22-2003          Genre.....: Alternative
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   The Charlatans are a band of title fighters. Consistently the
   boldest, coolest, heftiest, best-looking contenders around, there is
   no doubt they have earned the right to be regarded as one of the
   best British acts of the last decade. Now, with the upcoming release
   of their first DVD, Just Lookin? 1990-1997 and B sides collection,
   Songs From The Other Side, The Charlatans are proving they can still
   pack a punch. Backtracking through the years their story goes like
   this ...


   The band - Jagger-lipped singer Tim Burgess from Manchester,
   guitarist Jon Baker, powerhouse keyboard player Rob Collins, bassist
   Martin Blunt and drummer Jon Brookes -all from the Midlands - form
   in 1989 and are instantly affiliated to the "Madchester" scene after
   the twin-headed Mondays / Roses beast turns the music world on its
   head. Based far more in (at that time uncool-as-fuck) mod territory,
   The Charlatans build a fervent following that sees their debut
   single, Indian Rope (released on their own Dead Dead Good label) go
   on to sell 20,000 copies with very little press or airplay. After
   signing to Beggars Banquet they release the Top Ten single The Only
   One I Know, an instant classic and the summer anthem of 1990. The
   follow-up, Then, and the debut album, Some Friendly which enters the
   charts at Number One, are to many the first indications that The
   Charlatans have the mark of greatness.


   As the band begin work on the follow-up, guitarist Jon Baker downs
   tools and leaves. He is replaced by, born and bred Mancunian, Mark
   Collins. Within a couple of months, Martin Blunt suffers a nervous
   breakdown. When it emerges, the second Charlatans album, Between
   10th and 11th, is an understandably moody set of songs. Although not
   well received at the time, the album now sounds odd, out of time and
   exciting. Two singles, Weirdo and Tremelo Song, keep the band in the
   public eye but fail to move the masses.


   Prior to work beginning on the third album, the boys find themselves
   at the mercy of a totally unforeseen event; Rob Collins is arrested
   and later convicted for his involvement in an armed robbery. But,
   rising to the occasion, the rest of the band crack on with
   recording, Rob?s parts being put down before he went to jail or
   added after his release. Then in early 1994, the aptly-titled, Up To
   Our Hips, is issued. Ironically, it proves to be their first
   complete album: a mod-ish pop record featuring the terrace anthem
   that never was, Can't Get Out Of Bed, the proto-trip-hop of Patrol
   and huge live favorite, I Never Want An Easy Life If Me And He Were
   Ever To Get There.


   That summer, after a handful of feverish British gigs, Tim is asked
   to sing on Life Is Sweet by long-time fans, The Chemical Brothers.
   It sees the light of day almost a year later on the Chemicals? debut
   album, Exit Planet Dust and marks the beginning of an enduring
   friendship. Back on top at last, The Charlatans head off to the
   studio to make a new record.


   The summer of 1995 is a blur of festivals and the payoff comes when
   the band's fourth album, The Charlatans, takes them back to the
   Number One spot. The next day, nursing proper hangovers, the band
   record their contribution to the Warchild / Help album, the mighty
   Time For Livin', a collaboration with The Chemical Brothers. The
   combination of Tom Chemical and Tim Comical results in the best
   track on an outstanding record. It is the sound of a band on a roll.
   It rocks. Come the end of the year, The Charlatans embark on a
   mammoth British tour, doing the usual - caning it, blowing roofs
   off, etc. etc.


   After a short layoff, the band started recording their fifth album
   at Rockfield and then at Monnow Valley in Monmouth. In July 1996,
   one month before the release of One To Another, the first fruit of
   these sessions, Rob Collins is tragically killed in a car accident
   near the studio. An untimely waste, Rob's death deprived the music
   world of a maverick genius and one of the last true rock 'n'
   rollers. Many expected The Charlatans to fold but the band,
   obviously grieving, issued a defiant press statement that ended;


   ?There will be no change. We are rock. We?ve lost our mate.?


   Another irony: One To Another is the band's biggest hit to date,
   entering the chart at Number Three.


   After Rob's funeral, the band reassembled to play two gigs with
   keyboard player Martin Duffy from Primal Scream on a temporary free
   transfer. Supporting Oasis at Knebworth the band look unsurprisingly
   uncomfortable but deliver the goods. A week later at the Chelmsford
   festival they are back on form, oozing cocksure confidence, and
   slaying the opposition. They destroy all monsters.


   After all that, Tellin' Stories emerges. A huge forward-looking rock
   'n' roll record, it is variously described as being the midway point
   between Let It Bleed, Searching For The Young Soul Rebels and
   "sounding like a big bag of spanners" (&copy; Martin Blunt 1997).
   Preceded by another Top Five single, North Country Boy, a classic
   slice of Charlatans country pop (previous reference point Here Comes
   A Soul Saver), the album takes no prisoners. Self-produced with help
   from long-time sidekick Dave Charles (alongside Tom Chemical and
   Richard Marsh from "carboottechnodiscoboogie" stars Bentley Rhythm
   Ace) is the kind of record The Charlatans always threatened to make.


   Tellin' Stories breaks a few more records for the band. It enters
   the UK Charts at Number One - making The Charlatans the only band to
   have had three Number One albums in the 90s. 1997 is undoubtedly
   their most successful year so far. Check this out: on top of a third
   Number One album (now platinum) they headline at the Phoenix and T
   In The Park festivals, complete a sell-out tour and, to round it all
   off, perform to capacity crowds at the Nynex Center in Manchester
   and the London Arena. To coincide, the wistful, elegiac Tellin'
   Stories is released as the last single the band will make for
   Beggars Banquet; 1998 sees them embark on a new worldwide deal with
   Universal.


   The following year, the Melting Pot compilation is released through
   Beggars Banquet and goes Top Five. Testament to the band?s
   contribution to British music, the album is compiled by the boys
   themselves and, in typically willful fashion, they avoid turning it
   into just another singles collection. Instead of the hits alone, it
   features enduring live favorites, rare alternative mixes and some of
   the tunes, which have a special meaning for the band themselves.


   So it goes on, with The Charlatans releasing two albums to date
   through Universal, claiming the double prize of Outstanding
   Contribution to Music and Radio One Evening Session Of The Year at
   this year?s NME Awards and lining up a string of live shows and
   festival appearances for the summer. Add to this the release of
   their DVD compilation, Just Lookin? 1990-1997 and Songs From The
   Other Side, the B-sides collection, and you?ve got one hell of a
   story. Long may it continue.

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   01 the only one i know                                        03:57
   02 everything changed                                         03:22
   03 imperial 109 (edit)                                        03:44
   04 you can talk to me                                         04:47
:                                               Total:21,8 MBB / 15:50 min
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                                   <Thinking AMOK - The Superior Lifestyle>
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Files

PathSize
01-the_only_one_i_know-amok.mp35,45 MB
02-everything_changed-amok.mp34,64 MB
03-imperial_109_(edit)-amok.mp35,13 MB
04-you_can_talk_to_me-amok.mp36,58 MB